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Caryl Phillips has received international acclaim for his works, including the Martin Luther King Memorial Prize, a Guggenheim fellowship, and membership in the Royal Society of Literature.

Dancing in the Dark brilliantly re-creates the life of Bert Williams, the first Black entertainer to achieve stardom in America. In 1896, when Bert decides to perform his stage routine in blackface, he is accused of reviling his race even as he becomes a star in Ziegfeld's Follies.

In London's swinging sixties, Victor Johnson, a young immigrant from the Caribbean, arrives in Britain with dreams of becoming a journalist in the mother country. Instead, he finds work collecting rent for Peter Feldman, a landlord equally kind and unscrupulous, and then falls into a relationship with Peter’s lonely secretary Ruth, herself a migrant from the north of England.

Shusaku Endo (1923-1996), widely considered one of the greatest writers of the twentieth century, is known for his historical novels, which masterfully probe the encounters between the cultures and religions of East and West from a Japanese Catholic perspective. A salient and curious theme in his work is the unique image of a maternal God, and a concomitant sense of loss and longing for maternal love.

In this ambitious novel, Phillips creates a dazzling kaleidoscope of historical fiction, one that illuminates the dark legacy of Europe’s obsession with race and blood. At the center of The Nature of Blood is a young woman, a Nazi death camp survivor, devastated by the loss of everyone she loves. Her story is interwoven with a cast of characters from both the present and past: her uncle Stephan, Othello the Moorish general, three Jews in 15th century Venice, and an Ethiopian Jew struggling for acceptance in contemporary Israel.

Francis Barber, a Jamaican forced into slavery as a child, becomes the manservant and friend of literary legend Dr. Samuel Johnson. Randy Turpin beats Sugar Ray Robinson in 1951 to become, for a short time, middleweight champion of the world. David Oluwale, stowed away on a ship bound for England from West Africa, has dreams of becoming an engineer. Each man soon falls from grace, becoming just another face with the wrong color skin.

A week before your wedding is no time for your ex to ride back into town, stirring up trouble. But that’s exactly the predicament Darla McAdams finds herself in. With practically the entire town of Tishomingo, Oklahoma, in attendance, the last place she wants to be is at her grandparents’ 60th wedding anniversary party with the whole family, her fiancé and her old flame all in the same room.

In the early Sixties, Victor ‘Lucky’ Johnson arrives in London from St Kitts, with dreams of becoming a journalist. Lucky soon finds work first at an Irish pub in Notting Hill – then as a rent collector for an unscrupulous slum landlord Peter Feldman. Shadowing Lucky from his early struggles in London to the present day, Caryl Phillips paints a striking portrait of a flawed but vividly alive man grappling with the lifelong disillusionments of exile – and the uniquely complicated identity of the Windrush generation.

Marty doesn't have much—unlike his mom, who seems to hold on to everything. Life at home is tough, but Marty finds sanctuary down at the community garden with his eccentric grandad. On Marty's birthday, Grandad gifts him a seed. "There’s magic in seeds, you know. You can never tell what wonders are in them." As it turns out, Grandad has a rather wonderful plan up his sleeve. It involves wishes, a pumpkin, and a trip all the way from England to Paris.

Dorothy and Solomon live in a new housing estate on the outskirts of an English village. She's recently bought her bungalow; he's recently become the night watchman. He is black, an immigrant. She is white, a recently retired music teacher. They are both solitary, reticent outsiders. When they move tenuously toward each other and their paths briefly cross, neither of them can know that it will be the last true human contact either will have.

Caryl Phillips' A View of the Empire at Sunset is the sweeping story of the life of the woman who became known to the world as Jean Rhys. Born Ella Gwendolyn Rees Williams in Dominica at the height of the British Empire, Rhys lived in the Caribbean for only 16 years before going to England. A View of the Empire at Sunset is a look into her tempestuous and unsatisfactory life in Edwardian England, 1920s Paris, and then again in London.

Secrets told in the church ladies' room are supposed to stay in the ladies' room. But that doesn't mean that what Trudy overhears there during her great-aunt Gertrude's funeral won't change the rest of her life. Trudy has a daughter in the middle of a major rebellion, a two-timing husband who has been cheating for their entire married life, and a mother with Alzheimer's residing in the local nursing home.

A sweeping story of orphans and outcasts, haunted by the past and fighting to liberate themselves. At its centre is Monica Johnson, cut off from her parents after falling in love with a foreigner, and her bitter struggle to raise her sons in the shadow of the wild moors of the north of England. Intertwined with her modern narrative is the ragged childhood of Emily Brontë’s Heathcliff, the antihero of Wuthering Heights and one of literature’s most enigmatic lost boys.

For over a decade, Charlamagne Tha God has cohosted iHeartRadio’s nationally syndicated morning radio show The Breakfast Club and has proven his power as a culture mover and thought leader, by being his completely authentic self on-air. From his famous “You ain't black” moment with President Biden, to heartfelt chats with cultural icons like Sean “Jay-Z” Carter and Judy Blume, to viral classics with Kamala Harris and Soulja Boy, his reach and impact on American culture continues to grow. In Get Honest or Die Lying: Why Small Talk Sucks, Charlamagne takes full command of his new perch.

A collection of dramatisations and original radio plays by the award-winning playwright - plus bonus documentary. Caryl Churchill is one of Britain's most innovative and influential dramatists. Versatile and prolific, she has written over 50 plays for stage and screen and is renowned for her revolutionary theatrical techniques and themes of feminism, social politics and the abuse of power.

Fellow of the Royal Society of Literature, Caryl Phillips has won numerous awards for heralded worksof fiction and nonfiction. In the Falling Snow revolves around Keith, born in England to West Indian parents and raised—for the most part—by his white stepmother. Unmoored by a failing marriage, a distant son, and estrangement from his own father, Keith faces daunting change and must accept unsettling truths about himself and those around him.

Thomas Carlyle's The French Revolution is a landmark of literary history. Conceived not as a dry recounting of facts, but as a personal, vivid, direct and dramatic encounter with the turbulent times of revolutionary France, it is in fact an extended dramatic monologue in which we meet not only the striking personalities and events of the time, but the equally striking personality and mind of Thomas Carlyle himself.

Few moments in history have seen as many seismic transformations as 1979. That one year marked the emergence of revolutionary Islam as a political force on the world stage, the beginning of market revolutions in China and Britain that would fuel globalization, and the first stirrings of the resistance movements in Eastern Europe and Afghanistan that ultimately led to the collapse of the Soviet Union. More than any other year in the latter half of the 20th century, 1979 heralded the economic, political, and religious realities that define the 21st century.

A novel about Catholic girls poised - hilariously- on the brink of going all the way, Virgins recalls in aching detail what it was like to be an 18-year-old Catholic high school senior...in the '50s. This book contains the rules and regimen, hijinks and longing of that time.

Condor, c'est l'histoire d'une enquête menée à tombeau ouvert dans les vastes étendues chiliennes. Une investigation qui commence dans les bas-fonds de Santiago submergés par la pauvreté et la drogue pour s'achever dans le désert minéral de l'Atacama. Condor, c'est une plongée dans l'histoire du Chili. De la dictature répressive des années 1970 au retour d'une démocratie plombée par l'héritage politique et économique de Pinochet. Les démons chiliens ne semblent pas près de quitter la scène.