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A Feast of Words
- The Triumph of Edith Wharton
- Narrated by: Anna Fields
- Length: 19 hrs and 30 mins
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You need to know a bit about the players
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A family first made, then destroyed by wealth.
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The Custom of the Country
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Edith Wharton stands among the finest writers of early 20th-century America. In The Custom of the Country, Wharton’s scathing social commentary is on full display through the beautiful and manipulative Undine Spragg. When Undine convinces her nouveau riche parents to move to New York, she quickly injects herself into high society. But even a well-to-do husband isn’t enough for Undine, whose overwhelming lust for wealth proves to be her undoing.
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Cannot recommend a better narrator!
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Ethan Frome
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Story
Ethan Frome, a poor, downtrodden New England farmer, is trapped in a loveless marriage to his invalid wife, Zeena.When Zeena's young cousin Mattie arrives to help care for her, Ethan is immediately taken by Mattie's warm, vivacious personality. They fall desperately in love as he realizes how much is missing from his life and marriage.
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Slow is smooth and smooth is Fast until it isn't
- By Darwin8u on 05-29-13
By: Edith Wharton
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Age of Innocence (Dramatised)
- By: Edith Wharton, Jane Rogers (dramatisation)
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Overall
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Performance
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Story
A full-cast dramatisation of Edith Wharton's Pulitzer Prize-winning novel about a passionate love affair which breaks all the rules of the restrictive high society of 1870s New York.In the exclusive world of upper-class New York, in which attendance at balls and dinner passes for occupation, Newland Archer anticipates his marriage to May Welland, a beautiful young girl from a suitable family ‘who knows nothing and expects everything’.
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Beautifully done
- By Brendan on 01-01-11
By: Edith Wharton, and others
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Edith Wharton
- By: Hermione Lee
- Narrated by: Kate Reading
- Length: 8 hrs and 38 mins
- Abridged
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Overall
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Performance
-
Story
With profound empathy and insight, Hermione Lee brilliantly interweaves Wharton's life with the evolution of her writing, the full scope of which shows her to be far more daring than her stereotype as lapidarian chronicler of the Gilded Age. In its revelation of both the woman and the writer, Edith Wharton is a landmark biography.
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Gardens Over Great Novels
- By Aaron Elliott on 04-26-07
By: Hermione Lee
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Capote's Women
- A True Story of Love, Betrayal, and a Swan Song for an Era
- By: Laurence Leamer
- Narrated by: Carrington MacDuffie
- Length: 10 hrs and 25 mins
- Unabridged
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Overall
-
Performance
-
Story
New York Times bestselling author Laurence Leamer reveals the complex web of relationships and scandalous true stories behind Truman Capote's never-published final novel, Answered Prayers—the dark secrets, tragic glamour, and Capote's ultimate betrayal of the group of female friends he called his "swans."
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-
You need to know a bit about the players
- By Etoile NEOhio on 12-30-21
By: Laurence Leamer
-
Astor
- The Rise and Fall of an American Fortune
- By: Anderson Cooper, Katherine Howe
- Narrated by: Anderson Cooper
- Length: 8 hrs and 19 mins
- Unabridged
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Overall
-
Performance
-
Story
From 1783, when German immigrant John Jacob Astor first arrived in the United States, until 2009, when Brooke Astor’s son, Anthony Marshall, was convicted of defrauding his elderly mother, the Astor name occupied a unique place in American society. The family fortune, first made by a beaver trapping business that grew into an empire, was then amplified by holdings in Manhattan real estate. Over the ensuing generations, Astors ruled Gilded Age New York society and inserted themselves into political and cultural life, but also suffered the most famous loss on the Titanic.
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-
A family first made, then destroyed by wealth.
- By Barbara W. on 09-23-23
By: Anderson Cooper, and others
-
The Custom of the Country
- By: Edith Wharton
- Narrated by: Barbara Caruso
- Length: 15 hrs and 6 mins
- Unabridged
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Overall
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Performance
-
Story
Edith Wharton stands among the finest writers of early 20th-century America. In The Custom of the Country, Wharton’s scathing social commentary is on full display through the beautiful and manipulative Undine Spragg. When Undine convinces her nouveau riche parents to move to New York, she quickly injects herself into high society. But even a well-to-do husband isn’t enough for Undine, whose overwhelming lust for wealth proves to be her undoing.
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Cannot recommend a better narrator!
- By Esther on 07-29-12
By: Edith Wharton
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Ethan Frome
- By: Edith Wharton
- Narrated by: Scott Brick
- Length: 3 hrs and 45 mins
- Unabridged
-
Overall
-
Performance
-
Story
Ethan Frome, a poor, downtrodden New England farmer, is trapped in a loveless marriage to his invalid wife, Zeena.When Zeena's young cousin Mattie arrives to help care for her, Ethan is immediately taken by Mattie's warm, vivacious personality. They fall desperately in love as he realizes how much is missing from his life and marriage.
