Mostrando resultados por autor "Arundhati Roy" en Todas las categorías

Mother Mary Comes to Me, Arundhati Roy’s first work of memoir, is a soaring account, both intimate and inspirational, of how the author became the person and the writer she is, shaped by circumstance, but above all by her complex relationship to the extraordinary, singular mother she describes as “my shelter and my storm.” “Heart-smashed” by her mother Mary’s death in September 2022 yet puzzled and “more than a little ashamed” by the intensity of her response, Roy began to write.

Likened to the works of Faulkner and Dickens when it was first published 20 years ago, this extraordinarily accomplished debut novel is a brilliantly plotted story of forbidden love and piercing political drama, centered on the tragic decline of an Indian family in the state of Kerala, on the southernmost tip of India. Armed only with the invincible innocence of children, the twins Rahel and Esthappen fashion a childhood for themselves in the shade of the wreck that is their family.

A raw and deeply moving memoir from the legendary author of The God of Small Things and The Ministry of Utmost Happiness that traces the complex relationship with her mother, Mary Roy, a fierce and formidable force who shaped Arundhati’s life both as a woman and a writer.

My Seditious Heart collects the work of a two-decade period when Arundhati Roy devoted herself to the political essay as a way of opening up space for justice, rights, and freedoms in an increasingly hostile environment. Radical and superbly listenable, the essays speak in a voice of unique spirit, marked by compassion, clarity, and courage. Roy offers a powerful defense of the collective, of the individual, and of the land, in the face of the destructive logic of financial, social, religious, military, and governmental elites.

Arundhati Roy's debut novel The God of Small Things took the literary world by storm, winning the Booker Prize in 1997. It went on to sell over six million copies in 40 languages, and was named as one of the BBC's 100 'Novels That Shaped Our World' in 2019. Set in Kerala in both the present and 1969, it tells the compelling tale of fraternal twins Rahel and Estha, whose lives are shattered by the 'Love Laws' that dictate 'who should be loved, and how.

Mother Mary Comes to Me, Arundhati Roy’s first work of memoir, is a soaring account, both intimate and inspirational, of how the author became the person and the writer she is, shaped by circumstance, but above all by her complex relationship to the extraordinary, singular mother she describes as “my shelter and my storm.”

The Ministry of Utmost Happiness transports us across a subcontinent on a journey of many years. It takes us deep into the lives of its gloriously rendered characters, each of them in search of a place of safety - in search of meaning and of love.

From the poisoned rivers, barren wells, and clear-cut forests, to the hundreds of thousands of farmers who have committed suicide to escape punishing debt, to the hundreds of millions of people who live on less than two dollars a day, there are ghosts nearly everywhere you look in India. India is a nation of 1.2 billion, but the country's 100 richest people own assets equivalent to one-fourth of India’s gross domestic product.

Arundhati Roy’s first work of memoir, this is a soaring account, both intimate and inspiring, of how the author became the person and the writer she is, shaped by circumstance, but above all by her complex relationship to the extraordinary, singular mother she describes as ‘my shelter and my storm’. Born out of the onrush of memories and feelings provoked by her mother Mary’s death, this is the astonishing, often disturbing and surprisingly funny memoir of the Arundhati Roy’s life, from childhood to the present, from Kerala to Delhi.

The chant of Azadi! - Urdu for "freedom!" - is the slogan of the freedom struggle in Kashmir against what Kashmiris see as the Indian Occupation. Ironically it has also become the chant of millions on the streets of India against the project of Hindu Nationalism. What lies between these two calls for freedom? A chasm or a bridge? In this series of penetrating essays on politics and literature, Arundhati Roy examines this question and challenges us to reflect on the meaning of freedom in a world of growing authoritarianism.

Set against a background of political turbulence in Kerala, Southern India, The God of Small Things tells the story of twins Esthappen and Rahel. Amongst the vats of banana jam and heaps of peppercorns in their grandmother's factory, they try to craft a childhood for themselves amidst what constitutes their family - their lonely, lovely mother; their beloved uncle Chacko (pickle baron, radical Marxist and bottom pincher); and their avowed enemy, Baby Kochamma (ex-nun and incumbent grand-aunt).

Uno de los grandes fenómenos editoriales de las últimas décadas. Un debut que ganó el Booker, traducido a más de cuarenta idiomas y con ocho millones de ejemplares vendidos en todo el mundo. Debut de una desconocida Arundhati Roy en el año 1997, El dios de las pequeñas cosas ha sido uno de los grandes fenómenos editoriales de las últimas décadas. Ganador del Premio Booker y traducido a más de cuarenta lenguas, es ya un clásico contemporáneo con ocho millones de lectores en todo el mundo.

Destrozada por la muerte de su madre y, al mismo tiempo, desconcertada y "más que un poco avergonzada" por la intensidad de su reacción, Arundhati Roy comenzó a escribir estas memorias en un intento de comprender sus sentimientos hacia la madre de la que huyó a los dieciocho años, "no porque no la amara, sino para poder seguir amándola". Así empieza esta historia asombrosa, que Roy lleva "escribiendo toda la vida", un texto radicalmente honesto, divertido y profundamente conmovedor. .

In late 2014, Arundhati Roy, John Cusack, and Daniel Ellsberg traveled to Moscow to meet with Edward Snowden. The result is a series of essays and dialogues in which Roy and Cusack reflect on their conversations with Snowden. In these provocative and penetrating discussions, Roy and Cusack discuss the nature of the state, empire, and surveillance in an era of perpetual war, the meaning of flags and patriotism, the role of foundations and NGOs in limiting dissent, and the ways in which capital but not people can freely cross borders.

In a city graveyard, a resident unrolls a threadbare Persian carpet between two graves. On a concrete sidewalk, a baby appears quite suddenly, a little after midnight, in a crib of litter. In a snowy valley, a father writes to his five-year-old daughter about the number of people who attended her funeral. And in the Jannat Guest House, two people who've known each other all their lives sleep with their arms wrapped around one another as though they have only just met.

The Ministry of Utmost Happiness is a dazzling new novel by the internationally celebrated author of The God of Small Things. It takes us on an intimate journey of many years across the Indian subcontinent—from the cramped neighborhoods of Old Dehli and the roads of the new city to the mountains and valleys of Kashmir and beyond, where war is peace and peace is war.

The chant of 'Azadi!' - Urdu for 'Freedom!' - is the slogan of the freedom struggle in Kashmir against what Kashmiris see as the Indian Occupation. Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism. Even as Arundhati Roy began to ask what lay between these two calls for freedom - a chasm or a bridge? - the streets fell silent. Not only in India, but all over the world.

As a novelist, Arundhati Roy is known for her lush language and intricate structure. As a political essayist, her prose is searching and fierce. All of these qualities shine through in the interviews collected here by David Barsamian. This newly reissued and expanded edition, featuring interviews from 2001 to 2022 and a moving foreword by Naomi Klein, explores Roy's evolving political thought and commitments across the tumultuous twenty-first entry.

Arundhati Roy examines the persistent inequality in India through an extensive critique of Gandhi's views on race, caste and imperialism.

My Seditious Heart collects the work of a two-decade period when Arundhati Roy devoted herself to the political essay as a way of opening up space for justice, rights and freedoms in an increasingly hostile environment. Taken together, the essays speak in a uniquely spirited voice, marked by compassion, clarity and courage.