Mostrando resultados por autor "Michael Ondaatje" en Todas las categorías

In this cornucopia of an anthology, you will find essays by some of the world's most beloved novelists, nonfiction writers, essayists and poets. You will see books taking flight in flocks, migrating around the world, landing in people's hearts and changing them for a day or a year or a lifetime. You will see books sparking wonder or anger; throwing open windows into other languages, other cultures, other minds; causing people to fall in love or to fight for what is right.

In the 1970s in Northern California, near Gold Rush country, a father and his teenage daughters, Anna and Claire, work their farm with the help of Coop, an enigmatic young man who makes his home with them. Theirs is a makeshift family, until it is riven by an incident of violence that sets fire to the rest of their lives.

Anil’s Ghost transports us to Sri Lanka, a country steeped in centuries of tradition, now forced into the late twentieth century by the ravages of civil war. Into this maelstrom steps Anil Tissera, a young woman born in Sri Lanka, educated in England and America, who returns to her homeland as a forensic anthropologist sent by an international human rights group to discover the source of the organized campaigns of murder engulfing the island. What follows is a story about love, about family, about identity, about the unknown enemy, about the quest to unlock the hidden past.

Patrick Lewis arrives in Toronto in the 1920s and earns his living searching for a vanished millionaire and tunneling beneath Lake Ontario. In the course of his adventures, Patrick's life intersects with those of characters who reappear in Ondaatje's Booker Prize-winning The English Patient.

With ravishing beauty and unsettling intelligence, Michael Ondaatje's Booker Prize-winning novel traces the intersection of four damaged lives in an Italian villa at the end of World War II. Hana, the exhausted nurse; the maimed thief, Caravaggio; the wary sapper, Kip: Each is haunted by the riddle of the English patient, the nameless, burned man who lies in an upstairs room and whose memories of passion, betrayal, and rescue illuminate this book like flashes of heat lightening.

In the early 1950s, an 11-year-old boy in Colombo boards a ship bound for England. At mealtimes he is seated at the “cat’s table” - as far from the Captain’s Table as can be - with a ragtag group of “insignificant” adults and two other boys, Cassius and Ramadhin. As the ship makes its way across the Indian Ocean, through the Suez Canal, into the Mediterranean, the boys tumble from one adventure to another, bursting all over the place like freed mercury.

In a narrative as beguiling and mysterious as memory itself - shadowed and luminous at once - we follow the story of 14-year-old Nathaniel, and his older sister, Rachel. In 1945, just after World War II, they stay behind in London when their parents move to Singapore, leaving them in the care of a mysterious figure named The Moth. They suspect he might be a criminal, and they grow both more convinced and less concerned as they come to know his eccentric crew of friends: men and women joined by a shared history of unspecified service during the war.

In the late 1970s Ondaatje returned to his native island of Sri Lanka. As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India", Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer.

In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel - one where the enigma is never resolved, but allowed to manifest in its fullness.

Following several of his internationally acclaimed, beloved novels, A Year of Last Things is Michael Ondaatje’s long-awaited return to poetry. In pieces that are sometimes wittily funny, moving, and always wise, we journey back through time by way of alchemical leaps, unearthing writings by revered masters, moments of shared tenderness, and abandoned landscapes we hold onto to rediscover the influence of every border crossed.

William Bonney, a.k.a. "Billy the Kid", killed his first man when he was 12. By the time he was 21 he had, by his own reckoning, slain 19 more. In the intervening years, he had become "Billy the Kid", bloodthirsty ogre and outlaw saint.

Drawing on contemporary accounts, period photographs, dime novels, and his own fund of empathy and imagination, Michael Ondaatje traces Billy's passage across the blasted landscape of 1880 New Mexico and the collective unconscious of his country.

The nurse Hana, exhausted by death, obsessively tends to her last surviving patient. Caravaggio, the thief, tries to reimagine who he is, now that his hands are hopelessly maimed. The Indian sapper Kip searches for hidden bombs in a landscape where nothing is safe but himself. And at the centre of his labyrinth lies the English patient, nameless and hideously burned, a man who is both a riddle and a provocation to his companions - and whose memories of suffering, rescue and betrayal illuminate this book like flashes of heat lightning.

Con inusitada belleza e inteligencia, Michael Ondaatje traza la intersección en los últimos días de la Segunda Guerra Mundial y en una villa italiana abandonada, de cuatro vidas dañadas.

Drawing on contemporary accounts, period photographs, dime novels, and his own prodigious fund of empathy and imagination, Michael Ondaatje's visionary novel traces the legendary outlaw's passage across the blasted landscape of 1880 New Mexico and the collective unconscious of his country. The Collected Works of Billy the Kid is a virtuoso synthesis of storytelling, history, and myth by a writer who brings us back to our familiar legends with a renewed sense of wonder.

Anil's Ghost transports us to Sri Lanka, a country steeped in centuries of tradition, now forced into the late twentieth century by the ravages of a bloody civil war. Enter Anil Tissera, a young woman and forensic anthropologist born in Sri Lanka but educated in the West, sent by an international human rights group to identify the victims of the murder campaigns sweeping the island.

The poetry of Michael Ondaatje begins in memory: distant landscapes, myths from childhood, fleeting interactions with loved ones, and characters from history itself. In poems that are spare as often as they are fable-like—as tender as they are heart-wrenching—the poet navigates the past, looks toward the future, and unearths inevitable truths about the world.

London, 1945. The capital is still reeling from the war. Fourteen-year-old Nathaniel and his older sister Rachel are abandoned by their parents who leave the country on business, and are left in the dubious care of a mysterious figure named The Moth. Nathaniel is introduced to The Moth’s band of criminal misfits and is caught up in a series of teenage misadventures, from smuggling greyhounds for illegal dog racing to lovers’ trysts in abandoned buildings at night. But is this eccentric crew really what and who they claim to be? And most importantly, what happened to Nathaniel’s mother?

In a narrative as beguiling and mysterious as memory itself - shadowed and luminous at once - we hear the story of 14-year-old Nathaniel, and his older sister, Rachel. In 1945, just after World War II, they stay behind in London when their parents move to Singapore, leaving them in the care of a mysterious figure named The Moth. They suspect he might be a criminal, and they grow both more convinced and less concerned as they come to know his eccentric crew of friends.

The poetry of Michael Ondaatje begins in memory: distant landscapes, myths from childhood, fleeting interactions with loved ones, and characters from history itself. In poems that are spare as often as they are fable-like—as tender as they are heart-wrenching—the poet navigates the past, looks toward the future, and unearths inevitable truths about the world.

The time is our own time. The place, Sri Lanka, the island nation off the southern tip of India, a country formerly known as Ceylon, which is steeped in centuries of cultural achievement and tradition - and forced into the late 20th century by the ravages of civil war and the consequences of a country divided against itself. Into this maelstrom steps a woman, Anil Tissera, born in Sri Lanka, educated in the West, a forensic anthropologist sent by an international human-rights group to work with officials to discover the source of the organized campaigns of murder engulfing the island.