Mostrando resultados por autor "Patricia Highsmith" en Todas las categorías

In this first novel, we are introduced to suave, handsome Tom Ripley: a young striver, newly arrived in the heady world of Manhattan in the 1950s. A product of a broken home, branded a "sissy" by his dismissive Aunt Dottie, Ripley becomes enamored of the moneyed world of his new friend, Dickie Greenleaf. This fondness turns obsessive when Ripley is sent to Italy to bring back his libertine pal, but he grows enraged by Dickie's ambivalent feelings for Marge, a charming American dilettante.

The Buckmaster Gallery is staging another Derwatt exhibition, but now an American collector claims that the expensive masterpiece he bought three years ago is a fake. It is, of course, and he wants to talk to Derwatt, but Derwatt, inconveniently, is dead. Ripley needs the perfect solution to keep his role in the fraud a secret and his reputation clean, but not everyone's nerves are as steady as his. Especially when it comes to murder.

Set in Tunisia in the mid-1960s, this is the story of Howard Ingham, an American writer who has gone abroad to gather material for a movie too sordid to be set in America. Ingham is cool toward the girlfriend he left behind in New York - but his feelings start to change when she doesn't answer his increasingly aggravated letters and the filmmaker who hired Ingham fails to show in Tunisia.

Living on his posh French estate with his elegant heiress wife, Tom Ripley, on the cusp of middle age, is no longer the striving comer of The Talented Mr. Ripley. Having accrued considerable wealth through a long career of crime—forgery, extortion, serial murder—Ripley still finds his appetite unquenched and longs to get back in the game.

The legendary writer Patricia Highsmith is best remembered today for her chilling psychological thrillers The Talented Mr. Ripley and Strangers on a Train. A critically acclaimed, best-selling author in Europe, Highsmith has for too long been underappreciated in the United States. Eleven is Highsmith's first collection of short stories, an arresting group of dark masterpieces of obsession and foreboding, violence and instability.

Claire Morgan, una autora desconocida y que eligió permanecer en el más absoluto anonimato, publicó en 1952 una novela, El precio de la sal, notablemente audaz para la época. Los críticos trataron el libro con una mezcla de desconcierto y respeto, pero el éxito de público fue inmediato, y se vendieron más de un millón de ejemplares de la edición de bolsillo. La novela no volvió a editarse, y ahora reaparece con el título Carol, que originalmente le había dado su autora, y firmada por ésta con su verdadero nombre.

Tom Ripley passes his leisured days at his French country estate tending the dahlias, practicing the harpsichord, and enjoying the company of his lovely wife, Heloise. Never mind the bloodstains on the basement floor.

Tom Ripley is now the owner of a beautiful estate in France, a wealthy art collector and married to an heiress. The Buckmaster Gallery is staging an exhibition by the celebrated artist Derwatt, but an American collector claims that the expensive masterpiece he bought three years ago is a fake. It is, of course, and he wants to talk to Derwatt - but Derwatt, inconveniently, is dead. Ripley needs the perfect solution to keep his role in the fraud a secret and his reputation clean, but not everyone's nerves are as steady as his.

Relegated during her lifetime to the pulpy genre of mystery, Patricia Highsmith has emerged since her death in 1995 as one of “our greatest modernist writers” (Gore Vidal). Presented for the first time, this one-volume assemblage of her diaries and notebooks posthumously discovered behind Highsmith’s linens and culled from more than 8,000 pages by her devoted editor, Anna von Planta—traces the mesmerizing double-life of an artist who “[worked] like mad to be something”.

En "El talento de Mr. Ripley", la más célebre novela de Patricia Highsmith, aparece su más fascinante personaje: el inquietante y amoral Tom Ripley, figura prototípica de un género que Highsmith inventó, situado entre la novela policíaca y la novela negra, entre Graham Greene y Raymond Chandler, donde el más trepidante suspense se aúna a un vertiginoso análisis psicológico.

A master of the psychological crime genre, Patricia Highsmith is most famous for her quintet of best-selling Ripley novels, and her groundbreaking thriller Strangers on a Train (notably adapted as a classic film by Alfred Hitchcock). This extensive collection encompasses her best-known works, as well as selected short stories and three programmes about the author herself and her greatest creation, charismatic anti-hero Tom Ripley.

In The Boy Who Followed Ripley, Highsmith explores Ripley's bizarrely paternal relationship with a troubled young runaway, whose abduction draws them into Berlin's seamy underworld. More than any other American literary character, Ripley provides "a lens to peer into the sinister machinations of human behavior." (John Freeman, Pittsburgh Gazette).

A chance encounter between two lonely women leads to a passionate romance in this lesbian cult classic. Therese, a struggling young sales clerk, and Carol, a homemaker in the midst of a bitter divorce, abandon their oppressive daily routines for the freedom of the open road, where their love can blossom. But their newly discovered bliss is shattered when Carol is forced to choose between her child and her lover.

The remarkable renaissance of Patricia Highsmith continues with the publication of Patricia Highsmith: Selected Novels and Short Stories, featuring the groundbreaking novels Strangers on a Train and The Price of Salt as well as a trove of penetrating short stories. With a critical introduction by Joan Schenkar, situating Highsmith’s classic works within her own tumultuous life, this book provides a useful guide to some of her most dazzlingly seductive writing.

Falsely convicted of fraud, the easygoing but naive Philip Carter is sentenced to six lonely, drug-ravaged years in prison. Upon his release, Carter is a more suspicious and violent man. For those around him, earning back his trust can mean the difference between life and death.

In Patricia Highsmith's debut novel, we encounter Guy Haines and Charles Anthony Bruno, passengers on the same train. But while Guy is a successful architect in the midst of a divorce, Bruno turns out to be a sadistic psychopath who manipulates Guy into swapping murders with him. As Bruno carries out his twisted plan, Guy is trapped in Highsmith's perilous world - where, under the right circumstances, anybody is capable of murder.

In A Suspension of Mercy, a masterpiece of noir fantasy, Highsmith revels in eliciting the unsettling psychological forces that lurk beneath the surface of everyday contemporary life.

Tom Ripley is struggling to stay one step ahead of his creditors and the law when an unexpected acquaintance offers him the chance to start over. Ripley wants money, success, and the good life and he's willing to kill for it. When his newfound happiness is threatened, his response is as swift as it is shocking.

In This Sweet Sickness, David Kelsey has an unyielding conviction that life will turn out all right for him; he just has to fix "the situation" of being in love with a married woman. Obsessed with Annabelle and the life he has imagined for them, David prepares to win her over, whatever it takes. In this riveting tale of a deluded loner, Highsmith reveals her uncanny ability to draw out the secret obsessions that overwhelm the human heart.

Ray Garrett, a wealthy young American living in Europe, is grieving over the death of his wife. Ray is at a loss for why she would take her own life, but Peggy's father, Ed Coleman, has no such uncertainty - he blames Ray completely. Late one night in Rome, Coleman shoots Ray at point-blank range. He thinks he's had his revenge, but Ray survives and follows Coleman and his wealthy girlfriend to Venice.