The Last Illusion of Paige White

A Novel

De: Vanessa McCausland

Narrado por: Ella Le Fournour, Eva Seymour, Hannah Fredericksen, Jess Stanley

A NEW YORK TIMES “BEST THRILLER OF THE YEAR (SO FAR)”

“Compelling, haunting, and beautifully written . . . a clever, page-turning modern mystery as well as a thoughtful exploration of female friendship, family dynamics, and the complex impact of social media on self-identity.”—Liane Moriarty, #1 New York Times bestselling author

If you didn’t post it, did it even happen?

“Maybe this limbo I’m in is me needing to atone for my sins. Maybe I need to go back and remember my life but be more honest with myself this time. Because, stuck in this hazy, perfect world of my own creation, I know that I haven’t been all that honest.”

Gorgeous, charismatic Paige White has always lived a picture-perfect life. Her meticulously curated social pages exude an old-fashioned, wholesome lifestyle set against a picturesque town in Australia. Images of breakfasts lakeside with her daughter, sunny afternoons in the family van, and romantic picnics with her husband are the envy of her thousands of followers.

But when a dark, brooding image pops up on Paige’s page, where she appears waterlogged and disheveled–and shortly after she’s discovered drowned–alarm bells go off.

Jane Masters, Paige’s childhood best friend, has returned for the funeral. Jane left years ago to pursue a bigger life as a journalist in Sydney, putting everyone from her early days in the rearview mirror. But as Jane sinks deeper into the community she thought she’d never return to, she begins to discover that darker things lurk beneath the sparkle of the lake.

Told partially through Paige’s reflections on her life from limbo, The Last Illusion of Paige White is a smart, introspective, impeccably-plotted mystery that will have listeners second-guessing what is truth and what is illusion, and their own obsessions with their online worlds.

©2025 Vanessa McCausland (P)2025 Random House Audio

Reseñas de la Crítica

“Compelling, haunting, and beautifully written, The Last Illusion of Paige White is a clever, page-turning modern mystery as well as a thoughtful exploration of female friendship, family dynamics, and the complex impact of social media on self-identity. You’ll be thinking about it long after you turn the last page!”—Liane Moriarty, #1 New York Times bestselling author

“McCausland expertly weaves together multiple strands of a multilayered story, including the burdens of Paige’s social-media persona and Jane’s unsatisfying relationship with her boss-with-benefits in Sydney. . . . McCausland is a thoughtful, subtle writer with a deep understanding of her characters’ psyches. What lends a special poignancy to the story are the chapters narrated by Paige, reflecting deep regret for her life’s mistakes.”—The New York Times

“A compelling, gothic-tinged novel . . . expertly portrays influencers’ obsession with beauty and perfect photos . . . McCausland examines with a fresh eye the complicated and competitive relationships among teenage girls and their messy relationships with their parents. . . . It’s an emotional mystery that McCausland fires up with forbidden romance, the heartbreak of a motherless child, and a surprising denouement. Social media takes a dark turn in this intriguing tale of regret.”—Kirkus Reviews

Unique, well written mystery.

Very good book, glad I took a chance with it. It is well written with complex characters. Plot unfolds slowly but steadily toward solving the central mystery while exploring the many challenges of human relationships and social media. It is set in a unique natural environment that enhances the entire book. Narration was excellent.

Amazing book!

This book is well- written and has very compelling characters. The mystery progresses slowly but effectively. The performances were great too!

Narration is flat, read this one.

I couldn’t get halfway through. Even though there are several narrators it’s hard to keep the characters straight. There’s no action in this book. It’s all dialogue and the narration falls flat. The director and editor may be more at fault than the individual performers. Whatever — it’s a snooze.