Showing results by publisher "Assembled Stories" in Literature & Fiction

A wonderfully evocative tale of the courtship of Fancy Day, newly arrived schoolmistress, by Dick Dewy, carrier of goods, during the four seasons of one year in Wessex. Most of Hardy’s work had tragedy woven into the narrative but ‘Under the Greenwood Tree’ is full of whimsy and good humour. The story is not without its serious comment, however, as Hardy reflects on class division and the disappearance of heritage in the rural community.

Phlegmatic Anne is the unappreciated strength within her family - a vain, pompous father, a self-regarding and self-deluding older sister and a dissatisfied and selfish younger one. At the age of 19, Anne is persuaded out of an engagement to Frederick Wentworth, an ambitious, highly principled and determined naval gentleman who departs in angry indignation. Eight years later, by coincidental circumstances, he is brought into her social circle once more, having obtained wealth and reputation.

A collection of short... stories by W W Jacobs. Serpents, skinflints, skivers, suitors and sundry sailors take the foreground in these stories about the East End of London and the mythical village of Claybury at the turn of the century.

'The manuscript was submitted to me by a young officer of the R.F.A., home from the front on leave. He explained that he had brought with him from France a bundle of papers which he had found in one of the dug-outs of an abandoned gun position. He discovered the papers secreted in a dark corner wedged in between a post and the wall of one of the bunks.' (Extract from the preface by John Lane, publisher)

London Lavender is not a story; it is a party. It is a party at which Mr Lucas invites his readers to meet all sorts of interesting and unusual seeming guests, and lets them tell their queer and quaint and funny ideas about life, and gives little sketches of their history.

This book was the inspiration for an enormous achievement. The Peoples Palace for the entertainment and instruction of the working class was opened in the East End in 1887, five years after the book was published. It had changed peoples lives and was an incredible support for those who had previously no art gallery, theatre, library, concert hall or gymnasium.

A romantic adventure yarn of plotting and corruption largely set against the panorama of Imperialist Russia but with some of the skulduggery taking place in the major capitals of Europe. An old Etonian and half Russian, Prince Paul Alexis, inherits the Osterno estate in the Steppes. Naive and honest, but helped by experienced campaigner Steinmetz, he forms a progressive but illegal Charity League to succour the needs of the starving uneducated peasantry who are ravaged by cholera.

This wonderful comedy about orphan and innocent Arthur Kipps was the means by which Wells satirized what he saw as a gross stupidity and blight upon English society: the pretensions of and obsession with class. Humble drapers' assistant Arthur unexpectedly inherits his grandfather’s fortune and is instantly propelled into a higher social strata with the subsequent problems of attaining the required behaviour of a ‘gentleman’.

This is Volume Two of the greatest romantic narrative novel of the early 19th century. John Halifax, Gentleman, tells the story of an orphan boy whose first words in the story are “Sir, I want work; may I earn a penny?” By hard work, diligent study and an unshakeable faith in his God, John attains wealth and happiness, despite much hardship and heartbreak throughout his life. The story chronicles the class movement of the time and gives us a remarkable description of social, political, and industrial change.

This is Volume Three of the greatest romantic narrative novel of the early 19th century. John Halifax, Gentleman, tells the story of an orphan boy whose first words in the story are “Sir, I want work; may I earn a penny?” By hard work, diligent study and an unshakeable faith in his God John attains wealth and happiness, despite much hardship and heartbreak throughout his life.

This is Volume Four of the greatest romantic narrative novel of the early 19th century. John Halifax, Gentleman, tells the story of an orphan boy whose first words in the story are “Sir, I want work; may I earn a penny?” By hard work, diligent study and an unshakeable faith in his God John attains wealth and happiness, despite much hardship and heartbreak throughout his life. The story chronicles the class movement of the time and gives us a remarkable description of social, political, and industrial change.

This is Volume Five of the greatest romantic narrative novel of the early 19th century. John Halifax, Gentleman, tells the story of an orphan boy whose first words in the story are “Sir, I want work; may I earn a penny?” By hard work, diligent study and an unshakeable faith in his God John attains wealth and happiness, despite much hardship and heartbreak throughout his life. The story chronicles the class movement of the time and gives us a remarkable description of social, political, and industrial change.

David Herbert... Lawrence was born into a mining family in Nottinghamshire in 1885. He created his finest work shortly after the finish of the First World War. Two of the themes in his writing are the gradual disintegration of the class system and the customs and sexual mores of people across class divisions. What made Lawrence unusual was the combination of this subject matter with the style of his direct, modern prose.

O. Henry was the greatest short-story writer of his day. His characters may be from America at the turn of the century, but their foibles and eccentricities are known to us all, irrespective of culture or time. This selection includes such classics as: 'The Gift of the Magi', 'A Service of Love', 'Makes the Whole World Kin', 'Let Me Feel Your Pulse', and, of course, 'Between Rounds'.

The columnist of... the New York Post-Dispatch, Miss Lonelyhearts, is initially cynical about the letters he receives for help. They are a joke. Gradually however, the letters start to move him but he is powerless to do anything. Retreating from the pain into a fantasy world he starts to believe that he is a Christ figure, a universal saviour. But Christ died for the sins of others! The pen may be mightier than the sword but the author wields his like a cleaver, splicing images together to present a savagely grotesque world.

A Master of Craft was written in 1900. It was said of W.W.Jacobs that he was one of the few writers who succeeded in being deliberately humorous. In this yarn, dedicated to his wife, he tells of marital mishap and misadventure among mariners in the East End of London. Will Poppy Tyrell find happiness? What are the dark secrets of Cap’n Flower? Rest assured that all will be revealed and there will be a happy ending.