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Publisher's Summary

21st century Tokyo, after the millennial quake. Neon rain. Light everywhere blowing under any door you might try to close. Where the New Buildings, the largest in the world, erect themselves unaided, their slow rippling movements like the contractions of a sea-creature...

Colin Laney is here looking for work. He is an intuitive fisher for patterns of information, the "signature" an individual creates simply by going about the business of living. But Laney knows how to sift for the dangerous bits. Which makes him useful - to certain people.

Chia McKenzie is here on a rescue mission. She's 14. Her idol is the singer Rez, of the band Lo,Rez. When the Seattle chapter of the Lo,Rez fan club decided that he might be in trouble in Tokyo, they sent Chia to check it out.

Rei Toei is the idoru - the beautiful, entirely virtual media star adored by all Japan. Rez has declared that he will marry her. This is the rumor that has brought Chia to Tokyo. True or not, the idoru and the powerful interests surrounding her are enough to put all their lives in danger...

©1996 William Gibson (P)2018 Tantor

What members say

Average Customer Ratings

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  • Overall
    3 out of 5 stars
  • Performance
    1 out of 5 stars
  • Story
    4 out of 5 stars

not the best performance but good story

Sounded like that scene in arrested development when Gob is reading the Country Club menu to Lucille 2.

1 of 1 people found this review helpful

  • Overall
    5 out of 5 stars
  • Performance
    1 out of 5 stars
  • Story
    4 out of 5 stars

Excellent except for the narrator

The story is excellent every time. The narrator is at times unbearable though, reading the entire story as if he were reading for an action movie trailer. It leaves much of the delivery flat, the characters become expressionless and the tone doesn't match the story. That said, I prefer it at least to other narrators who affect a falsetto for smaller/female characters, so there is that.

  • Overall
    3 out of 5 stars
  • Performance
    1 out of 5 stars
  • Story
    3 out of 5 stars

Good post-cyberpunk Gibson...with problems

Through the Bridge Trilogy and on into the Blue Ant trilogy, Gibson moved into his post-cyberpunk work that's near-future-to-basically-present and relates more directly to the current world.
Idoru is the 2nd in the Bridge Trilogy

As the second work, I think it suffers from some pacing problems that a second work in a trilogy can have (though his stuff tends to read as stand-alone stories pretty well) - so nothing unusual in that middle child problem - and as long as you are invested in the trilogy, any hiccups wash out in the mix

PROBLEM : audible doesn't seem to carry "virtual light" (the Frank Muller performance is classic Muller with all the quality you'd expect...excellent and easy on the ears. I believe there is a Peter Weller read version as well, but I haven't heard it). That really breaks up the series

I think the MAJOR problem with the trilogy is performance
1) This particular performance is...I'm sorry to say it - just not very good
2) The companion pieces aren't done by the same readers so, as a trilogy, you don't get the "the voice of the trilogy" that keeps things cohesive


I'd hope, esp as it's an older series, audible could maybe work out a deal to rerecord as it is a major work for Gibson



  • Overall
    3 out of 5 stars
  • Performance
    1 out of 5 stars
  • Story
    5 out of 5 stars

Awful reader. Good book.

I'm a huge Gibson fan, and have just about all of the audiobooks. Unfortunately, this has a terrible narrator, who sounds like he's doing a weather report on the local news the whole time. the reading was bad enough that I returned the book.