Showing results by publisher "Caedmon Audio" in Arts & Entertainment

Sir John Falstaff, the lovable rogue, is brought back from his death in Henry V to set this farce in motion. Falstaff (Anthony Quayle), finding himself in need of funds, attempts to seduce 2 wealthy young ladies, Mistress Ford (Joyce Redman) and Mistress Page (June Jago). Alas, the scoundrel's money-making scheme goes awry when he sends the ladies - who are friends - identical love letters. The 2 women retaliate by plotting his downfall - with hilarious results.

A tragedy, a comedy, and a history all rolled into one, the story of the tyrannical Richard III ranks among Shakespeare's most popular plays. Opening with the famous "Now is the winter of our discontent" soliloquy, this masterful work follows its antihero as he plots to steal the throne of England, causing murder and mayhem all along the way. A full cast, including Robert Stephens and Dame Peggy Ashcroft, brings this devilishly entertaining work to life.

"All the world's a stage...." In the enchanted forest of Arden, everyone has their way. Sins are forgiven, quarrels are resolved, and love rules over all. And - just as the author liked it - the frolic of clowns and comedy includes provocative insight into nature versus society and into humanity itself. Follow Orlando, Celia, Rosalind, and Touchstone the Clown from court to forest in this play that features disguised princesses, an unjustly deposed ruler, and a handsome leading couple. Actors Vanessa Redgrave (Rosalind) and Keith Michell (Orlando) head the cast of celebrity performers in this Shakespearean romp of mischief, intrigue, and surprise.

One of William Shakespeare's greatest plays, The Merchant of Venice is also his most controversial. A tale of the triumph of true love, it is packed with witty dialogue, philosophizing, and lyrical flourishes. But the comedy is often overshadowed by concerns about anti-Semitism swirling around the character of the Jewish moneylender, Shylock. Listen as this production by the Shakespeare Recording Society brings the play to life, warts and all, and demonstrates that an exploration of religious intolerance makes this work even more vital and compelling than ever.