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When a group of Austrian cavers exploring a network of abandoned military tunnels in the Italian Alps come across human remains at the bottom of a deep shaft, everyone assumes the death was accidental - until the still unidentified body is stolen from the morgue and the Defence Ministry puts a news blackout on the case. And is the recent car bombing in Campione d'Italia, a tiny tax haven surrounded on all sides by Switzerland, somehow related?
At the Man with a Load of Mischief, they found the dead body stuck in a keg of beer. At the Jack and Hammer, another body was stuck out on the beam of the pub’s sign, replacing the mechanical man who kept the time. Two pubs. Two murders. One Scotland Yard inspector called in to help. Detective Chief Inspector Richard Jury arrives in Long Piddleton and finds everyone in the postcard village looking outside of town for the killer - except for one Melrose Plant....
When a woman's body is found at the foot of a cliff near St. Denis, Bruno suspects a connection to the great ruin that stands on the cliff above: the Chateau de Commarque, a long-ago Knights Templar stronghold that, along with the labyrinth of prehistoric caves beneath it, continues to draw the interest of scholars. With the help of Amelie, a young newcomer to the Dordogne, Bruno learns that the dead woman was an archaeologist searching for a religious artifact of incredible importance.
Ian Rutledge returns to his career at Scotland Yard after years fighting in the First World War. Unknown to his colleagues he is still suffering from shell shock, and is burdened with the guilt of having had executed a young soldier on the battlefield for refusing to fight. A jealous colleague has learned of his secret and has managed to have Rutledge assigned to a difficult case which could spell disaster for Rutledge whatever the outcome. A retired officer has been murdered, and Rutledge goes to investigate.
London, 1850: A young Charles Lenox struggles to make a name for himself as a detective...without a single case. Scotland Yard refuses to take him seriously and his friends deride him for attempting a profession at all. But when an anonymous writer sends a letter to the paper claiming to have committed the perfect crime - and promising to kill again - Lenox is convinced that this is his chance to prove himself. The writer's first victim is a young woman whose body is found in a naval trunk, caught up in the rushes of a small islets in the middle of the Thames.
The first audiobook which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos.Inevitably Maigret was a hostile presence in the Majestic. He constituted a kind of foreign body that the hotel's atmosphere could not assimilate. Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted. He shaved every day and looked after his hands. But his frame was proletarian. He was a big, bony man.
When a group of Austrian cavers exploring a network of abandoned military tunnels in the Italian Alps come across human remains at the bottom of a deep shaft, everyone assumes the death was accidental - until the still unidentified body is stolen from the morgue and the Defence Ministry puts a news blackout on the case. And is the recent car bombing in Campione d'Italia, a tiny tax haven surrounded on all sides by Switzerland, somehow related?
At the Man with a Load of Mischief, they found the dead body stuck in a keg of beer. At the Jack and Hammer, another body was stuck out on the beam of the pub’s sign, replacing the mechanical man who kept the time. Two pubs. Two murders. One Scotland Yard inspector called in to help. Detective Chief Inspector Richard Jury arrives in Long Piddleton and finds everyone in the postcard village looking outside of town for the killer - except for one Melrose Plant....
When a woman's body is found at the foot of a cliff near St. Denis, Bruno suspects a connection to the great ruin that stands on the cliff above: the Chateau de Commarque, a long-ago Knights Templar stronghold that, along with the labyrinth of prehistoric caves beneath it, continues to draw the interest of scholars. With the help of Amelie, a young newcomer to the Dordogne, Bruno learns that the dead woman was an archaeologist searching for a religious artifact of incredible importance.
Ian Rutledge returns to his career at Scotland Yard after years fighting in the First World War. Unknown to his colleagues he is still suffering from shell shock, and is burdened with the guilt of having had executed a young soldier on the battlefield for refusing to fight. A jealous colleague has learned of his secret and has managed to have Rutledge assigned to a difficult case which could spell disaster for Rutledge whatever the outcome. A retired officer has been murdered, and Rutledge goes to investigate.
