The Industrial Complex

The "Complete" History of Industrial Music

Industrial music sounds like the end of something—machines still humming after the workers have left, surveillance systems running on empty, the mechanical repetition of labor stripped of its human context. Cold, abrasive, and relentlessly unsentimental, it holds a mirror up to systems of control and asks: What if we made you listen to this?

From the first electric instruments in 1748 to Skinny Puppy's torture at Guantanamo Bay, from Dada's confrontational performances to Death Grips' algorithmic chaos, industrial music has spent two and a half centuries refusing to sound human. It didn't emerge from inspiration—it emerged from unemployment, boredom, and cheap equipment in cities where the economy had already collapsed.

This is the first comprehensive history of industrial music's methodology: the technological developments that made the sound possible, the economic conditions that made it necessary, the techniques that required decades of confrontation to legitimize, and the mutations that allowed it to survive when the original context disappeared.

Industrial music has been declared dead since 1981. The genre is dead. The investigation never stopped.

Patrick McCormick has spent forty years inside this machinery as musician, producer, and obsessive documenter. Industrial music is his ikigai—his reason for being. This is the history of how the sound was built, how it spread, and why it still shapes everything you hear.

The tools matter more than the musicians. The methodology matters more than the genre. Everything else is mythology.