Mostrando resultados por narrador "David Shaw-Parker" en Todas las categorías

Returned from Ireland after the death of his wife, Phineas Finn has a newfound ambition to rise through the ranks of English politics. But not long after regaining his seat in parliament, Phineas's luck begins to desert him. His reputation is tarnished after the press circulate rumours of an affair with Laura Kennedy, and his ambitions are frustrated by opposition from within the Party. Then, when his Party rival Mr Bonteen is discovered dead, all fingers point towards Phineas, leading to his incarceration and humiliation at the dock.

Many nations, peoples and special interest groups believe that violence will advance their cause. Warfare has changed greatly since the Second World War; it continued to change during the late 20th century, and this process is still accelerating. Political, technological, social and religious forces are shaping the future of warfare, but most Western armed forces have yet to evolve significantly from the Cold War era when they trained to resist a conventional invasion by the Warsaw Pact.

In the English language ‘bittersweet’ is that most pivotal of words. The mixture of sadness and happiness that suggest both but often bringing us smartly to earth, smack dab in-between them both, with little of either.

When the liberal government falls and neither party is able to form a cabinet, Plantagenet Palliser is called upon to lead a coalition government. He is reluctant at first, and displays none of the charisma of his predecessors, but eventually he grows into the role. However, his confidence is short-lived as he becomes embroiled in a scandal involving the villainous Ferdinand Lopez - unintentionally brought about by Lady Glencora Palliser. Pronounced "a beautiful book" by Leo Tolstoy, The Prime Minister is a superb portrait of marriage and politics.

In this volume the English language reveals itself in a scale and depth that few others can compare with. It seems to be an advantage to be able to choose from over a million words and yet, it is not the words but the way in which they are used that resonate with us all. Is there some bond between the English and writing poetry? Maybe, maybe not, but let us celebrate these poems down the ages, not as one nation’s hoard but humanity’s gift.

As Islam moved from its Arabian heartland to a wider geographic area, its core message remained albeit adapted to different lands, to different ears. Poets were ever eager to provide an alternate way of delivering the ‘message’ in beautiful verse. Their simplicity was embracing, their ornateness a humble offering to greater forces. The poems here are both profound and wide-ranging.

Leo Tolstoy was born in 1828 in the Russian province of Tula to a wealthy noble family. As a child, he had private tutors but he showed little interest in any formal education. When he went to the University of Kazan in 1843 to study oriental languages and law, he left without completing his courses. Life now was relaxed and idle but with some writing also taking place. In 1852 ‘Childhood’ was published to immediate success and was followed by ‘Boyhood’ and ‘Youth’. His experience in the army and the horrors he witnessed resulted in ‘The Cossacks’ in 1862 and the trilogy ‘Sevastopol Tales’.

Along the centuries numerous interpretations and definitions of Sufism have waxed and waned but the undeniable beauty of their verse in its myriad of forms including the musical Ghazal (love song), Masnavi (narrative) and Rubai (quatrain) always remains. Our chronological volume of the classic Sufi poets helps us understand the spiritual direction of Sufism, starting with Rabia in the 8th century through to Khwaja Ghulam Farid over a thousand years later.

Hailed as one of the world's supreme masterpieces on the subject of death and dying, The Death of Ivan Ilyich is the story of a worldly careerist, a high court judge who has never given the inevitability of his death so much as a passing thought. But one day death announces itself to him, and to his shocked surprise he is brought face to face with his own mortality. How, Tolstoy asks, does an unreflective man confront his one and only moment of truth?

John Clare was the forgotten Romantic poet, until the late 20th century. Known by his contemporaries as the Peasant Poet, he recorded in his poems the natural landscape of rural England before the Industrial Revolution. His poems rival Wordsworth’s for their sensitivity to nature and pantheism: ‘I feel a beautiful providence ever about me,’ Clare wrote. But his life was a long struggle against poverty and mental collapse. Some of his finest poems were written in the local asylum

In Framley Parsonage, the fourth novel of Trollope's Chronicles of Barsetshire, the author leaves the confines of Barchester and looks to the countryside, where he relates the moral difficulties of Mark Robarts, the young clergyman who has recently been appointed Vicar of Framley. Desperate to keep up with the local aristocracy, the country parson is persuaded to underwrite the debts of Sowerby, a well-respected peer.

In this volume whatever the odds stacked against our characters one thing is certain; they will prevail, and life will be good. But the journey is filled with complications and trials that only an author would dare put into words.

When an interest in surrealism becomes a fascination, and then a passion, and then an obsession which dominates your dreams, it's time to take a reality check.

Ryūnosuke Niihara was born in Kyōbashi, Tokyo in Japan on the 1st March 1892. Sadly, his mother suffered severe mental illness after his birth and so, at only eight months old, he was sent to be raised by his maternal uncle and aunt, from whom he received the Akutagawa family name. Akutagawa published "Rashōmon" in 1915 and whilst it was disliked by his friends everyone else knew better. As other short stories followed so did his growing literary reputation as the father of the Japanese short story.

With the talents on display the most difficult task is choosing only ten. Their virtuosity, their craft and ambition scare belie the difficulties that society places upon most women. Their words cannot be denied, their literary heritage is safe forever.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Oscar Fingal O'Flahertie Wills Wilde was born on the 16 October 1854 in Dublin, Ireland. The son of Dublin intellectuals, Oscar proved himself an outstanding classicist at Trinity College and then at Oxford. Wilde then moved to London and its fashionable cultural and social circles. With his biting wit, flamboyant dress and glittering conversation, Wilde became one of the most well-known personalities of his day.

Some people have basic needs of foods and materials that only theft can provide an answer for, and some others just pursue the taking of what they want, whenever they want and from whoever they want. These are their stories.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this decade the equality of the sexes is now law. In real life it’s patchy. Power refuses to ebb or cede. In literary terms though women are again second to none with writing that strides confidently forward addressing the issues, the characters and the stories in unique and individual ways.

Poetry can capture the imagination in a few short lines but narrative verse or poetry takes the form of telling a story whether it be simple or complex in a longer form. Among the most ancient forms of poetry it has widespread roots through almost every culture. In Volume 1 we bring you 'The Ballad of Reading Gaol' - Oscar Wilde; 'The Highwayman' - Alfred Noyes; and 'The Rime of the Ancient Mariner' - Samuel Taylor Coleridge.