London, 1850: A young Charles Lenox struggles to make a name for himself as a detective...without a single case. Scotland Yard refuses to take him seriously and his friends deride him for attempting a profession at all. But when an anonymous writer sends a letter to the paper claiming to have committed the perfect crime - and promising to kill again - Lenox is convinced that this is his chance to prove himself. The writer's first victim is a young woman whose body is found in a naval trunk, caught up in the rushes of a small islets in the middle of the Thames.
The first audiobook which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos.Inevitably Maigret was a hostile presence in the Majestic. He constituted a kind of foreign body that the hotel's atmosphere could not assimilate. Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted. He shaved every day and looked after his hands. But his frame was proletarian. He was a big, bony man.
The first of Josephine Tey's Inspector Grant mysteries concerns the murder of a man, standing in a ticket queue for a London musical comedy. With his customary tenacity, Grant pursues his suspects through the length of Britain and the labyrinth of the city.
Oxford, Spring 1353. When young bookseller Nicholas Elyot discovers the body of student William Farringdon floating in the river Cherwell, it looks like a drowning. Soon, however, Nicholas finds evidence of murder. Who could have wanted to kill this promising student? As Nicholas and his scholar friend Jordain try to unravel what lies behind William's death, they learn that he was innocently caught up in a criminal plot.
It is a cold January morning, and Shetland lies beneath a deep layer of snow. Trudging home, Fran Hunter's eye is drawn to a splash of color on the frozen ground, ravens circling above. It is the strangled body of her teenage neighbor, Catherine Ross. The locals on the quiet island stubbornly focus their gaze on one man - loner and simpleton Magnus Tait.
Hugh Legat is a rising star of the British diplomatic service, serving as a private secretary to the Prime Minister, Neville Chamberlain. Rikard von Holz is on the staff of the German Foreign Office--and secretly a member of the anti-Hitler resistance. The two men were friends at Oxford in the 1920s, but have not been in contact since. Now, when Hugh flies with Chamberlain from London to Munich, and Rikard travels on Hitler's train overnight from Berlin, their paths are set on a disastrous collision course.
Three perplexing puzzles - and three inimitable Wimsey solutions - told with wit, humor, and suspense. Narrator Ian Carmichael, the quintessential Lord Peter, provides great entertainment with his talented performance of these three stories. In "Striding Folly", a frightening dream provides a haunting premonition. A house numbered 13 is in a street of even numbers, and a dead man was never alive in "The Haunted Policeman." And "Talboys" sees Lord Peter's own children accused of theft.
Elegiac, bittersweet and profoundly moving, The Leopard chronicles the turbulent transformation of the Risorgimento, in the period of Italian Unification. The waning feudal authority of the elegant and stately Prince of Salina is pitted against the materialistic cunning of Don Calogero, in Tomasi's magnificently descriptive memorial to a dying age.
A police commissioner in a British-governed, war-torn West African state, Scobie is bound by the strictest integrity and sense of duty both for his colonial responsibilities and for his wife, whom he deeply pities but no longer loves. Passed over for a promotion, he is forced to borrow money in order to send his despairing wife away on a holiday.
Riske is a freelance industrial spy who, despite his job title, lives a mostly quiet life above his auto garage in central London. He has avoided big, messy jobs - until now. A gangster by the name of Tino Coluzzi - once a compatriot of Riske - has orchestrated the greatest street heist in the history of Paris: a visiting Saudi prince had his pockets lightened of millions in cash, and something else. Hidden within a stolen briefcase is a secret letter that could upend the balance of power in the Western world. The Russians have already killed in an attempt to get it back.
Captain Sam Wyndham, former Scotland Yard detective, is a new arrival to Calcutta. Desperately seeking a fresh start after his experiences during the Great War, Wyndham has been recruited to head up a new post in the police force. He is immediately overwhelmed by the heady vibrancy of the tropical city, but with barely a moment to acclimatize or to deal with the ghosts that still haunt him, Wyndham is caught up in a murder investigation that threatens to destabilize a city already teetering on the brink of political insurgency.
