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Isabel’s life has fallen into a comfortable and tidy rhythm. Well, as tidy as things can be with two small boys wreaking havoc around the house. But when her husband, Jamie, invites a woman named Dawn—recently embroiled in a contentious affair with a member of Jamie’s orchestra—to stay with them, things begin to go awry. Strange noises can be heard from the upper floor, even when Dawn is supposedly at work, and the couple wonders whether something more nefarious may be afoot.

In the eighth installment of Alexander McCall Smith’s best-selling Isabel Dalhousie series, the inquisitive heroine helps a new friend discover the identity of her father. Jane, a visiting Australian philosopher on sabbatical in Edinburgh, has more questions than answers. Adopted at the age of six, she knows little about her father, other than he was a student in Edinburgh years ago. Always up for a challenge, Isabel is more than happy to help.

Isabel's life is thrown for a few loops when her cousin Mimi arrives from Dallas with her husband Joe. Through Mimi and Joe, Isabel meets Texas hotshot Tom Bruce, who is about to marry someone Isabel suspects of gold-digging. Further complicating matters, Tom seems to have an unusual level of interest in Isabel. Meanwhile, Isabel has her own feelings to deal with, not to mention those of her beloved niece Cat, whose romantic interest may not be up to snuff.

The fifth novel in New York Times best-selling author Alexander McCall Smith's beloved Isabel Dalhousie series has the ethical problem solver from Edinburgh finding comforts in unlikely places.

When Rosie Gennaro first meets Jimmy Hailler, she has walked away from life in Sydney, leaving behind the place on Dalhousie that her father, Seb, painstakingly rebuilt for his family but never saw completed. Two years later, Rosie returns to the house, and living there is Martha, whom Seb Gennaro married less than a year after the death of Rosie’s mother. Martha is struggling to fulfil Seb’s dream while Rosie is coming to terms with new responsibilities. And so begins a stand-off between two women who refuse to move out of the home they both lay claim to.

New York Times best-selling author Alexander McCall Smith, winner of the first-ever Saga Award for Wit, has entertained millions with his beloved No. 1 Ladies' Detective Agency mysteries. Now this phenomenally popular author introduces a fresh series, brimming with the charm and humor his stable of dedicated fans can't get enough of.

In this latest installment of Alexander McCall Smith's ever-delightful and perennially best-selling series, amateur sleuth and philosopher Isabel Dalhousie is called upon to help when a matchmaker begins to question her latest match. Rosemary is something of a matchmaker and has brought together a cosmetic surgeon and a successful banker at her most recent dinner party. But new information comes to light about the cosmetic surgeon that causes Rosemary to doubt the auspiciousness of the match.

Isabel accepts an invitation to serve on the advisory committee of the Scottish National Portrait Gallery but soon finds herself swept up in an all-too-familiar dilemma. David is the grandson of a Scottish clan chief and is supportive of Scottish nationalism. But his fervent beliefs are threatening family harmony, especially because his sister Catriona's socialist views put her at odds with her brother. When their mother, Laura, a fellow committee member, asks Isabel to intervene, she tries to demur. But Isabel can't help but intercede.

Beloved author Alexander McCall Smith’s seventh Isabel Dalhousie tale finds the ethical philosopher doing background checks on several candidates for the same job. In the process, Isabel learns quite a bit about herself, as well.

Award-winning New York Times best-selling author Alexander McCall Smith, creator of the No. 1 Ladies' Detective Agency series of novels, delivers the fourth tale from his charming Isabel Dalhousie series, featuring the highly ethical and plucky protagonist. She's now a mother, but has an uncertain relationship with her son's father. She must also deal with academic politics and, of course, a mystery: did a Scottish painter drown, commit suicide or fall victim to a murder plot?

In this delightful second installment in Alexander McCall Smith's best-selling new detective series, the irrepressibly curious Isabel Dalhousie, editor of the Review of Applied Ethics, gets caught up in an affair of the heart, this one a transplant.

In Edinburgh, rumors and gossip abound. But Isabel well knows that such things can't be taken at face value. Still, the latest whispers hint at mysterious goings-on, and who but Isabel can be trusted to get to the bottom of them? At the same time, she must deal with the demands of her two small children, her husband, and her rather tempestuous niece, Cat, whose latest romantic entanglement comes - to no one's surprise - with complications. Still, even with so much going on, Isabel, through the application of good sense, logic, and ethics, will, as ever, triumph.

Isabel Dalhousie grapples with complex matters of the heart as she tries to juggle her responsibilities to friends, family, and the philosophical community. With two small boys to raise, a mountain or articles to edit for the Review of Applied Ethics, and the ever-increasing demands of her niece, Cat, who always seems to need a helping hand at the deli, Isabel barely has any time for herself. Her husband, Jamie, suggests acquiring extra help, and she reluctantly agrees.

From a small town outside Edinburgh comes the news that a young boy has been recounting vivid recollections of a past life: a perfect description of an island off the coast of Scotland that he couldn't possibly know and a house there where he claims to have spent his former life. When the boy's mother asks Isabel to investigate his claims, she feels she must - of course! - help them learn the truth, and she and her husband, Jamie, set off for the island.

When Isabel bumps into Minty Auchterlonie for the first time in years, she is skeptical (again) of Minty's integrity. But Minty mentions the bank where she works is having internal troubles, and Isabel must determine, once and for all, if Minty can be trusted.

Inviting 25 former classmates to a reunion dinner, Isabel sees an opportunity to finally resolve age-old differences among her classmates. But when damaging secrets and long-held resentments surface, Isabel finds the path to true forgiveness runs along a very slippery slope.

One afternoon over coffee at Cat’s delicatessen, a friend of Isabel’s shares a call for help from Duncan Munrowe. Crafty thieves have stolen a prized painting from his collection, a work by the celebrated French artist Nicolas Poussin that was earmarked for donation to the Scottish National Gallery. Munrowe has been approached by the thieves and hopes that Isabel will assist him in recovering the painting. Never one to refuse an appeal, she agrees, and discovers that the thieves may be closer to the owner than he ever would have expected.

From a small town outside Edinburgh comes the news that a young boy has been recounting vivid recollections of a past life: a perfect description of an island off the coast of Scotland which he couldn't possibly know and a house there where he claims to have spent his former life. When the boy's mother asks Isabel to investigate his claims, she feels she must - of course! - help them learn the truth, and she and her husband, Jamie, set off for the island.

Philosopher and amateur sleuth Isabel Dalhousie has an unstinting commitment to her principles. Sticking to her promises has always been one of them. Then Isabel runs into an old classmate facing marital and financial troubles, who reveals a secret that becomes more and more difficult for Isabel to keep. Thankfully, Isabel's devoted husband, Jamie, is there to help our heroine navigate her competing moral obligations.

In this latest movement in the symphony of her life, Isabel is faced with novel challenges, each of which tests her resolution to do the right thing. Dawn, a nurse in an infectious diseases ward, is let down by her lover and needs a place to live. And then there is the pompous and slippery Professor Robert Lettuce. He is planning a prestigious conference, but look at the budget: why is there such a large payment for Lettuce himself and for a young female assistant?