• North Star Journey

  • By: MPR News
  • Podcast
North Star Journey  By  cover art

North Star Journey

By: MPR News
  • Summary

  • A journal exploring the history and culture of Minnesota communities. Inform these stories: mprnews.org/nsj
    Copyright 2024 Minnesota Public Radio
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Episodes
  • Renovated Minneapolis American Indian Center reflects urban Indigenous identity
    Apr 30 2024
    The Minneapolis American Indian Center's two-year renovation is now complete. The redesign reflects both a sense of belonging and history and showcases ways the Minneapolis Indigenous community embraces its future. The happy chatter of excited visitors filled a large rotunda inside the center as executive director Mary LaGarde walked through the crowd to greet guests at a soft opening held last Thursday. “It’s just really exciting for all of us — for community and just for everyone who has been involved in the project all along,” said LaGarde. The center’s renovation cost $32.5 million and is the result of a decade-long process to bring people back into the center. Located on East Franklin Avenue in south Minneapolis, the center provides social services to the urban Native community and has served as a central gathering place — a place for boxing matches, basketball tournaments, powwows, conferences and more. Over the years, the building showed signs of aging. Water dripping through the roof had become a steady stream inside the center the year before renovation. Through a series of community listening sessions, LaGarde and her staff acknowledged the center was underutilized and needed repairs, so they began planning the organization’s future.At the soft opening, elected leaders, civic leaders and community supporters applauded Mary LaGarde for her work in securing the necessary funding for the renovation. The center’s board of directors and staff honored LaGarde with a star quilt for her dedication and leadership. Lt. Gov. Peggy Flanagan was among the elected leaders who honored LaGarde’s work. “This long-awaited grand opening sets the bar where it should rightfully and always be, because we are worthy and deserving of capital investments,” said Flanagan. The expansion added 20,000 square feet to the building, for a total of over 66,000 square feet. The organization also expects the building to support 10,000 visitors a year, according to a fact sheet released by a spokesperson for the center.The heart of the community Architect Sam Olbekson said he was a 4-year-old kid living in the neighborhood when he attended the center’s first grand opening in 1975. Today, Olbekson serves as chair of the organization’s board of directors. As an architect working in collaboration with several partners, he helped to redesign the building to reflect the community’s cultural identity. Just before the community gathered in a conference room for the afternoon’s program, Olbekson stood inside the center’s large, drum-shaped rotunda. He spoke to MPR News about how the rotunda’s design speaks to the community’s cultural identity. “It’s intended purpose is to be the heart of the facility where people gather. It’s off the new main entry. Every public space from the building opens up from the space.” He said all the center’s public spaces, including the new café, the gymnasium and fitness center, the art gallery and meeting spaces and conference rooms are all visible from the rotunda. The center welcomes visitors through a main entrance through glass doors and a large bank of windows. The rotunda, along with other features, opens up to the street and, according to Olbekson, is intended to assert an urban Native American presence on Franklin Avenue. “We put this as a prominent form on the outside of the building too. This curved space has its expression on the outside,” said Olbekson. “So, people know the space is here, and it’s for them, and they’re welcome.” There is also an emphasis on activities for youth and elders. The gym, along with a new teen tech center, will be used by youth for recreation and learning. Overlooking the gym is a new dining area for elders who eat lunch together daily at the center. The refurbished gym is dedicated to the memory of the late Frances “Frannie” Fairbanks, the center’s former director. A plaque dedicated to Fairbanks is mounted on the wall. ‘A real modern feel to it’ Charlie Stately is the owner of Woodland’s Crafts and has operated his arts business for more than four decades. He began working for the original owner of the shop at age 21. Stately has now moved into his new location in the renovated center, in a space double the size of his original shop. “I am thinking about if we got more space, more things we can offer, more artists we can include. The gallery is right there. We have a door to the gallery,” said Stately. “People will be saying, ‘I am looking forward for this or that.’ That’s how we operate, we listen to our customers.” Bruce Savage, one of Stately’s long-time vendors, dropped in as Stately’s new shop was reopening. Savage said the newly renovated building speaks to the importance of the center to the future of the community — both local and national. “For some reason, we fixate on old architectural structures within Indian Country, but this ...
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    4 mins
  • ‘I wanted to see stories about our experience’: For 25 years Mizna has helped artists make cultural connections
    Apr 26 2024

    At a dance studio in Minneapolis recently, Leila Awadallah reflected on what Mizna means to her.


