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When Anna Durrant is reported missing her friends seem unconcerned at her disappearance. After all, her life has been one of concealment. For years Anna submitted to the protective dependence of her mother, and even after Amy Durrant’s death she simply conformed to the expectations of others. Increasingly, Anna feels herself trapped by these expectations.
Born to elegant but frivolous parents, Harriet grows up ignored and unguided, and retains a curious innocence that neither her marriage to Freddie Lytton, nor her friendship with the beautiful Tessa can dispel. Freddie is far older than she is - a companion rather than a lover - and slightly disapproving of Tessa and her irresponsible, attractive husband, Jack. Yet all four are bound together: by their backgrounds, their children, by Harriet’s unspoken feelings for Jack and by the tragedy that lies in wait for all of them.
As the solitary child of mild and gentle parents, Jane is fascinated and astounded by her exotically European aunt, Dolly. Dolly’s ways are certainly not her parents’ ways, yet she is an object of interest and dread to her beleaguered relatives. It is clear that they have nothing in common: Jane feels no affection for Dolly, and Dolly clearly dislikes children. Yet the two are fated to go through life in uneasy harness, until such time as their alliance is accepted by both as not only inevitable, but as something of great value. Read by Fiona Shaw.
When cautious Emma Roberts goes to France to carry out research into 17th century garden design, she finds a reliable diversion from her studies in her unlikely new friend Francoise Desnoyers, in whose beautiful house she is welcomed as a guest. She is not too dazzled to ignore the tensions that exist between Francoise and her formidable mother, or between Mme. Desnoyers and her other guests. London recedes into the background as life in France becomes more significant in every respect.
Beatrice considers herself to be delicate and sensitive, idle and confused. Forced into early retirement, she has an unashamed and romantic desire to be rescued by the ideal man. But Beatrice's only family is her orderly sister, Miriam.
Undue Influence is the 19th novel by Anita Brookner, the Booker Prize-winning author of Hotel du Lac. Enigmatic Claire is 30 and lives alone. When she meets Martin Gibson, a faded scholar, she becomes inordinately interested. She is even more interested when she meets his wife, a far more spectacular personality. But the unexpected news of this woman's death releases emotions that were not entirely foreseen.
When Anna Durrant is reported missing her friends seem unconcerned at her disappearance. After all, her life has been one of concealment. For years Anna submitted to the protective dependence of her mother, and even after Amy Durrant’s death she simply conformed to the expectations of others. Increasingly, Anna feels herself trapped by these expectations.
Born to elegant but frivolous parents, Harriet grows up ignored and unguided, and retains a curious innocence that neither her marriage to Freddie Lytton, nor her friendship with the beautiful Tessa can dispel. Freddie is far older than she is - a companion rather than a lover - and slightly disapproving of Tessa and her irresponsible, attractive husband, Jack. Yet all four are bound together: by their backgrounds, their children, by Harriet’s unspoken feelings for Jack and by the tragedy that lies in wait for all of them.
As the solitary child of mild and gentle parents, Jane is fascinated and astounded by her exotically European aunt, Dolly. Dolly’s ways are certainly not her parents’ ways, yet she is an object of interest and dread to her beleaguered relatives. It is clear that they have nothing in common: Jane feels no affection for Dolly, and Dolly clearly dislikes children. Yet the two are fated to go through life in uneasy harness, until such time as their alliance is accepted by both as not only inevitable, but as something of great value. Read by Fiona Shaw.
When cautious Emma Roberts goes to France to carry out research into 17th century garden design, she finds a reliable diversion from her studies in her unlikely new friend Francoise Desnoyers, in whose beautiful house she is welcomed as a guest. She is not too dazzled to ignore the tensions that exist between Francoise and her formidable mother, or between Mme. Desnoyers and her other guests. London recedes into the background as life in France becomes more significant in every respect.
Beatrice considers herself to be delicate and sensitive, idle and confused. Forced into early retirement, she has an unashamed and romantic desire to be rescued by the ideal man. But Beatrice's only family is her orderly sister, Miriam.
Undue Influence is the 19th novel by Anita Brookner, the Booker Prize-winning author of Hotel du Lac. Enigmatic Claire is 30 and lives alone. When she meets Martin Gibson, a faded scholar, she becomes inordinately interested. She is even more interested when she meets his wife, a far more spectacular personality. But the unexpected news of this woman's death releases emotions that were not entirely foreseen.
Moving between Nice and London, The Bay of Angels makes the point that not everyone needs conventional relationships to be happy. It relates the story of Zoe, whose life changes when her widowed mother marries a wealthy older man and moves to Nice.
A novel about human relationships, focusing, unusually for Brookner, on two male characters. Hartmann and Fibich met at school and 40 years later they can no more think of living apart than of divorcing their wives. This book deals with their gradual coming to terms with the emotional gaps in their lives.
At seventy-three, Herz is facing an increasingly bewildering world. He cannot see his place in it or even work out what to do with his final years. Questions and misunderstandings haunt Herz like old ghosts. Should he travel, sell his flat, or propose marriage to a friend he has not seen in thirty years? The letters he writes and does not send and the passers-by he encounters remind him how out of touch he is, how detached from the modern world.
Elizabeth and Betsy are old school friends. Born in 1948 and unready for the sixties, they had high hopes of the lives they would lead, even though their circumstances were so different. When they meet again in their thirties, Elizabeth, married to the safe, older Digby, is relieving the boredom of a cosy but childless marriage with an affair. Betsy seems to have found real romance in Paris. Are their lives taking off, or are they just making more of the wrong choices without even realising it?
