Mostrando resultados por autor "Lord Tennyson" en Todas las categorías

The office of Poet Laureate goes back many centuries - informally to the time of Geoffrey Chaucer in 1389 and followed thereafter by a number of ‘volunteer laureates’. It was formally assigned to Ben Jonson in 1617 and, as a Royal office by letters patent in 1670, to John Dryden. It is a rich, rewarding history that bursts with the words, themes and visions of many great poets that has bound poetry and poets to a nation's soul.

"Locksley Hall" is a dramatic monologue written in 1835 and published in 1842. Tennyson explained that the poem was not autobiographical but purely imaginary, "representing young life, its good side, its deficiences and its yearnings".

The seas and oceans have a mystical power over us: From a playful day at the beach to the hysterical waves of a storm, this ever-changing element evokes both beauty and fear; its great mass, its shimmering beauty, its raging howl and all in colours from blue to grey to green and crystal clear. In these collections of verse our poets - including Tennyson, Swinburne, Keats, Shelley, and many others - explore the relationship between ourselves and the great mystical waters.

"The Charge of The Light Brigade" - written in 1854 by one of the great representative figures of the Victorian age, Lord Alfred Tennyson - celebrates the heroism of a British cavalry unit mistakenly ordered to attack a vastly superior Russian stronghold amidst the Battle of Balaklava during the Crimean War (1853-1856), a military conflict between Russia and a coalition of Great Britain, France, the Kingdom of Sardinia, and the Ottoman Empire.

The selection of eighteen poems is taken from Tennyson's first collection, published in 1830. The most famous poem in the collection is Mariana, a dramatic narrative, which, like The Lady of Shalott, describes the tragic fate of an abandoned woman. All the poems feature the elegant euphony for which Tennyson's verse has become famous.

This collection contains several of Tennyson’s best-known poems and shows his mastery of both lyricism and epic narrative.

Bitter Lips, Sweet Heart is a unique collection of romantic poetry first assembled by a group of young male college students who got together to read poetry and drink tea every week, thinking themselves spurned romantics and talented poets. Most of the original selections have been forgotten, and the collection has been updated for this simple release with a sense of irony and sheepishness in mature adulthood. May its angst, irony, lust, and innocent affection amuse and entertain you today, just as it did the four nerdy boys who assembled it to communicate.

"Enoch Arden" is a long narrative poem that is built on a theme that has been widely explored in literature and on film. A man is separated from his family due to shipwreck and marooned on an island. After several years of absence from his home, it is assumed that he has died, and his wife remarries and starts a new family. After 10 years, the man finally makes his way home and has to deal with the trauma of discovering his wife and family happily established in a new relationship.

Enoch Arden first came to international attention with a recording by Claude Raines and Glenn Gould, but it has since drifted back to obscurity. This is a work that both Luxon and Moyer have loved for many years. The poem is immediately accessible to any audience and tells a heart-wrenching story of friendship, love, separation, and sacrifice. The masterful score creates a powerful soundtrack to the saga.

"The King will follow Christ, and we the King In whom high God hath breathed a secret thing. Fall battleaxe, and flash brand! Let the King reign." This book is a novelisation of The Coming of Arthur from Tennyson's Idylls of the King. It describes the start of the Arthurian world, This is not the polished Camelot we often picture, but a raw, uncertain Britain on the brink of becoming something greater, or falling apart, written in a way that offers a commentary of the Britain of Tennyson’s own time.

This evocative poem was first published in 1832 but republished in 1842 with extensive alterations.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

"Theirs not to make reply, Theirs not to reason why, Theirs but to do and die". A lament of airman, soldier, sailor, and marine throughout history from Lord Tennyson's 1854 poem based upon a charge of British light cavalry led by Lord Cardigan against Russian forces during the Battle of Balaclava on 25 October 1854 in the Crimean War.

Read by award-winning narrator Mike Vendetti. "Tis better to have loved and lost, than never to have loved at all." Comes from this poem.

"'Now the Holy Thing is among us once again. So fast, brother, and pray. Tell the others to fast and pray, that perchance the vision may come to you too—and to them—and so the world may be healed.'" This book is a novelisation of The Holy Grail, Book 8 of Tennyson's Idylls of the King. In this account of the Grail legend, Percivale, having retired to a monastery, recounts to a fellow monk his experience of the Grail quest. This prose version is intended to make the poem more accessible to the general reader and students of the poem, as well as being a good read in itself.

A delightful collection of classic poems that will delight young and old alike, including: "How Beauty Contrived to Get Square with the Beast" by Guy Wetmore Carryl, "How Little Red Riding Hood Contrived to Be Eaten" by Guy Wetmore Carryl, "How Rudeness and Kindness Were Justly Rewarded" by Guy Wetmore Carryl, "If No One Ever Marries Me" by Lawrence Alma TademaI’m, "Nobody, Who Are You?" by Emily Dickinson, "Lochinvar" by Sir Walter Scott, "The Akond of Swat" by Edward Lear, and more.

This collection of sixteen poems features several notable examples of his early work, including “Oenone” and “The May Queen”, as well as two of his most iconic works, “The Lady of Shalott” and “The Lotus Eaters."

"Make me a little happier: let me know it: Owe you me nothing for a life half-lost?" This Idyll continues the story of Geraint and Enid from Book 3. Geraint suspects that Enid no longer loves him, though she has done nothing to deserve his doubt. Without explaining himself, he asks her to ride with him on a long and dangerous journey, during which he forbids her to speak to him. Though hurt and confused, Enid obeys, warning him of danger along the way and helping him in silence, even as he risks his life again and again.

"Pelleas could only stare. Is Guinevere herself so beautiful? he wondered. The lady's violet eyes were wide and luminous; her skin seemed lit by a dawn from some unclouded heaven. Her limbs bore the grace of full womanhood, and yet her form was slender and her hand delicate. She might have seemed no more than a lovely plaything, but those eyes, deep and mocking, hinted at something sharper." In Pelleas and Ettarre, Tennyson presents a tragic episode in which Sir Pelleas, a young and idealistic knight, enters Arthur's court full of chivalric fervour and romantic hope. He falls hopelessly in ...

"Blind love, blind hate, desire of emprise, / And pride, and all the weakness of the man." In this powerful story of honour and pride, the knight Balin struggles to control his fierce temper and live by the ideals of King Arthur's court. But when he is deceived by the cunning Vivien, his path takes a dark turn. A fateful clash with his twin brother Balan leads to a heartbreaking end.