
Wayfarer’s Keep
Broken Lands Series, Book 3
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Narrado por:
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Christa Lewis
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De:
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T. A. White
Branded a traitor by her people, Shea and her warlord - the fiercely dangerous Fallon - travel to the Pathfinders' seat of power at her father's request, hoping to form an alliance despite the distrust between them. It doesn't take long before Shea and Fallon realize something is dangerously wrong in the place she once called home. Ancient, deadly creatures - gone for hundreds of years, once again walk the lands, awakened from a deep sleep. Worse, it seems the Pathfinders are keeping a secret - one that could destroy them all.
On the brink of battle with each other, the Pathfinders and Trateri must join forces if they hope to defeat the evil at the heart of the Badlands. As the tension rises between the two peoples, and Shea and her family, Shea and Fallon must convince them to overcome their differences if they are to triumph over impossible odds. Because the beasts may be the least of their worries. Sometimes betrayal comes from within, and the most dangerous monsters may be those closest to them.
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Shea, Fallon, and the Trateri follow her dad to the Wayfarer’s Keep in hopes of obtaining boomers, and to scope out the Highlands.
Shea knew the Keep was full of secrets - politics, history, weapons, passages. She didn’t know the Pathfinders were broken into factions with deadly infighting.
And the evil in the Badlands grows stronger.
I agree with other reviewers that this is a better, more grownup Shea compared with the first two books. The action and world building in those books offset her character deficiencies. Fallon was never a wimp, but his ruthlessness and focused vision were more clearly defined in this story. Not sure if it’s due to better characterization by the author, or just viewed against this individual story, but rereading the series will come before the audio of The Wind’s Call is released. Smiles. Reading the new ebook next - part of The Broken Lands series, but primary female character is Eve, the Lostling who was working with the Trateri horses.
Lewis’ narration is ok, but her voice is more 30s-40s mature woman, rather than 20s young adult woman.
And why didn’t anyone correct her pronunciation of Shea? It should be “shay”, NOT “shay-yuh”. It got on my nerves. One of the hallmarks of a really great audiobook is how many times I want to listen. Shayyuh wrecks that.
Good ending to series arc
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Great Epic
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Loved the whole series!
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A true storyteller at heart
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I really enjoyed this series, so much adventure.
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Pronunciation!
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Several loose ends left for the next story. Read and enjoy!
Satisfying conclusion to the beginning
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I’m so glad there is another book in this world, and I can’t wait to read about Caden’s story.
Great conclusion
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Five stars all around
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Well, we can almost forget about the misogyny. In this book we have slightly more “strong” women in “leadership” roles. And by that, I mean Sheya’s mom (who’s still under her husband’s control), the witchy Council woman (because the most venomous council member has to be one of the few women with a name/dialogue), and one or two Trateri women who are warriors (even though all chiefs/generals through all three books are male). Sheya herself is elevated to the rank of Battle Queen only because her owner, excuse me, love Fallon deems it so (and we’re reminded this almost never happens and is an honor). So, yeah, you can still fit the women with names/dialogue on one hand and they’re still subordinate to men.
But, on the whole, the toxicity is a lot less than in book 1, allowing the story of this broken world to breathe. I liked the expansion into the Mythologicals, which made the spinoff books 4-5 slightly better than this trilogy, which closes the Sheya/Fallon arc alright.
On the downside, although we get a bit more explanation, I was still left wanting better imagery for the monsters and magic in the world. So, yeah, apparently this isn’t simply an apocalyptic world with nuclear/poison-created beasts. There are mythical creatures like winged horses and centaurs. Not sure I fully understood the canon. This is due to the telling rather than showing writing style. I was especially disappointed at trudging all the way through sixteen hours only for the true villain to be revealed and then easily dispatched after a round of talking. Egads, the talking. There’s a lot of filler, both with the inner and outer monologues, that had me frustrated throughout with the unnnatural dialogue/thought process. This ended up being an okay listen and perhaps I viewed it more favorably because it was in Audible Plus.
Only because the bad parts were glossed over
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