Showing results by publisher "Brilliance Audio" in African American

At the heart of Harriet E. Wilson’s autobiographical novel is Frado, the young daughter of a mixed-race couple, who is exploited first by a middle-class New England white family and then by an opportunistic husband on the abolitionist lecture circuit. In adopting the nineteenth-century conventions of both the sentimental novel and the narratives of enslaved people, Wilson delivered a scathing and ironic indictment of the racism of the antebellum North.

When the free-spirited Zora and the ambitious Bles first meet, they strike up an immediate friendship - one that seems destined to mature into love. That emotional journey is disrupted, however, by the crushingly oppressive forces that surround them in the post-Reconstruction South. Zora’s desire for personal growth takes her to New York, where she finds work as a domestic servant, while Bles travels to Washington, DC, for an education in politics. Disillusioned by the corruption and hypocrisy of the North, they eventually return home with a new dream altogether.

One of the best-known poets of the Revolutionary War era, Phillis Wheatley made history with this collection, which was the first such work to be published from an African American woman. Celebrated on both sides of the Atlantic, Wheatley found admirers in the likes of Voltaire, George Washington, Benjamin Franklin, and John Paul Jones.

In cosmopolitan Johannesburg, three high-flying couples form the core of the elite Khula Society: part investment group, part social club, with meetings where the champagne flows, the dresses are designer and the one-upmanship is off the scale. Noma, Moshidi, Lerato and their husbands are living the dream—or so it appears from the outside. In reality, the cut and thrust of ‘keeping up with the Khulas’ is taking its toll on all three couples.

A chance meeting reunites Irene Redfield and Clare Kendry, estranged friends who have long been separated by their ambitions. Since losing touch, Irene has become a wife and mother in Harlem, where she remains closely connected to her racial heritage. The seductive Clare, however, now “passes,” enjoying the privileges of white society while hiding her roots from the world, including her rich (and racist) husband.

Drawing on the 1898 overthrow of the Wilmington, North Carolina, government by white supremacists, Charles W. Chesnutt’s classic novel unmasked the racism of the post-Reconstruction South.

Four women. Two years.A friendship to last a lifetime.The only things that Sharita, Thursday, Risa, and Tammy have in common are their disastrous love lives. But the year three of them turn 30 will be different, they swear!Sharita, a plump and conservative accountant wants to make partner at her firm and find the man of her dreams. Thursday, the daughter of a formerly chart-topping political rapper, wants to stop being a serial one-month stander, and settle down into a stable life with a stable boyfriend.

Georgia Douglas Johnson was a key contributor to the Harlem Renaissance - hosting an influential salon, breaking new ground as a Black playwright, and playing an important role as an anti-lynching activist. Her poetry, however, is what first brought her to national attention, and in the early works collected here, her wide-ranging talents are already quite evident. In The Heart of a Woman, Johnson’s exquisite verse captures the full emotional terrain of womanhood. These are poems about love and disillusionment, empowerment and fulfillment, loneliness and joy.

James Ramsay is twenty-one years old and he has just inherited a building in New York City. After the death of his estranged mother, he finds that he is now the owner of No. 1 Dutch Street - a five-story brownstone near the World Trade Center. As James takes up residence there, trying to figure out his next move, he gets to know the only other tenant: an elderly black woman named Nellydean. Under a mounting tide of taxes, James finds himself faced with a stark choice.

A striking mosaic of prose, poetry, and dramatic dialogue, Jean Toomer’s Cane has come to be considered a masterpiece of the Harlem Renaissance. Structured as a series of vignettes ripe with longing, passion, violence, and revenge, the haunting novel gives a powerful voice to the interior lives of African Americans in the rural South and urban North. Championed for its unsparing honesty and psychological insight by such luminaries as Langston Hughes, Richard Wright, Alice Walker, and Maya Angelou, Cane shines as a beacon to generations of African-American writers.

A civil rights activist and key figure in African American literary history, Alice Dunbar-Nelson made her mark during the emerging Harlem Renaissance. Violets and Other Tales is her debut (included here in full, save for three stories later updated in The Goodness of St. Rocque). The collection includes poetry, short stories, and essays offering a varied examination of class differences, racial identity, oppression, intolerance, and women’s societal roles. The Goodness of St. Rocque and Other Stories assembles 14 of Dunbar’s short works of fiction.

