The Home
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Narrado por:
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Lila Kerry
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De:
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Judith Sonnet
THE HOME
In the early '60s, in a seemingly more "innocent" time, a group of teenagers were lured into a supposedly haunted house. The place on Sycamore Lane has a morbid history, but that's just hearsay and rumor, isn't it?
THE HOME
His name was Robbie Miller, and he was a killer. Driven mad by the THING that lived in The Home, he now exists to serve. He'll do whatever the creature that calls itself Mr. Friendlyman asks . . . He'll even become a ghost . . .
THE HOME
Now, decades later and much older, they are returning to The Home. A retired fantasy writer, A doting grandfather, and a mysterious old woman who seems to know things she should not . . .
THE HOME
A dark storm is brewing over this wicked house. A storm that will break down the very fabric of reality. A storm that demands blood and sacrifice, and feeds on the ghosts of anyone who dies within it's premises.
©2024 Judith Sonnet (P)2025 Judith SonnetLos oyentes también disfrutaron:
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The twist at the end is amazing and spine tingling!
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Quite the Amalgamation…
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All Hype
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it is gorey and disturbing. q
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I really did not like this book. I went into it expecting splatterpunk/extreme horror, and I honestly have no idea how it ended up being classified that way. There was nothing about it that felt particularly extreme, graphic, or even especially disturbing to me.
What bothered me even more was how heavily the story seemed to borrow from other horror writers. The influence of Stephen King and H.P. Lovecraft wasn't subtle. There were concepts, terminology, phrases, and certain elements of the writing that felt so familiar that I kept thinking I had heard or read them somewhere else. At times, it felt less like inspiration and more like someone had taken pieces from other horror stories and stitched them together into something new.
I'm not going to accuse the author of plagiarism because I can't prove that, but I will say that the similarities were distracting enough that I couldn't stop noticing them.
And as far as the horror itself goes, this just wasn't it for me. If you're looking for actual splatterpunk or extreme horror, I would skip this one. I've read plenty of books that genuinely earn those labels, and this one doesn't come close in my opinion.
This was my first Judith Sonnet book, so I can't speak for her other work. Maybe this one is an exception. But based solely on this book, I won't be rushing to pick up another.
Definitely not one I would recommend.
On the wrong shelf.
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