Mostrando resultados por narrador "Shaheen Khan" en Todas las categorías

You’re riding in your self-driving car when suddenly the doors lock, the route changes and you have lost all control. Then, a mysterious voice tells you, “You are going to die.” Just as self-driving cars become the trusted, safer norm, eight people find themselves in this terrifying situation, including a faded TV star, a pregnant young woman, an abused wife fleeing her husband, an illegal immigrant, a husband and wife, and a suicidal man. From cameras hidden in their cars, their panic is broadcast to millions of people around the world.

Eve is clearing her father’s house when she finds an old cassette player and a box of tapes. Though grieving, she smiles at the spark of nostalgia. One tape is labelled ‘Eve’–in her mother, Angela’s, scrawled handwriting. She disappeared for good more than ten years ago. The tape whirrs. A voice crackles. ‘My name is Angela’. Tears fill Eve’s eyes at the familiar voice–at the thought her mother recorded this message just for her. But the next words make her heart pound.

"How ought one to live?" This is the question that obsesses London-based publisher Ayush, driving him to question every act of consumption. He embarks on a radical experiment in his own life and the lives of those connected to him: his practical economist husband; their twins; and even the authors he edits and publishes.

When someone hacks into the systems of eight self-driving cars, their passengers are set on a fatal collision course. The passengers are: a TV star, a pregnant young woman, a disabled war hero, an abused wife fleeing her husband, an illegal immigrant, a husband and wife - and parents of two - who are travelling in separate vehicles and a suicidal man. Now the public have to judge who should survive but are the passengers all that they first seem?

Prize-winning historian Naoíse Mac Sweeney delivers a captivating exploration of how “Western Civilization”—the concept of a single cultural inheritance extending from ancient Greece to modern times—is a powerful figment of our collective imagination. An urgently needed emergent voice in big history, she offers a bold new account of Western history, real and imagined, through the lives of fourteen remarkable individuals.

With her thirtieth birthday on the horizon, Anna Kotze has accepted that there are some family secrets she’ll never know. While her mother’s Zimbabwean roots are woven into her life, all her father will say is that he was adopted. But when she finds an engraved necklace hidden among his things, a surprise piece of the puzzle finally falls into place: her father wasn’t just adopted—he was abandoned. The only clue to her grandmother’s identity is the inscription, ‘Indira’, Anna’s own middle name. But who was her namesake and where is she now?

Radhi returns home to Mumbai to lick her wounds after a failed relationship and a bout of writer's block, but she soon gets caught up in a tangled mystery. Radhi's pregnant best friend Sanjana's father is found dead in his study. Everyone says it's suicide. And yet, just hours before, he was telling Sanjana that he couldn't wait to hold his grandchild in his arms. Something feels off to Radhi. Her suspicions are further raised by the surly cook and timid young maid's odd behavior. And who did the second cup of tea on his desk belong to? Radhi is determined to uncover the truth.

Two years after her brother Charles Bingley weds Miss Jane Bennett, Miss Caroline Bingley is visiting her brother's country estate near Pemberley, the home of their best friends, Mr. and Mrs. Darcy. Restless and out of sorts, Caroline wonders if there's more to life than playing cribbage and paying calls on country neighbors. When Georgiana Darcy's maid, Jayani disappears and Georgiana sets off to find her, Caroline races to to find them in London, where she stumbles on a shocking, cold-blooded murder.

The chant of Azadi! - Urdu for "freedom!" - is the slogan of the freedom struggle in Kashmir against what Kashmiris see as the Indian Occupation. Ironically it has also become the chant of millions on the streets of India against the project of Hindu Nationalism. What lies between these two calls for freedom? A chasm or a bridge? In this series of penetrating essays on politics and literature, Arundhati Roy examines this question and challenges us to reflect on the meaning of freedom in a world of growing authoritarianism.