-
-
Slow is smooth and smooth is Fast until it isn't
- By Darwin8u on 05-29-13
By: Edith Wharton
-
Age of Innocence (Dramatised)
- By: Edith Wharton, Jane Rogers (dramatisation)
- Narrated by: Andrew Wincott, Susanne Bertish
- Length: 1 hr and 53 mins
- Original Recording
-
Overall
-
Performance
-
Story
A full-cast dramatisation of Edith Wharton's Pulitzer Prize-winning novel about a passionate love affair which breaks all the rules of the restrictive high society of 1870s New York.In the exclusive world of upper-class New York, in which attendance at balls and dinner passes for occupation, Newland Archer anticipates his marriage to May Welland, a beautiful young girl from a suitable family ‘who knows nothing and expects everything’.
-
-
Beautifully done
- By Brendan on 01-01-11
By: Edith Wharton, and others
-
Edith Wharton
- By: Hermione Lee
- Narrated by: Kate Reading
- Length: 8 hrs and 38 mins
- Abridged
-
Overall
-
Performance
-
Story
With profound empathy and insight, Hermione Lee brilliantly interweaves Wharton's life with the evolution of her writing, the full scope of which shows her to be far more daring than her stereotype as lapidarian chronicler of the Gilded Age. In its revelation of both the woman and the writer, Edith Wharton is a landmark biography.
-
-
Gardens Over Great Novels
- By Aaron Elliott on 04-26-07
By: Hermione Lee
Publisher's summary
This new edition includes two chapters: one on Lily Bart and the lethal stereotypes of women on the 19th-century stage, and another on the way Wharton's own sensual awakening led from the frozen austerity of Ethan Frome to the lyricism and tempered happiness of Summer. Everyone who admires Wharton's novels or enjoys the films made from them will want to experience this superb biography.
Critic reviews
"Gives us the flesh and blood woman - and a splendidly gallant creature she is." (St. Louis Dispatch)
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What listeners say about A Feast of Words
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
- Charles Bland
- 03-08-11
Very useful contribution to Wharton biography
At the risk of violating Audible guidelines, the review by Linda Lou is so harsh and unforgiving that I want to push back at her just a bit. Quite apart from the criticism of Anna Fields delivery, the book itself, updated from an original version, is one of just a few first rate critical biographies of Edith Wharton, whose life and writing bridged the Victorian and Modern era. Miss Lou must not be familiar with academic writing, much of which is so abstruse and arcane it makes your teeth ache. Professor Wolff has a literate and graceful style and takes on the entire corpus of Wharton writing, placing it in context of the time it was written, differentiating for example between the erotic content in pre and post-Fullerton efforts. Her work on Age of Innocence and Ethan Frome as well as Summer, House of Mirth, and Custom of the Country, is first rate and she may even have presented Hitchcockians with a source for Hitchcock’s famous MacGuffin. Wolff was a Professor of Literature at MIT when this piece came out in the 90s and may be retired by now. She deserves better than the previous review and Audible is to be congratulated for including academic work like this in their offerings. Charles Bland, Niagara Falls New York
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- the little hill
- 04-04-12
Interesting yet excruciatingly verbose
It is evident that the author Wolff has a great deal of insight into Wharton, which she brings to bear in this tome. If you are looking for a detailed assessment that frequently borders on tiresome over-analysis of Wharton's life, you will find it here. What I found especially irksome - and misplaced - was the last section titled 'Afterwards,' whereupon Wolff launches yet again into a re-review of Ethan Frome and The House of Mirth. It seemed to rehash much of the same ground as in previous chapters covering same without further illumination, although Wolff appeared to be focusing on certain autobiographical comparisons, and theatrical devices Wharton employed in her writing. I was happy to get to the end!
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- DebHumm
- 04-11-15
Feast of Words - know what you're embarking on
I fall exactly between the reviewers, Linda Lou and Charles Bland. I appreciate the erudite weight of a well-researched examination of Edith Wharton's contribution to literature as well as the many sources both personal and literary that made it possible. But that examination can be exhausting and professorial for the typical, casual listener who may not be expecting the kind of reading you would only tackle if you were armed with the red pen of an editor, doing a favor to a doctoral thesis candidate. Be forewarned.
I had no problems with the narration.
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Performance
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Story
- Dean Farwood
- 12-30-12
Psychobabble Nonsense
What disappointed you about A Feast of Words?
This book reads like the work of an articulate but gullible graduate student's first draft of a theses. It is filled with self-evident assumptions dressed up as deep analysis. Repeatedly the author makes statements as to what Wharton thought and why she acted that are based only on the author's imaginings based on convenient and popular reductions of psychological theory.
What was most disappointing about Cynthia Griffin Wolff’s story?
The lack of facts.
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Overall
- The Louligan
- 05-29-10
BORING & UNINSPIRED
I've tried for several months to get through this book. I don't know which is worse, the book itself or the narration. This is indicative of many audiobooks that I've bought which makes me wonder if the manufacturers of this format ever LISTEN to the finished product. I can only assume that this was a good book in hard copy since the author managed to secure a publisher and the book is now in audio format. But the narrator is so smug, "insisting upon herself", believing that she's rather clever in her delivery, that it is really difficult to get past her awful grating voice into the meat of the book. Ann Fields' performance reminds me of cold lumpy mash potatoes without salt! I only bought it because it had been given 4 stars, yet no one bothered to actually write a review which others can read for a heads up. I'm giving it 2 stars and telling future readers why. You still may agree with the non-writing reviewers who like to throw stars around, but at least you can say I spoke my mind. I think I'll just save this book until I'm on lockdown in solitary confinement in a federal prison, with nothing else in life to do, while serving 25-L!
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