The California singer songwriter broadens the setting of her voice on her lovely new album, sounding less idiosyncratic than in the past, though more of that instrumentation would've been welcome.

The first album by the legendary Hartnoll brothers is bizarrely a group in flux even on their debut. Much more a collection of tracks compared to the immortal run of albums that would follow and a more dated sound. Yet it's still often fascinating and when the material peaks across tracks like Chime and Belfast, they were already a cut above. This 5 CD reissue benefits from remastered sound quality, though is really for completists who want everything from an era nowhere near as interesting as what was coming.

In my infrequent series on art denied classic status on release or forgotten from the conversation since. Like almost no one since Sergio Leone, director Paul Verhoeven's work was been critically derided on release, hugely successful with the public and gone through countless upward critical revision since. Whereas Robocop and Total Recall have remained permanently in the public consciousness, Starship Troopers has undergone endless re-appraisal and even Showgirls has become a cult classic, his most controversial film of all has remained curiously quiet, a look back at the impeccably made Neo-noir that cause such a stir on release - a much better film than the trash-controversy elicits and in Sharon Stone, one of the most electric major league debuts in cinema history.

As one of the world's most renowned PHD experts on Liam Neeson action movies, the modern era has been a truly testing time, with virtually nothing that hasn't been terrible. So with great exhalations I am thrilled to announce, by miles the best Liam actioner since the golden era of The Grey, Cold Pursuit and Run All Night. Imagine The Banshees of Inisherin but gangsters and terrorists and you're virtually there.

I don't even know who this man is.

The second solo album by Sonic Youth founder, Kim Gordon, is every bit as avant-garde, abrasive, scouring and brilliant as her first. Though this time around we get some of the best art-house rap beats as a sound-stage, you wish Danny Brown was a collaborator on one of the albums of the year.

Given Kieran Hebden (AKA Four Tet), one of the century's most esteemed electronic music artists, capped his already exemplary career, with a well earned day in the sun at Coachella last year, I've no idea who this highly dull, wallpaper backing music album is for, or why it was even made.

Artistic titan, Zack Snyder, gives the world what it's been waiting for - a sequel to the all concurring first installment and a return to the amazingly original and well developed universe he created. We watch in awe as the packed story develops in ways we could never have seen coming, such as nothing at all happening in the first hour - absolute madman! We are lucky to be alive in an era when he wants to make six of these, each with a four hour cut.