Mostrando títulos en Historia y Crítica

In this unique collection, Literary Witches co-creator Katy Horan unearths the true and fictional stories behind twenty traditional murder ballads, exploring the beauty and horror of the art form through stories, lyrics, and original interpretations. The audiobook includes covers of various folk...

“An essential book for this moment.” —Rob Sheffield The definitive history of LGBTQ music, from Stonewall to RuPaul, and its impact on culture and American life From the underground dancefloors of the Seventies to the global charts of the Nineties, LGBTQ artists and audiences shaped...

In 100 brief chapters, John M. Borack discusses and ranks the greatest moments in Beatles history. An avid Fab Four fan since childhood and a music journalist for more than 35 years, Borack has created a book to agree with and disagree with, and one that is sure to spark conversations. A love letter to the greatest rock band of all time, The Beatles 100 is a book for Beatles buffs and casual fans alike.

For a Kentucky rifleman who spent his tour trudging through Vietnam's Central Highlands, it was Nancy Sinatra's "These Boots Are Made for Walkin'". For a "tunnel rat" who blew smoke into the Viet Cong's underground tunnels, it was Jimi Hendrix's "Purple Haze". For a black marine distraught over the assassination of Martin Luther King, Jr., it was Aretha Franklin's "Chain of Fools".

The author of The New York Times bestseller This is Your Brain on Music reveals music’s role in the evolution of human culture and “will leave you awestruck.” (The New York Times) Daniel J. Levitin’s astounding debut bestseller, This is Your Brain on Music, enthralled and delighted...

It began with a handful of East Berlin teens who heard the Sex Pistols on a British military radio broadcast to troops in West Berlin, and it ended with the collapse of the East German dictatorship. Punk rock was a life-changing discovery. The buzz-saw guitars, the messed-up clothing and hair, the rejection of society and the DIY approach to building a new one: In their gray surroundings, where everyone's future was preordained by some communist apparatchik, punk represented a revolutionary philosophy - quite literally, as it turned out.

Standing at the bleeding edge of the new decade between the experimental Berlin Trilogy (Low, Heroes, and Lodger) and 1983’s wildly successful Let’s Dance, it was here Bowie sought to bury the ghosts of his past and the golden decade of the 1970s to become a global superstar reaching millions of new fans. Featuring fresh insights and exclusive interviews with close collaborators, Adam Steiner’s Silhouettes and Shadows uncovers the studio stories, meanings behind, and secret history of Scary Monsters...

Rossini era capaz de leer una partitura de derecha a izquierda y de abajo a arriba; Wagner embaucó a Luis II para que le construyera un teatro en Bayreuth, donde debía llegar desde Inglaterra un inmenso dragón de cartón-piedra para el estreno de Sigfrido... Pero arribó ¡en Beirut!... Hay anécdotas como estas por decenas, pero ninguna pasa de eso, del puro cotilleo. Este audiolibro aspira a dar otro tipo de respuestas a los claroscuros de algunos grandes compositores, y a hacer comprensibles muchas de las cuestiones que rodean a la música llamada clásica.

From the joyous communal connections fostered through shared auditory experience to the devastating impact of noise pollution in the deep sea, musician and author Damon Krukowski urges readers to reconsider the significance of sound and its role in both our personal and collective well-being. He looks despairingly at how the multipronged efforts of urban dwellers to mitigate city noise have led to increased isolation, loss of community, and a sense of physical detachment from one’s surroundings.

In the tradition of Just Kids, Ronen Givony's Us v. Them chronicles the generation of young artists who came to Brooklyn in the mid-2000s: a small but seismic scene that coalesced under a billionaire mayor, a series of forever wars, and a music industry in free fall. In tandem with the impresarios and unlicensed venues that lined the Williamsburg waterfront, combining elements of noise and pop, a few became unlikely superstars. Meanwhile, countless flared and vanished, reminders of an unusually fertile moment—the age of indie—that now means little more than a term of marketing.

