Jim and Gary discuss Jerry Seinfeld's homage to 1960s business and political culture, including his hilarious take on JFK. But do only Baby Boomers find this movie funny?

Jim and Gary discuss Martin Scorcese's epic movie about one of the most disturbing incidents in U.S. history -- the systematic murder of Osage Indians during the 1920's to steal their oil rights. And believe it or not, there is an appearance by a President in this movie: Calvin Coolidge.

Jim and Gary don't agree about much when it comes to Barbie, except that people who criticize it for political reasons should get a life. Gary thought the movie had surprising philosophical depth and Jim just didn't like the execution. They do agree, though, that they'd rather be a Ken than an Allan.

Jim and Gary take a look at the 1975 action/adventure movie "The Wind and the Lion," which stars Brian Keith as an overly energetic Theodore Roosevelt, Sean Connery as the last of the Barbary Pirates, and Candice Bergen as a kidnapped American widow who becomes a feisty pawn in internal Moroccan politics.

When President Harry S Truman dropped the atomic bomb on Japan, thereby ending World War II, he was able to do so because J. Robert Oppenheimer had successfully led the effort to build it. In this episode Jim and Gary discuss Christopher Nolan's masterpiece "Oppenheimer," which depicts the top-secret effort to build the bomb and its messy political aftermaths.

In advance of the 60th anniversary of the Beatles appearance on the Ed Sullivan Show, Jim and Gary take a break from U.S. presidents to discuss movies by, for and about the Fab Four. And in the process they even discover a few connections with American presidents.

With "Amistad," Steve Spielberg gives us two presidents for the price of one -- John Quincy Adams and Martin Van Buren, who battle over the fate of a group of kidnapped Africans that has revolted against their captors on the Amistad slave ship. This inspiring movie has a lot to say about maritime law and even more to say about the evils of slavery.

Gary and Jim discuss whether the producers of "All The President's Men" were justified in turning The Washington Post's Watergate coverage into a political thriller before deep-diving into the making of the film and questioning whether it provides enough context.