It is 1913, shortly before the start of the First World War, and Annalaura is alone again. Her gambling, womanizing husband has left the plot they sharecrop in rural Tennessee - why or for how long she does not know. Without food or money and with her future tied to the fate of the season’s tobacco crop, Annalaura struggles to raise her four children. When help comes in the form of an amorous landowner, who is she to turn it - and him - away? In this remarkable first novel, as bracingly original as it is exquisitely rendered, Francine Howard tells a moving story of American desire and ambition....

The unimaginable has happened to Marcia Williams. Her bright and beautiful sixteen-year-old son Ryan has been brutally murdered. Consumed by grief and rage, she must bridle her dark feelings and endure something no mother should ever have to experience: she must go to court for the trial of the killer - another teenage boy - accused of taking her son's life.

Tom and Son Jesus are two boys - one black and the other white - who have been mysteriously ordained at birth to spark the flames of change. Best friends, they spend their days daydreaming, fishing, and trying to escape work. But their fun abruptly comes to a halt when they discover a bone during a fanciful runaway. Sheriff Frank Rucker, returned a hero from World War II, begins an investigation that unmasks a racially motivated killer known only as Pegleg.

In this fictional confession, an unnamed narrator reveals the “great secret” of his life: he was born mixed race - and his ability to pass as white has provided him a unique perspective on America’s profound racial prejudice. As he recounts his experiences in the American South, the suburbs of the Northeast, New York City jazz clubs, and various European capitals, he also grapples with the emotional fallout of a life lived in constant fear of discovery - a life lived, in other words, in a culture unaccountably preoccupied with the shade of a person’s skin.

With the warm embrace of New Orleans behind her, Mimi Daquin, a young, fair-skinned African American woman, moves to Atlanta with her father and stepmother. There, for the first time, Mimi is awakened both to the reality of racism in America and the relative privilege that her fair skin affords her. Amid segregation, racial tension, and escalating violence, Mimi chooses to pass as white—but that choice has costs of its own. And as she travels from Atlanta to Philadelphia to Harlem in search of a place to belong, her sense of self begins to break down.

In an astounding debut poetry collection, Cave Canem, Callaloo, and Lambda Literary fellow Ife-Chudeni A. Oputa presents a relentless but refined portrait of one young woman's journey toward self-discovery. Her poems explore the eternal themes of the human condition - nature, origin, shame, identity, desire, mortality - with sensitivity and specificity. They illuminate and interrogate the ways that her characters inflict and experience pain, ultimately revealing how we must all face our shame in order to grow. No voice is blameless; no person is exempt.

Paris, 1944: the city steams in the summer heat, bristling with anticipation of its impending liberation. It marks the beginning of the end of a devastating war… and the beginning of a year like no other for Marie-Therese Brillard and her children, Colette and Christophe. They first came to Paris from Martinique in 1928, among the immigrants of color who flocked to France in the 1920s and 30s. They settled in Montmartre, a vibrant neighborhood teeming with musicians, writers, and artists, and began the arduous task of building a new life in a new land.

Born a slave, Bledsoe had never left Our Joy plantation, and a daring escape offers his only chance for liberty. On the run he encounters Alice, an Irish indentured servant, committing what appears to be an act of murder as she burns down a shack in the Great Dismal Swamp of North Carolina. Faced with the threat of capture, Bledsoe and Alice become reluctant allies. An epic tale unfolds as their quest for freedom pulls them from swamp to city, from North Carolina to Virginia.

Dark, lanky, and bald, New York-raised photographer Sabre Cumberbatch can’t tell if she’s highly talented or just highly Instagrammable. Up to here with art critics and their gaseous praise, Sabre returns to Barbados, her childhood island home, to water her roots. She needs to quell self-doubt by doing something—anything—profoundly important. Welcoming her with bejeweled open arms is her aunt Aggie, a fearsome high-society attorney eager to show off her famous American niece. When Sabre witnesses Aggie unleash her wrath on the household staff over a minor mistake, Sabre finds her cause.