Ever since the Beatles’ British Invasion, numerous rock bands and singers have created albums that still have many fans’ love and devotion today. Was it raw talent, or was there something below the surface that transformed these dreamers into Hollywood legends? Icons of Rock invites music lovers to discover the truth behind their favorite artists and how they created the best songs of all time. Investigating the psychology and chemistry behind artistic inspiration, you will find how much an unconscious influence can change not only one person’s life, but the entire world.

Noah Lefevre, creator of Polyphonic, explores how our favorite music does more than entertain. From Aretha Franklin carving out her own space in what had been considered a man's world by reworking the chauvinistic lyrics to the 1967's hit "Respect," to Doja Cat's successful backlash against toxic fans of the digital age; from a broken amplifier on "Rocket 88" ushering in the distorted sounds of rock n' roll, to Kendrick Lamar's release of "Alright," which became the unofficial anthem to the BLM protests-each song mirrors the strife, change and progress of our country's narrative.

With Stanley Crouch's untimely death in 2020, American literature lost "a critic without peer" (Ta-Nehisi Coates). Born in Los Angeles in 1945, Crouch—a towering stylist, fearless columnist, and without question, one of the finest jazz critics of all time—was Rabelaisian both in stature and in intellectual appetite. Beloved yet cantankerous, Crouch delighted and enflamed the passions of his readers in equal measure, whether writing about race, politics, literature, or music.

In 1969, in Capitol Records' Hollywood studio, a blonde-haired troubadour named Larry Norman laid track for an album that would launch a new genre of music and one of the strangest, most interesting careers in modern rock. Having spent the bulk of the 1960s playing on bills with acts like The Who, Janis Joplin, and The Doors, Norman decided that he wanted to sing about the most countercultural subject of all: Jesus.

Industrial music sounds like the end of something—machines still humming after the workers have left, surveillance systems running on empty, the mechanical repetition of labor stripped of its human context. Cold, abrasive, and relentlessly unsentimental, it holds a mirror up to systems of control and asks: What if we made you listen to this? From the first electric instruments in 1748 to Skinny Puppy's torture at Guantanamo Bay, from Dada's confrontational performances to Death Grips' algorithmic chaos, industrial music has spent two and a half centuries refusing to sound human. It didn't...

“We have performed side-by-side on the global stage through half a century…. In Lightning Striking, Lenny Kaye has illuminated ten facets of the jewel called rock and roll from a uniquely personal and knowledgeable perspective.” –Patti Smith An insider’s take on the evolution and...

In this wickedly entertaining and thoroughly informed homage to one of rock music's towering pinnacles, Erik Davis investigates the magic—black or otherwise—that surrounds this album. Carefully peeling the layers from each song, Davis reveals their dark and often mystical roots—and leaves the listener to decide whether [FOUR SYMBOLS] is some form of occult induction or just an inspired, brilliantly played rock album.

In this enlightening and entertaining book, experience the evolution of country music, from the 1970s Appalachian hillbilly chitlin' circuit to the 1980s country music boom that paved the way for modern Americana. In a dim clearing off a county road in Kentucky sits a sagging outdoor stage...

Based on decades of work as a professor of literature and as a musician, Jesse Kavadlo analyzes the ways in which 1980s heavy metal aligns with and develops many of the themes prevalent in the canon of literature. In doing so, the book examines some of the contexts of 1980s heavy metal, including Cold War, the rise of MTV, and the formation of the Parents Music Resource Center (PMRC) and subsequent congressional hearings.

When the Soviet Union collapsed in 1991, Russia opened its borders, and Russian audiences were hungry for Western popular music and the values it espoused. David Junk was one of the first idealistic, young Americans to seize this opportunity. Rockin’ the Kremlin is the thrilling true story of how David became the first CEO of Universal Music Russia and built impactful cultural bridges with music—but also how that would all shatter with the rise of Vladimir Putin and invasions of Ukraine.