Thomas De Quincey, infamous for his memoir "Confessions of an English Opium-Eater", is the major suspect in a series of ferocious mass murders identical to ones that terrorized London 43 years earlier. The blueprint for the killings seems to be De Quincey's essay "On Murder Considered as One of the Fine Arts". Desperate to clear his name but crippled by opium addiction, De Quincey is aided by his devoted daughter, Emily, and a pair of determined Scotland Yard detectives.
When Jonathan Argyll is arrested for breaking into an obscure church in Rome, he claims that it contains a long-lost Raphael hidden under a painting by Mantini. The painting disappears - then reappears in the hands of the top British art dealer, Edward Byrnes. How has Byrnes found out about the hidden masterpiece, and whom is he acting for? There is also the curious matter of the safe deposit box full of sketches closely resembling features of the newly discovered painting.
In teeming Victorian London, where lavish wealth and appalling poverty live side by side, Edward Pierce charms the most prominent of the well-to-do as he cunningly orchestrates the crime of the century. Who would suspect that a gentleman of breeding could mastermind the daring theft of a fortune in gold? Who could predict the consequences of making the extraordinary robbery aboard the pride of England's industrial era, the mighty steam locomotive?
A powerful industrialist, Ruggiero Miletti, is kidnapped. Inspector Zen is transferred to Perugia to take over the case - but finds that there are many obstacles in his way. The local authorities see him as an interloper, and the victim’s family, one of the most powerful in Italy, seem content to let Miletti languish in the hands of his abductors. Zen has crossed swords with the establishment before - and lost. Can he succeed this time?
Is there anything you would change about this book?
I would have made Aurelio Zen more of a champion and hero. I did not understand him nor his thoughts and his reasoning sometimes escaped me completely. I wanted to like him more, but often ended up feeling like he was a bit of a lost soul/loser.
What does Michael Kitchen bring to the story that you wouldn’t experience if you just read the book?
The narrator was very good and paced the story well. His voices had tons of character and helped me keep each individual in the story separated in my head, which can be a difficult task in an audible book with many characters.
Any additional comments?
The mystery existed and until the end, I could not figure it out (which I do like in a mystery novel). However, the main character was not likeable enough for me and although he came through in the end with the answers like all good mystery books, I did not like him anymore at the end then I did as I went through the book. Well written though if you like the silent, remorseful, no longer ambitious type of man.
2 of 2 people found this review helpful
Expecting Chief Inspector Foyle from Foyle's War TV show I was pleasantly surprised at Michael Ktichen's versatility. He is really quite good. The story is a little confusing in parts but what murder mystery isn't? Aurelia Zen takes a little time to warm to but by the end of the book, he is like an old friend that you love to see. The writing of Michael Dibdin is nice and refreshing. I hope the complete series comes out and it would be nice if Michael Kitchen does the honours. A good book, a good listen, a good piece of work. Worth the listen to, especially late at night whilst you are driving home with nothing to bother you like traffic or your passenger wanting to 'talk'.
2 of 2 people found this review helpful
Would you listen to Ratking again? Why?
Perhaps
What did you like best about this story?
Zen. And Kitchen reading him.
Any additional comments?
I saw the Zen series and Kitchen in Foyle. That's why I bought the book. I like Kitchen's voice. He got into Zen's character and personality really well. Great Job!!!
1 of 1 people found this review helpful
The narration complements the underlying story to such an immense extent, that one wonders how gripping the tale would be with a different reader.
Kitchen's lugubrious style helped to capture the central character's personality and also, helps paint the scenery that surrounds the action.
Between the author and his orator, this production conjures amazing imagery of the characters and their locations, both of which intertwine a thoroughly gripping mystery.
1 of 1 people found this review helpful
The story is well crafted however an Italian detective novel narrated in a British accent is off putting.
I love the 2011 3-part Zen TV series so I thought I'd give the books a go. This could be a great story/series but I won't be finding out from the audio versions.
