Mostrando títulos en Ruso y Soviético

The Brothers Karamazov by Fyodor Dostoevsky is a profound philosophical and psychological novel that explores deep questions of faith, doubt, free will, and the nature of evil through the lives of the Karamazov family in 19th century Russia. The narrative delves into the moral struggles and inner turmoil of the three brothers and their relationship with their father, leading to a dramatic and tragic conclusion. This masterpiece is celebrated for its exploration of the human condition, morality, and the search for truth.

The story told in Vasily Grossman's Stalingrad unfolds across the length and breadth of Russia and Europe. At the heart of the novel is the Shaposhnikov family. Even as the Germans advance, the matriarch, Alexandra Vladimirovna, refuses to leave Stalingrad. Far from the front, her eldest daughter, Ludmila, is unhappily married to the Jewish physicist Viktor Shtrum. Viktor's research may be of crucial military importance, but he is distracted by thoughts of his mother in the Ukraine, lost behind German lines.

The book probes the possible roles of four brothers in the unresolved murder of their father, Fyodor Karamazov. At the same time, it carefully explores the personalities and inclinations of the brothers themselves. Their psyches together represent the full spectrum of human nature, the continuum of faith and doubt. Ultimately, this novel seeks to understand the real meaning of faith and existence and includes much beneficial philosophical and spiritual discussion that moves the reader towards faith.

"The fox knows many things, but the hedgehog knows one big thing." This ancient Greek aphorism, preserved in a fragment from the poet Archilochus, describes the central thesis of Isaiah Berlin's masterly essay on Leo Tolstoy and the philosophy of history, the subject of the epilogue to War and Peace. Although there have been many interpretations of the adage, Berlin uses it to mark a fundamental distinction between human beings who are fascinated by the infinite variety of things and those who relate everything to a central, all-embracing system.

"I am a sick man.... I am a spiteful man", a nameless voice cries out. And so, from underground, emerge the passionate confessions of a suffering man; the painful self-examination of a tormented soul; the bristling scorn of a lonely individual who has become one of the greatest anti-heroes in all literature.

Volume 2 of the Nobel Prize-winner’s towering masterpiece: the story of Solzhenitsyn's entrance into the Soviet prison camps, where he would remain for nearly a decade. Features a new foreword by Anne Applebaum.

Like Kafka's The Castle, Invitation to a Beheading embodies a vision of a bizarre and irrational world. In an unnamed dream country, the young man Cincinnatus C. is condemned to death by beheading for "gnostical turpitude", an imaginary crime that defies definition.

For the last 20 years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times.

The Enchanter is the Ur-Lolita, the precursor to Nabokov’s classic novel. At once hilarious and chilling, it tells the story of an outwardly respectable man and his fatal obsession with certain pubescent girls, whose coltish grace and subconscious coquetry reveal, to his mind, a special bud on the verge of bloom.

Walter Benjamin was an icon of criticism, renowned for his insight on art, literature, and philosophy. This volume includes his views on Kafka, with whom he felt a close personal affinity; his studies on Baudelaire and Proust; and his essays on Leskov and Brecht’s epic theater. Illuminations also includes his penetrating study “The Work of Art in the Age of Mechanical Reproduction”, an enlightening discussion of translation as a literary mode, and his theses on the philosophy of history.

Step into the rich history and culture of Mother Russia with this classic collection by esteemed writer Fyodor Dostoyevsky. With his penchant for gripping prose and powerful themes that unmasked the social struggles and intellectual clashes of his day, this audiobook collection brings his work to life for the contemporary listener.

In 1851 Leo Tolstoy enlisted in the Russian army and was sent to the Caucasus to help defeat the Chechens. During this war a great Avar chieftain, Hadji Murád, broke with the Chechen leader Shamil and fled to the Russians for safety. Months later, while attempting to rescue his family from Shamil’s prison, Hadji Murád was pursued by those he had betrayed and, after fighting the most heroic battle of his life, was killed.

This is the story of the unhappy family of Anna Karenina. The novel contains much concerning Tolstoy's spiritual crisis and his search for the meaning of life. But it is also chiefly about marriage, and the growth and death of love.

After narrowly avoiding a firing squad when he was just twenty-eight years old, Dostoevsky never took things lightly. His great novels burst upon the European literary scene like a succession of thunderbolts. His understanding of the darker and more extreme recesses of the human mind cast a forceful light into these areas of experience. The raw psychology and passionate involvement of his books galvanized writers and thinkers as disparate as Nietzsche and Kafka.

The Master and Margarita is one of the most famous and best-selling Russian novels of the 20th century, despite its surreal environment of talking cats, Satan and mysterious happenings. Naxos AudioBooks presents this careful abridgement of a new translation in an imaginative reading by the charismatic Julian Rhind-Tutt. With War and Peace and Crime and Punishment among the Naxos AudioBooks best-sellers, this too promises to be a front title.

Here are 11 short stories and one novella by Anton Chekhov, one of the finest masters of what is acknowledged as a difficult genre. There is the richly comic "Oh! The Public" about a hassled ticket inspector, a wry look at morals and manners in "The Chorus Girl", and the melancholic tale of a cab driver in "Misery".

Evgenii Onegin is best known in the West through Tchaikovsky’s opera Eugene Onegin. But the original narrative poem (consisting of 389 stanzas, the form of which has become known as the "Pushkin sonnet") is one of the landmarks of Russian literature. In the poem, the eponymous hero repudiates love, only to later experience the pain of rejection himself. Pushkin’s unique style proves timeless in its exploration of love, life, passion, jealousy, and the consequences of social convention.

From the celebrated, award-winning translators of Anna Karenina and War and Peace: a lavish, masterfully rendered volume of stories by one of the most influential short fiction writers of all time.

Drawing on three of the greatest works of Russian literature, this sweeping collection breathes new life into Leo Tolstoy’s legacy, providing contemporary listeners with an easy, accessible way to discover and enjoy this great Russian author’s literary talents. With gripping prose and profound philosophical insights, listeners will be transported to the battles of the Napoleonic era in War and Peace, explore the trials and tribulations of upper-class Russian life and love in Anna Karenina, and uncover a controversial reflection on Russian culture.

A startling and revelatory examination of Nabokov’s life and works—notably Pale Fire and Lolita—bringing new insight into one of the twentieth century’s most enigmatic authors. Novelist Vladimir Nabokov witnessed the horrors of his century, escaping Revolutionary Russia then Germany under Hitler, and fleeing France with his Jewish wife and son just weeks before Paris fell to the Nazis. He repeatedly faced accusations of turning a blind eye to human suffering to write artful tales of depravity. But does one of the greatest writers in the English language really deserve the label of amoral aesthete bestowed on him by so many critics?