In a small pocket of London, between the houses of No.77 and No.79 Eastbourne Road, lies a neglected community garden. It was a beautiful thing once, a little oasis in a bustling city for neighbors by day and the local foxes at twilight. Now it’s overgrown and neglected, an empty patch of greenery lost to time.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is of immense importance to the culture of the Indian subcontinent and is a major text of Hinduism. Its discussion of human goals (artha or 'purpose', kama or 'pleasure', dharma or 'duty' and moksha or 'liberation') takes place in a long-standing tradition, attempting to explain the relationship of the individual to society and the world (the nature of the 'self') and the workings of karma.

Karna's Wife: The Outcast's Queen tells the extraordinary story of Karna, the unsung hero of the Mahabharata, through the eyes of his wife, Uruvi, bringing his story to the listener from a unique perspective. An accomplished Kshatriya princess who falls in love with and dares to choose the sutaputra over Arjun, Uruvi must come to terms with the social implications of her marriage and learn to use her love and intelligence to be accepted by Karna and his family.

The chant of 'Azadi!' - Urdu for 'Freedom!' - is the slogan of the freedom struggle in Kashmir against what Kashmiris see as the Indian Occupation. Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism. Even as Arundhati Roy began to ask what lay between these two calls for freedom - a chasm or a bridge? - the streets fell silent. Not only in India, but all over the world.

Grand Life Apartments is a middle-class apartment block surrounded by lush gardens in the coastal city of Chennai, India. It is the home of Kamala, a pious, soon-to-be retired dentist who spends her days counting down to the annual visits from her daughter who is studying in the UK. Her neighbour, Revathi, is a thirty-two-year-old engineer who is frequently reminded by her mother that she has reached her expiry date in the arranged marriage market. Jason, a British chef, has impulsively moved to India to escape his recent heartbreak in London.

Two years after the events of Pride and Prejudice, Miss Caroline Bingley is staying at her brother's country estate close to Pemberley, wondering if there's more to life than cribbage and paying calls. So when Georgiana Darcy's maid, Jayani, vanishes and Georgiana disappears in search of her, Caroline races after them to London, only to discover a shocking, cold-blooded murder. Soon Caroline is careering through the grimy underbelly of the city, demanding answers of malevolent footmen, reluctant magistrates, Indian dockhands, and mysterious East India Company men.

Nairobi Noir is an act of excavation, rediscovering the city's ossified past and infusing life to preserve it for future generations. It is also an act of celebration, reminding listeners of the brilliance of the best-known writers to emerge from this part of the world, and heralding the birth of new writers whose gifts, we can safely predict, will shine brightly in the years ahead.

India, 1855. There are two kinds of magic in Chompa's world. The kind her mother favours: writing-magic, which anyone can do if they take the time. Write a spell in Farsi, and wait. It's calm, controlled, safe, says Ammi. It's slow, frustrating, boring, thinks Chompa. Then there's finger-magic, which only those descended from ancient djinn are born with. Immediate, powerful - and dangerous, for every act of finger-magic leaves a trace, and comes at a price.

In Competition Is Killing Us, top business and competition lawyer Michelle Meagher establishes a new framework to control capitalism from the inside in order to make it work for the many and not just the few. Meagher has spent years campaigning against these multi-billion- and trillion-dollar mammoths that dominate the market and prioritise shareholder profits over all else; leading to extreme wealth inequality, inhumane conditions for workers and relentless pressure on the environment.

When the body of a homeless woman is found under Bradford’s railway arches, DS Nikki Parekh and her trusty partner DC Sajid Malik are on the case. With little evidence, it’s impossible to make a breakthrough, and when Nikki receives a newspaper clipping taunting her about her lack of progress in catching the killer, she wonders if she has a personal link to the case. When another seemingly unrelated body is discovered, Nikki receives another note. Someone is clearly trying to send her clues...but who? And then a third body is found.

In this comprehensive anthology, former Poet Laureate Andrew Motion has gathered together exceptional poems from the 14th century through to the present day, creating an extraordinary poetic journey for the listener. From the love poems of Shelley and Keats to the grim war elegies of Owen and Sassoon, there is a poem here for every sentiment, each with something different to offer.