
The Philosophy of Film Noir
The Philosophy of Popular Culture
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Narrated by:
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Jack Chekijian
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By:
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Mark T. Conard
Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles. The Philosophy of Film Noir is the first volume to focus exclusively on the philosophical underpinnings of these iconic films. Opening with an examination of what constitutes noir cinema, the book interprets the philosophical elements consistently present in the films - themes such as moral ambiguity, reason versus passion, and pessimism. The contributors to the volume also argue that the essence and elements of noir have fundamentally influenced movies outside of the traditional noir period. Neo-noir films such as Pulp Fiction (1994), Fight Club (1999), and Memento (2000) have reintroduced the genre to a contemporary audience. As they assess the concepts present in individual films, the contributors also illuminate and explore the philosophical themes that surface in popular culture.
©2005 The University Press of Kentucky (P)2015 Redwood AudiobooksListeners also enjoyed...




















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Master degree needed
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Would you recommend this book to a friend? Why or why not?
This audiobook would be very interesting for anyone who is into film noirI received a free copy from the narrator for my honest review.
Film Noir
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Narrator Jack does his usual professional best with this. Advisory: When utilizing an academic performed by Narrator Jack, you will find it best to overview at 1.5x speed first, then at normal speed with pen/paper at the ready. This is the perfect way to learn, as his normal rate for these is VERY conducive to appropriate note taking, and unlike class lectures, you can overview first to minimize redundant note-taking.
I am thankful for this gift.
Not bad for a "Publish or Perish" thesis
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Would you recommend this book to a friend? Why or why not?
Sure. Anyone curious about the origins and motivations behind the genre can get a lot of interesting theories about particular influences and what is meant by the term "film noir". Some essays are more interesting than others, and it gets a bit redundant at times, as might be expected. In general, a fairly diverse range of analysis, though.If you’ve listened to books by Mark T. Conard before, how does this one compare?
NoneWhich scene was your favorite?
No favorite, but the essay presenting The Jazz Singer (1927) as the first film noir was so narrowly focused on one particular aspect of a definition of the genre, that it actually served to undercut the claim. It was long-winded, as well. No loss if I'd skipped that one.Was The Philosophy of Film Noir worth the listening time?
For the most part, yes. But, along with a few redundancies, some of the essays tended to spend a slightly more time than strictly necessary on scene-by-scene recounting of some of the film examples (The Jazz Singer, Pulp Fiction), and deconstruction of staging and dialogue (The Killers, The Maltese Falcon). Interesting if done in moderation, but perhaps a bit much here.Interesting interpretations, sometimes a bit dry
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The author, Mark T Conard, did a really good job explaining all the difference and informing us to how the movies are written, directed and the whys. He wrote the book in a way that not only made it interest, but also makes me wonder what I missed on some of the classics I haven't seen yet. The narrator, Jack Chekijian did a wonderful delivery in this book.Together, these two men have made me look at the classics in a whole new light.
It's about about the Noir....
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Jack Chekijian narrates this audiobook with style and it goes well with the book. He makes this a winning combination of author/narrator. He speaks clearly and is one of my favorite narrators.
Audiobook received in exchange for an honest review.
The Philosophy of Film Noir and Pop Culture
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