Mostrando resultados por autor "Donna Leon" en Todas las categorías

During intermission at the famed La Fenice opera house in Venice, Italy, a notoriously difficult and widely disliked German conductor is poisoned—and suspects abound. Guido Brunetti, a native Venetian, sets out to unravel the mystery behind the high-profile murder. To do so, he calls on his knowledge of Venice, its culture, and its dirty politics. Along the way, he finds the crime may have roots going back decades—and that revenge, corruption, and even Italian cuisine may play a role.

In Death and Judgment, the fourth novel in Donna Leon's bestselling Commissario Guido Brunetti series, a truck crashes and spills its dangerous cargo on a treacherous road in the Italian Dolomite Mountains. Meanwhile, a prominent international lawyer is found dead aboard an intercity train bound for Venice. Brunetti suspects a connection between the two tragedies. Digging deep for an answer, he stumbles upon a seedy Venetian bar that holds the key to a crime network that reaches far beyond the laguna.

Mystery lovers everywhere are addicted to Donna Leon’s ever-honorable Commissario Guido Brunetti and her portrayal of Venice’s beautiful but sinister byways and canals. In Willful Behavior, Brunetti is approached for a favor by one of his wife’s students. Intelligent and serious, Claudia Leonardo asks for his help in obtaining a pardon for a crime once committed by her now-dead grandfather. Brunetti thinks little of it—until Claudia is found dead. Soon, another corpse and an extraordinary art collection lead Brunetti to secrets of Nazi collaboration and the exploitation of Italian Jews.

Venetian Commissario Guido Brunetti’s hopes of escaping the sweltering heat of Venice in August for a refreshing family holiday in the mountains are dashed when a gruesome discovery is made in a field in Marghera—a body so badly beaten the face is completely unrecognizable. Brunetti searches Venice for someone who can identify the corpse, but he is met with a wall of silence. Then he receives a phone call promising tantalizing information, provided he meets with the caller under a bridge outside of town in the middle of the night.

The polluted waters of the canals in Venice are an ever-present issue; but environmental concerns become significant in Commissario Guido Brunetti's work when an investigator from the Carabiniere—looking into the illegal hauling of garbage—asks for a favor. But the investigator is not the only one with a special request. Brunetti's father-in-law needs help and a mysterious woman comes into the picture. And the Commissario soon finds himself in the middle of an investigation into murder and corruption more dangerous than anything he's seen before.

Late one night, Commissario Guido Brunetti's telefonino rings. A woman's body has been found in a Spartan apartment on Campo San Giacomo dell'Orio. Brunetti sees some signs of force on the old woman, but they could just as easily have been from the radiator near where she fell. When the medical examiner rules that the woman died of a heart attack, it seems there is nothing to investigate.

A macabre grave is found at the foot of the Italian Dolomites. The body is found to be Roberto Lorenzoni's, only son and heir of one Venice's oldest, most aristocratic families. Commissario Guido Brunetti must move in the highest circles of power and corruption to unravel the mystery behind the young man's disappearance and murder.

It all begins with an early morning phone call. In the chill of the Venetian dawn, a sudden act of vandalism shatters the quiet of the city, and Brunetti is shocked to find that the culprit waiting to be apprehended at the scene is his own wife, Paola. She has taken a stand against a travel agency known for a certain kind of shady tourism. Meanwhile, at work, Brunetti is under pressure from his superiors to solve a daring robbery with a link to a suspicious accidental death. Does it all lead back to the Mafia? And how are his family’s actions connected to these crimes?

Donna Leon’s bestselling series featuring the principled, warmhearted Venetian Commissario Guido Brunetti has won her countless fans, critical acclaim, and international renown as one of the world’s best crime writers. In A Question of Belief, Brunetti must contend with ingenious corruption, bureaucratic intransigence, and the stifling heat of a Venetian summer. With his hometown beset by hordes of tourists and baking under a glaring sun, Brunetti’s greatest wish is to go to the mountains with his family, where he can sleep under a down comforter and catch up on his reading.

When Commissario Brunetti is summoned in the middle of the night to the hospital bed of a senior pediatrician, he is confronted with more questions than answers. Three men—a young Carabiniere captain and two privates from out of town—had burst into the doctor’s apartment while the family was sleeping, attacked him, and taken away his eighteen-month-old boy. What could have motivated an assault by the forces of the state so violent that it has left the doctor mute? Who would have authorized such an alarming operation?