    “When I found Mizna, that’s when I unlocked this portal into this beautiful world of Arab Americans and of stories from countries that I longed to know deeper,” Awadallah said.


    The choreographer and dancer is half white, half Palestinian and grew up in South Dakota.


    She’s one of the many artists who say they’ve found a place of belonging and cultural connection through Mizna.



    Kathy Haddad and Saleh Abudayyeh founded Mizna in the late ‘90s as a platform for contemporary literature, film, art and cultural production — highlighting the work of Arab, Southwest Asian and North African, or SWANA artists.


    Its cornerstone event is the annual Arab Film Festival.


    As the organization marks its 25th anniversary in the Twin Cities, Haddad looks back on what motivated her to start it all.


    “I wanted to see stories about our experience, about my experience. I read, and was inspired by Asian American writers, African American writers and lots of writers. And I didn’t see any Arab American writers,” Haddad said.



    Mizna Executive and Artistic director Lana Barkawi is Palestinian and joined the organization in 2011. She says the organization has played a critical role in connecting creatives to their cultural identity.


    “The things that motivated the establishment of the organization still hold true today that we exist in a cultural context that marginalizes us and really, you know, boxes us into stereotyped ideas of who we are,” Barkawi said.


    Since its founding, Mizna, the Arabic word for ‘a desert cloud that holds the promise of rain,’ has featured more than a thousand Arab and SWANA writers in its literary journal both locally and internationally.



    One of those writers is Marlin M. Jenkins — a half Lebanese, half Black writer and high school English teacher who’s been published by Mizna.


    “I think Mizna has really helped me find that I think there’s a lot of what I have learned about myself and about the world of what it means to be from Southwest Asia that wasn’t able to come from my immediate family. A lot of that comes through the arts, especially through writing and poetry,” Jenkins said.


    Awadallah says she was visiting family in the Palestinian town of Beit Jala in the occupied West Bank in October but had to leave and come back to the U.S.



    She says she feels her body is still in her ancestral land. A recent performance for Mizna helped connect her to the part of herself that’s still in Palestine.


    “My body started coming back and my voice started coming back and I was held by the Mizna community and so many others, the room was so full of people who are just ready, you know, to sob and to let the feelings be real together,” Awadallah said.


    Barkawi says times have been exceptionally tough for the organization and its artists.


    “Well, you know, we’re marking our anniversary, and it feels difficult to be in a very celebratory mood because we’re witnessing a shattering and grotesque cruelty in Gaza,” she said.



    Her hope is that she no longer feels the need to emphasize a heightened importance of the organization’s work.


    “We’re more than our traumas, we’re more than the portrayals of us,” Barkawi said.


    She says the goal is to reclaim narratives and tell stories without always responding to tragedy, and to create an unburdened place for artists to create work on their own terms.

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    4 mins
  • Trailblazer Reatha Clark King on her journey from chemistry to philanthropy
    Apr 18 2024

    As a child in Georgia, Reatha Clark King picked cotton for $6 a day to help her family make ends meet. Then, buoyed on the hopes and expectations of her family and church, she blazed a trail from a one-room schoolhouse in the segregated South to college.


    She pushed past gender and racial barriers as a Black woman to become a research chemist in the 1960s, contributing to NASA’s moon landing. She went on to become a college dean, university president and a philanthropist and a vice president of a major corporation.


    Earlier this week, she was honored at the Humphrey School of Public Affairs at the University of Minnesota with a reception and celebration of her recent biography, “Find a Trail or Blaze One.”


    MPR News host Angela Davis talks with Minnesota trailblazer Reatha Clark King about her life.


    Guest:


    Reatha Clark King worked as a research chemist for the National Bureau of Standards in Washington, D.C. In the 1960s. She moved to Minnesota to become president of Metropolitan State University from 1977 to 1988. She was a vice president of General Mills Corporation and president and executive director of the General Mills Foundation until she retired in 2002. Her biography “Find a Trail or Blaze One” was published in 2021.

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    47 mins

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