Mostrando títulos en Historia y Crítica

From Nelson George, supervising producer and writer of the hit Netflix series The Get Down, this passionate and provocative book tells the complete story of Black music in the last 50 years, and in doing so, outlines the perilous position of Black culture within white American society. In a fast-paced narrative, Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves, only to find itself diluted and submerged as crossover music.

Fleetwood Mac have had a chart-topping career that spans over fifty years and includes some of the biggest-selling albums and greatest hits of the 20th and 21st centuries. But the band's story is one of enormous triumph and also unimaginable tragedy. There has never been a band in the history of music riven with as much romantic drama, sexual tension and incredible highs and lows as Fleetwood Mac.

A delightful biography of a celebrated Stradivarius cello and an inviting overview of cello music and musicians by world-famous concert cellist Carlos Prieto.

The Forgotten Operas of Black Composers is a groundbreaking exploration of the operatic works by Black composers whose voices have been largely erased from the historical canon. In this compelling and accessible book, Richard Fleischman delves deep into the lives and legacies of visionary composers like Chevalier de Saint-Georges, William Grant Still, Florence Price, Scott Joplin, and many others who defied the constraints of their time to create operas that speak to the Black experience and the universal themes of humanity, struggle, and resilience. With a keen eye on both historical ...

In this sweeping history of popular music in the United States, NPR's acclaimed music critic examines how popular music shapes fundamental American ideas and beliefs, allowing us to communicate difficult emotions and truths about our most fraught social issues, most notably sex and race.

You know his work—Show Boat, Oklahoma!, Carousel, The King and I. But you don't really know Oscar Hammerstein II, the man who, more than anyone else, invented the American musical. Among the most commercially successful artists of his time, he was a fighter for social justice who constantly prodded his audiences to be better than they were.

Classical Music for the Modern Listener: Breaking Down Barriers to the Great Composers Unlock the world of classical music like never before! Whether you’re a curious beginner or someone who’s long been intrigued by the timeless beauty of classical compositions, Classical Music for the Modern Listener is your ultimate guide to understanding, enjoying, and connecting with the world’s greatest music. In this accessible, engaging book, you’ll discover how classical music evolved, how to listen to its many forms, and how you can experience it more deeply—without feeling overwhelmed by...

OZZY OSBOURNE is an icon today, beloved and world-renowned. But when the MONSTERS OF METAL series was originally published in 1986, Ozzy Osbourne was a wild and controversial figure. Local politicians shut down his shows. Religious figures picketed his hotels. Fans tossed live animals onstage for him to bite the heads off. It was not certain he would survive, much less dominate musically, for another 40 years. Available for the first time as an ebook, this collectible biography is a deep look at his life and his work in his own words and the words of the people who knew him best.

At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip-hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip-hop through an analysis of song lyrics, the words of the prophets of the hood.

Released in 1998, Lauryn Hill’s first solo album is often cited by music critics as one of the most important recordings in modern history. Artists from Beyoncé to Nicki Minaj have claimed it as an inspiration, and it was recently included in the National Recording Registry by the Library of Congress, as well as named the second greatest album by a woman in history by NPR (right behind Joni Mitchell’s Blue). Award-winning feminist author and journalist Joan Morgan delivers an expansive, in-depth, and heartfelt analysis of the album and its enduring place in pop culture.

— ABRIDGED EDITION — The ebook leaves out the Lyric Sheets * * * "Described by some as [Captain Beefheart's] 'dope connection,' I would have to say that, though I did sense 'herbs in the air' at times during their meetings, what I saw was a serious, committed writer submitting typewritten lyrics to [Beefheart] at a time when [Beefheart's] best lyrics were written on coffee shop placemats, bar napkins, and matchbook covers." —John "Drumbo" French, drummer for the Magic Band, author of Beefheart: Through the Eyes of Magic "For Bermann, there is delight in the recent attention around his...

Low-rise jeans, butterfly clips, The Lizzie McGuire Movie, and Paris Hilton’s nights out. The early 2000s were a time of major moments in fashion, media, celebrity culture, and especially music. The aughts were a particularly fruitful era for female artists—still the only decade in the history of recorded music when women made up more than half the list of highest-grossing performers—and especially pop stars. Artists such as Britney Spears, Taylor Swift, Rihanna, and Beyoncé were leading the charge—their success not only leading to a new respect for female artists, but for pop stardom itself.

At the height of the ideological antagonism of the Cold War, the US State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism.

The Beatles landing in New York in February 1964 was the opening shot in a cultural revolution nobody predicted. Suddenly the youth of the richest, most powerful nation on earth was trying to emulate the music, manners and the modes of a rainy island that had recently fallen on hard times.

Equal parts music criticism, cultural and comedy history, autobiography, and comic meditation on nostalgia, television, consumerism, childhood, technology, and food, The Weird Accordion to Al does justice to a musical legend and comic genius, the extent of whose remarkable achievements are only now being fully understood and appreciated.

Decoding "Despacito" tracks the stories behind the biggest Latin hits of the past 50 years. From the salsa born and bred in the streets of New York City, to Puerto Rican reggaetón and bilingual chart-toppers, this rich oral history is a veritable treasure trove of never-before heard anecdotes and insight from a who's who of Latin music artists, executives, observers, and players. Their stories, told in their own words, take you inside the hits, to the inner sanctum of the creative minds behind the tracks that have defined eras and become hallmarks of history.

A first-time-ever exploration of the 290 songs from the entirety of Twin Peaks, sure to entice fans of the David Lynch-Mark Frost's cult classic that revolutionized TV, with brand-new interviews with Frost and several of the key composers and musicians involved.

Accompanies BBC2's major new TV series and The Story of Music in 50 Pieces on Radio 3. Music is an intrinsic part of everyday life, and yet the history of its development from single notes to multi-layered orchestration can seem bewilderingly specialised and complex. In his dynamic tour through 40,000 years of music, from prehistoric instruments to modern-day pop, Howard Goodall does away with stuffy biographies, unhelpful labels and tired terminology.

Bowie has long been haunted by the angst-ridden, emotional work of the Die Brucke movement and the Expressionists. Berlin is their spiritual home, and after a chaotic world tour, Bowie adopts this city as his new sanctuary. Immediately he sets to work on Low, his own expressionist mood-piece.

Breaking the global record for streams in a single day, nearly 10 million people around the world tuned in to hear Kendrick Lamar’s sophomore album in the hours after its release. To Pimp a Butterfly was widely hailed as an instant classic, garnering laudatory album reviews, many awards, and even a canonized place in Harvard’s W. E. B. Du Bois archive. Why did this strangely compelling record stimulate the emotions and imaginations of listeners?