Early one morning Commissario Guido Brunetti of the Venice Police confronts a grisly sight when the body of a young man is fished out of a fetid canal. All the clues point to a violent mugging, but for Brunetti the motive of robbery seems altogether too convenient.

On a cold Venetian night shortly before Christmas, a street vendor is killed in a scuffle in Campo San Stefano. The closest witnesses to the event are the tourists who had been browsing the fake designer handbags that the man was selling. The dead man is one of the many African immigrants purveying goods outside normal shop hours and trading without a work permit. Like everybody involved, Commissario Brunetti wonders why anyone would kill an illegal immigrant. But once Brunetti begins to investigate this unfamiliar Venetian underworld, he discovers that matters of great value are at stake.

Late one night, Brunetti is called away from dinner to investigate the death of a widow in her modest apartment. Though there are some signs of a struggle, the medical examiner rules that she died of a heart attack. It seems there is nothing for Brunetti to investigate. But he can’t shake the feeling that something or someone may have triggered her heart attack, that perhaps the woman was threatened. Conversations with the woman’s son, her upstairs neighbor, and the nun in charge of the old-age home where she volunteered do little to satisfy Brunetti’s nagging curiosity.

When the body of a man is found in a canal, damaged by the tides, carrying no wallet, and wearing only one shoe, Commissario Guido Brunetti has little to work with. No local has filed a missing-person report, and no hotel guests have disappeared. With Inspector Vianello, Brunetti canvasses shoe stores, and winds up on the mainland in Mestre, outside his usual sphere, where they learn that the man had a kindly way with animals. Meanwhile, animal rights and meat consumption are quickly becoming preoccupying issues at the Venice Questura, as well as in Brunetti’s home.

Venetian detective Commissario Guido Brunetti is called to investigate the death of a young cadet. The boy has been found hanged, a presumed suicide, in Venice's elite military academy. Brunetti's sorrow for the boy, so close in age to his own son, is rivaled only by his contempt for a community that is more concerned with protecting the reputation of the school, and its privileged students, than understanding this tragedy. The young man is the son of a doctor and former politician, a man of an impeccable integrity all too rare in Italian politics.

In The Golden Egg, as the first leaves of autumn begin to fall, Commissario Guido Brunetti’s wife Paola comes to him with a request. The mentally handicapped man who worked at their dry cleaners has suffered a fatal sleeping pill overdose, and Paola loathes the idea that he lived and died without anyone noticing or helping him. To please her, Brunetti investigates the death and is surprised to find nothing on the man: no birth certificate, no driver’s license, no credit cards. As far as the Italian government is concerned, he never existed. And yet, there is a body.

When a friend of Commissario Guido Brunetti’s brother, a priest recently returned from years of missionary work in Africa, calls on him with a request, Brunetti suspects the man has hidden motives. An American-style Christian group has begun meeting in private homes in the city, and it’s possible the priest is merely wary of the competition. Brunetti and his wife, Paola, decide to go undercover. But when a girl’s body is found floating in a canal, Brunetti must put everything aside to investigate the secretive world of her people, the gypsies, who exist on the fringes of Italian society.

On a luminous spring day in Venice, Commissario Guido Brunetti and Inspector Vianello play hooky to help get Vianello’s friend Marco Ribetti—an environmental activist arrested during a protest against toxic waste being dumped into the city’s waters—released from prison. But on the steps of the police headquarters, they come face-to-face with Ribetti’s cantankerous father-in-law, who has been overheard making threats against Ribetti.

In Leon's fifth Commissario Guido Brunetti mystery, the beating of renowned art historian Dotoressa Brett Lynch draws the contemporary Venetian police detective out of his warm and loving home and into the yearly onslaught of acqua alta, the torrential winter rains. Brett, an American who spearheaded a recent exhibition of Chinese pottery in Venice, lives with her lover, Flavia Petrelli, the reigning diva of La Scala. With his open mind and good sense, Brunetti finds himself more fazed by Flavia's breathtaking talent than by the nontraditional relationship between the two women. Brunetti's deliberate and humane investigation to uncover a motive for Brett's beating takes him to dark, wet corners of Venice and into a sinister web of art theft, fakery, and base human desires.

Brunetti is forced to confront the price of loyalty, to his past and in his work, as a seemingly innocent request leads him into troubling waters. What role can or should loyalty play in the life of a police inspector? It’s a question Commissario Guido Brunetti must face and ultimately answer in Give Unto Others, Donna Leon’s splendid 31st installment of her acclaimed Venetian crime series.