Ninety minutes in, I gave up after realizing I'd not taken in any of the story because of the awful narration. His voice is nice enough but his choppy/biting manner of (over)acting rather than narrating is very irritating. If I don't like a narrator, I can usually put push through to the end but I was beaten by this one.
I'll stick to the printed version on this series.
What could have made this a 4 or 5-star listening experience for you?
i just started listening to the book and not sure i will be able to finish it because of the narrator.
How did the narrator detract from the book?
Awful, all the acting detracted from the story.
You didn’t love this book... but did it have any redeeming qualities?
Not sure yet
I was really looking forward to getting into the Aurelio Zen series, but after a couple of hours I couldn't stand to listen Michael Kitchen any longer. The reading pace was too fast for me, and there was an arrogant or simply disengaged edge to his reading quality. I'm surprised at all the positive rating for the audiobook. If you aren't irritated by the narration, this seems like an interesting story.
3 of 7 people found this review helpful
Glad I persevered with this one! Within minutes of starting this audiobook I was convinced that I was going to have to return it. The idiosyncratic narration got between me and the story; the reader affects a 'reading a list' type diction combined with a world weariness that actually made it hard to follow at times.
That said, I did persevere and once I got into the book I saw that it actually fitted the persona of Zen rather well. The story of a kidnapped industrialist and the dirty family secrets which are brought to light in the process plays well against Zen's personal life (sidelined professionally, unlucky in love) and I grew to appreciate the sly humour and cynicism. I will be working my way through the series.
Overall very entertaining if you can persevere with the narrator.
4 of 4 people found this review helpful
A very good story with enough twists and turns to entertain. I however find Michael Kitchen's narrative style distracting. He seems to slowly stress odd W-O-R-D-S in sentences which I find irritating. This may work on TV or stage for dramatic effect when accompanied by facial expressions or gestures, but which I personally find adds nothing to a book reading.
3 of 3 people found this review helpful
The Zen series of books by the late departed Michael Dibden I have often gone back to and the earlier books by are far the best. The later books drift off and seem written as if Dibden was by then bored, which he probably was. This, the first of the series portrays the character of Zen perfectly and the choice of Michael Kitchen as narrator is truly inspired. His sardonic and world weary delivery makes him a perfect Zen. His strange intonation and emphasis in some ways almost seems to that he is reading it as if from his police notebook. Lovely performance and can't wait to hear the rest of the series
2 of 2 people found this review helpful
I like Michael Kitchen as an actor but on this audiobook he fails to make the grade. His rendition of the narrative and badly paced and pays little attention to the punctuation, instead reading section of text with no connection to the rest of the sentence. Only the dialogue is well performed.
That notwithstanding, the story is excellent. When I was able to get past the delivery the book is a nicely written investigation which should appeal to those who like their detective fiction to be a little political and intelligent.
1 of 1 people found this review helpful
This is my first experience of Zen and I'm pleased I finally got to him!
Like a lot of people I found the narration annoying. I then read reviews here and they all said stick with it - it represents Zen's personality. Being my first experience of Zen I didn't know his character so I stuck with it and then I started to get it. I now think the narration adds to the story.
The story's itself was OK, I guessed who it was quite early on, but there was still enough there to keep me engaged and I think I'll download another.
1 of 1 people found this review helpful
Zen's first outing is a slow burner, but picks up and moves very quickly towards the end. enjoyable but as mentioned in the title there are better stories. Having said this still worth a listen as it will have you guessing till the end.
1 of 1 people found this review helpful
I was introduced to Zen through the three episodes shown on the BBC a few years ago. I enjoyed those, and was curious to read the books which inspired them.
I fully understand that any TV or film adaptation has to simplify the story quite a lot, and feel that the TV scriptwriters did a great job.
Although the basic stories were similar,, the book has so much more delightful depth, detail and complexity than the TV show with the same name. Zen seemed more life-like, with plausible "real-life" problems away from the office, and his situation, balancing his police work with the politics of the Italian judicial system, was intriguing.
I thought Michael Kitchen was an excellent narrator, with good clear diction and leaving nicely-judged pauses for emphasis and pacing.