Paul Sturgis is a retired bank manager who lives alone in a dark little flat. He walks alone and dines alone, seeking out and taking pleasure in small exchanges with strangers: the cheerful Australian girl who cuts his hair, the lady at the dry cleaners. His only relative - and only acquaintance - is a widowed cousin by marriage, herself a virtual stranger, to whom he pays ritualistic visits on a Sunday afternoon.
Mildred Lathbury is a clergyman's daughter and a mild-mannered spinster in 1950s England. She is one of those excellent women - the smart, supportive, repressed women whom men take for granted. As Mildred gets embroiled in the lives of her new neighbors - anthropologist Helena Napier; Helen's handsome, dashing husband, Rocky; and Julian Malory, the vicar next door - the novel presents a series of snapshots of human life as actually, and pluckily, lived.
In a country teetering on the brink of civil war, two young people meet - sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors - doors that can whisk people far away, if perilously and for a price.
Millions of fans of Little House on the Prairie believe they know Laura Ingalls - the pioneer girl who survived blizzards and near-starvation on the Great Plains, and the woman who wrote the famous autobiographical books. But the true story of her life has never been fully told. Now, drawing on unpublished manuscripts, letters, diaries, and land and financial records, Caroline Fraser masterfully fills in the gaps in Wilder's biography.
Features a sample chapter from A Gentleman in Moscow, the highly anticipated new audiobook from Amor Towles - available fall 2016. This sophisticated and entertaining first novel presents the story of a young woman whose life is on the brink of transformation. On the last night of 1937, 25-year-old Katey Kontent is in a second-rate Greenwich Village jazz bar when Tinker Grey, a handsome banker, happens to sit down at the neighboring table. This chance encounter and its startling consequences propel Katey on a yearlong journey....
Rose Aubrey is one of a family of four children. Their father, Piers, is the disgraced son of an Irish landowning family, a violent, noble and quite unscrupulous leader of popular causes. His Scottish wife, Clare, is an artist, a tower of strength, fanatically devoted to a musical future for her daughters. This is the story of their life in south London, a life threatened by Piers's streak of tragic folly which keeps them on the verge of financial ruin and social disgrace....
Divorced from his own wife and carrying on halfheartedly with another man's, saddled with a bum knee and friends who make enemies redundant, Sully now has one new problem to cope with: a long-estranged son who is in imminent danger of following in his father's footsteps. With its sly and uproarious humor and a heart that embraces humanity's follies as well as its triumphs, Nobody's Fool is storytelling at its most generous.
A stranger enters the inner sanctum of the Ashby family posing as Patrick Ashby, the heir to the family’s sizeable fortune. The stranger, Brat Farrar, has been carefully coached on Patrick’s mannerisms, appearance and every significant detail of Patrick’s early life, up to his 13th year when he disappeared and was thought to have drowned himself.
When Rachel becomes involved in the lives of the Livingstones it is with an acute appreciation of their home - beautifully furnished and richly decorated. They have won an undisclosed amount of money on the football pools. But rather than enjoy their new-found wealth, seem sadly resigned to it. They do, however, appear to take pleasure in the association between Rachel and their daughter Heather, seeing Rachel as a good influence. However, no one can foresee their own destiny.
And everyone can be a victim of fate.
A self-described "plain dealer proud of the honesty of her transactions," protagonist Rachel brings us into the world of Oscar and Dorrie and their extended family. The couple is newly wealthy from an undisclosed windfall from the football pools. Rachel is, to their minds, best friends with their daughter Heather. Unfortunately, it isn't clear that either Rachel or Heather understands the precise nature of their relationship. This "friendship" is the true focus of the book and explores Brookner's obsession with misunderstandings and misalliances, as well as the nature of feminine interactions.
Much of the beginning is told in straightforward exposition without much dialogue, which does become a bit wearing after a time. But things pick up when Heather becomes engaged. Rachel has her doubts about Michael, Heather's Peter Pan of a fiancé, and more doubts still about his over-protective father.
Brookner's well-known gifts are evident throughout: close, telling observations which reveal deep character; a deft, painterly touch with description; the creation of an uneasy expectation about what may or may not come to pass.
Still, having read "A Family Romance" the same week, I found this a little less satisfying. There seemed to be less at stake here, and less intimacy in the viewpoint. But time spent with Brookner is never wasted, and I still enjoyed this story very much.
The beautiful Ms. Lunghi's narration is well-suited to the story. As Rachel, she delivers a slightly disdainful view of the circumstances with swift, impeccable enunciation.
5 of 5 people found this review helpful
Once you get hooked on the Brookner oeuvre, there's no turning back. After reading almost a dozen of her novels, I don't care as much about the specifics of any one book as I do about reentering the meticulous, incredibly erudite, slightly claustrophobic world she has constructed. Here you find extraordinarily refined intelligence and detailed insight worthy of Henry James. The characters are chilly observers, frequently disappointed in love and life in general. Although this novel appears to be about the Livingstone family and the feckless daughter, Heather, it's really about the unmasking of the angry, deluded narrator. The climactic chapter in Venice is memorable and unsettling. There's something misanthropic about Brookner, but you love her for it. Cherie Lunghi's reading is appropriately spritely and darkens nicely as the layers of denial are stripped from the narrator.
4 of 4 people found this review helpful
But overall, a depressing look at the "near miss" in casual relationships nowadays. It does make an important point: that to create a life with verve and meaning requires a genuine investment of the self -- something this character was entirely unable to risk.
3 of 3 people found this review helpful