Showing results for title "WAR" in Essays

When Phil Klay left the marines a decade ago after serving as an officer in Iraq, he found himself a part of the community of veterans who have no choice but to grapple with the meaning of their wartime experiences—for themselves and for the country. American identity has always been bound up in war—from the revolutionary war of our founding, to the civil war that ended slavery, to the two world wars that launched America as a superpower. What did the current wars say about who we are as a country, and how should we respond as citizens?

The final and most personal work from Pulitzer Prize - winning author and historian Will Durant - discovered 32 years after his death - is a message of insight for everyone who has sought meaning in life or the council of a wise friend in navigating life's journey. From 1968 to 1978, Will Durant made four public allusions to the existence of Fallen Leaves. One, in 1975, hinted at its contents: "a not very serious book that answers the questions of what I think about government, life, death, and God."

Lake Ohrid and Lake Prespa. Two ancient lakes joined by underground rivers. Two lakes that seem to hold both the turbulent memories of the region's past and the secret of its enduring allure. Two lakes that have played a central role in Kapka Kassabova's maternal family. As she journeys to her grandmother's place of origin, Kassabova encounters a historic crossroads.

What draws our species to war? What makes us see violence as a kind of sacred duty, or a ritual that boys must undergo to "become" men? Newly reissued, Blood Rites takes listeners on an original journey from the elaborate human sacrifices of the ancient world to the carnage and holocaust of 20th-century "total war." Ehrenreich sifts deftly through the fragile records of prehistory and discovers the wellspring of war in an unexpected place - not in a "killer instinct" unique to the males of our species, but in the blood rites early humans performed.

In little time, Loy has become one of the most powerful advocates of the Buddhist worldview, explaining like no one else its ability to transform the sociopolitical landscape of the modern world. In this, his most accessible work to date, he offers sharp and even shockingly clear presentations of oft-misunderstood Buddhist staples - the working of karma, the nature of self, the causes of trouble on both the individual and societal levels - and the real reasons behind our collective sense of "never enough", whether it's time, money, sex, security...even war.

In a series of penetrating and alarming essays, whose centerpiece is a commentary on the events of September 11, 2001 (deemed then too controversial to publish), Gore Vidal challenges the comforting consensus following September 11th and goes back and draws connections to Timothy McVeigh’s bombing of the federal building in Oklahoma City. He asks were these simply the acts of “evil-doers?”

We're Doomed, Now What? addresses the crisis that is our time through a series of brilliant, moving, and original essays on climate change, war, literature, and loss from one of the most provocative and iconoclastic minds of his generation.

In April 1915 Dorothea Crewdson, a newly trained Red Cross nurse, and her best friend, Christie, received instructions to leave for Le Treport in Northern France. Filled with excitement at the prospect of her first paid job, Dorothea began writing a diary. 'Who knows how long we shall really be out here? Seems a good chance from all reports of the campaigns being ended before winter, but all is uncertain.'

King George V predicted that his son, Edward VIII, would destroy himself within a year of succeeding to the throne. In December 1936 he was proved right, and the world’s press revealed the king was abandoning his throne to marry Wallis Simpson. A life spent in the shadow of his charismatic elder brother left the new king, George VI, magnificently unprepared for the demands of ruling the kingdom and empire. Drawing on personal accounts from the royal archives, Deborah Cadbury uncovers the very private conflict.

A fresh and fascinating reappraisal of the first half of the 20th century from one of our foremost historians. 'War, comrades,' declared Trotsky, 'is a great locomotive of history.' He was thought to be acknowledging the opportunity the First World War had offered the Bolsheviks to seize power in Russia in 1917. Peter Clarke explores the crucial ways in which war can be seen as a prime mover of history in the 20th century through the eyes of five major figures.

When it comes to how societies commemorate their own distant dreams and catastrophes, we often think of books, archives, or memorials carved from stone. But in Time's Echo, Jeremy Eichler makes a revelatory case for the power of music as culture's memory, an art form uniquely capable of carrying forward meaning from the past. Eichler shows how four towering composers - Richard Strauss, Arnold Schoenberg, Benjamin Britten and Dmitri Shostakovich - lived through the era of the Second World War and the Holocaust and later transformed their experiences into deeply moving works of music.

The Civil War, the most dramatic moment in this nation's history, also produced some of our greatest literature. From tragic charges to prison escapes to the desolation wrought on those who stayed behind, Blood is an extraordinary collection of reminiscences, fiction, and excerpts from diaries and letters by an array of soldiers, writers, and observers.

Kargil: Untold Stories from the War takes you into the treacherous mountains where some of the Indian Army's bloodiest battles were fought. Interviewing war survivors and martyrs' families, Rachna Bisht Rawat tells stories of extraordinary human courage, of not just men in uniform but also those who loved them the most. With its gritty stories of incomparable bravery, Kargil: Untold Stories from the War is a tribute to the 527 young braves who gave up their lives for us - and the many who were ready to do it, too.

Do you know it, do you remember it, the drives, the attitudes, the terrors and, yes, the joys? Thus Steinbeck introduces his collection of poignant and hard-hitting dispatches for the New York Herald Tribune when the Second World War was at its height. He begins in England, recounting the courage of the bomber crews, the tragic air-raids and the strangeness of the British, before being sent to Africa and joining a special operations unit off the coast of Italy.

In What Wars Leave Behind, J. Malcolm Garcia reveals the people and pain behind the statistics. He writes about impoverished families scraping by in Cairo’s city of the dead, ordinary Syrians pretending all is well as shells explode around them, and others caught in conflicts that rage long after the cameramen have packed up and gone away.

Winner of the 2013 Eric Hoffer E-book Fiction Award, The War Is Language is a destruction of narrative, an experimental collection of flash fiction. These often humorous pieces exist at story's amorphous limit of spoken word and deconstruction. This disordered collection makes a mosaic with cathartic, inflammatory language.

Prophecy may vary between being an intellectual amusement and a serious occupation; serious not only in its intentions, but in its consequences. For it is the lot of prophets who frighten or disappoint to be stoned. But for some of us moderns, who have been touched with the spirit of science, prophesying is almost a habit of mind.