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Roy Grace is back with his most difficult case yet in the gripping new instalment from number one bestselling author Peter James.

Marcus Valentine seemingly has it all: He's smart, charming, a successful doctor with a wife, three kids, and a job he loves. But something, or rather someone, is missing. One morning, driving to work, he almost runs down a female jogger crossing the road. Marcus cannot take his eyes off her. She is identical to a girl he was infatuated with in his teens. A girl he has never forgotten. Soon Marcus is consumed with thoughts of this woman. But when events take a tragic and unexpected turn, his obsession threatens to destroy them both.

A beautiful socialite is dead. Roy Grace’s leading suspect, her husband, was sixty miles away when she died, but all other evidence points to him. Has someone stolen his identity or is he simply a very clever liar? Grace’s investigation, and his budding new relationship, are derailed after a reported sighting of his wife, Sandy, who has been missing for nine years. Grace desperately tries to cast light on the truth in both cases as his emotional turmoil – and the body count – grows . . .

The body of a missing boy is dredged from the seabed off the Sussex coast, missing vital organs. Soon after, two more bodies are found . . . A teenager in Brighton will die if she does not receive an urgent transplant. When the health system threatens to let her down her mother takes drastic action and goes to an online broker in black-market organs. The broker can provide what she wants, but it will come at a price. As Roy Grace investigates the recovered bodies, he unearths a gang of child traffickers operating from Eastern Europe.

Amid the tragic mayhem of the morning of 9/11, failed Brighton businessman and ne'er-do-well Ronnie Wilson sees the chance of a lifeline: to shed his debts, disappear and reinvent himself in another country. Six years later the discovery of the skeletal remains of a woman's body in a storm drain in Brighton leads Roy Grace on an enquiry spanning the globe, and into a desperate race against time to save the life of a woman being hunted down like an animal in the streets and alleys of Brighton.

Tonight, Osmond Box, the reclusive yet wildly successful writer/director known for his completely surprising Broadway plays, is debuting his seventh and most highly anticipated production of his career: The Guilty. Nothing is known about the story, the setting, the premise, or even the actors involved. The first people to discover the truth will be the lucky ones sitting in those seats opening night.

REVENGE IS ONLY HALF THE STORY… An unreported disappearance. A crime hidden in plain sight. A temptation that threatens to corrupt even the incorruptible. When a corpse is finally uncovered, the dark secrets behind the crime are laid bare. But the dead cannot speak, cannot accuse, and cannot demand justice. It falls to DCI David Garrick and his team to piece together the clues and unravel a most peculiar and chilling case. Yet even as the investigation intensifies, Garrick is under pressure closer to home. Budget cuts, a wedding, and mounting personal crises force him to question ...

When a young woman’s body is found butchered in Brighton, Roy Grace cannot help but think of his own missing wife and her unsolved fate. Elsewhere in the city, when Tom Bryce finds a disc left on a train, he simply tries to do the right thing – return it to its owner. But this attempted act of kindness makes him the sole witness to that same vicious murder. Learning that Tom has made a statement to Grace’s team, the killers have to act. But when they plan the murder of the Bryce family, it’s not just revenge – it’s entertainment.

When James Taylor arrives late for a funeral, he has to stand at the back of the small church. But, as the service progresses, Taylor notices a man six rows in front of him. At first he thinks he must be mistaken, but the more he looks at the man, the more convinced Taylor becomes that this is his old schoolfriend Rufus Rorke. Except it couldn’t be him, could it? Because two years ago Taylor attended Rufus Rorke’s funeral. He even delivered Rufus’s eulogy.

Lorna Belling, desperate to escape her marriage from hell, falls for the charms of another man who promises her the earth. But, as Lorna finds, life seldom follows the plans you've made. A chance photograph on a client's mobile phone changes everything for her. When the body of a woman is found in a bath in Brighton, Detective Superintendent Roy Grace is called to the scene.

It was meant to be a harmless stag-night prank. But a few hours later, the groom has disappeared and his friends are dead. With only three days to the wedding, Roy Grace is contacted by the man’s distraught fiancée to unearth what happened on that fateful night. The one man who ought to know of the groom’s whereabouts is saying nothing. But then he has a lot more to gain than anyone realizes, for one man’s disaster is another man’s fortune.

Laurel Canyon was the neighborhood perched above the clubs and record companies of Sunset Strip where Joni Mitchell, Jim Morrison, Graham Nash, Cass Elliot, Carole King, Don Henley, and Peter Tork, just to name a few, lived and collaborated to make an indelible mark on our music and our culture.

It was meant to be a harmless stag-night prank. A few hours later, four of his best friends are dead, and Michael Harrison has disappeared. With only three days to the wedding, Detective Superintendent Grace - a man haunted by the shadow of his own missing wife - is contacted by Michael's beautiful, distraught fiancée, Ashley Harper. Grace discovers that the one man who ought to know Michael Harrison's whereabouts is saying nothing. But then, he has a lot to gain - more than anyone realizes.

Niall and Eden Paternoster start their Sunday the same way they always do - with a long drive, a visit to a country house and a quick stop at the local supermarket on the way home. But this Sunday ends differently - because while Niall waits and waits in the car park for Eden to pick up supplies, Eden never returns. She’s not waiting for him at home, and none of their family or friends have heard from her. Gone without a trace, Niall is arrested on suspicion of her murder.

Ollie and Caro Harcourt are moving house with their 12-year-old daughter Jade. Ollie is desperate to leave the city. Caro is less sure. Then they view Cold Hill House, a dilapidated rural mansion, and fall instantly in love. It's expensive, but with its space, seclusion, and huge grounds, it seems like a brilliant idea. That is, until they arrive. It soon becomes apparent that they are not alone. A spectral woman appears on screens and walks the corridors, vanishing before she can be challenged.

Some will wait a lifetime to take their revenge.... A vicious robbery at a secluded Brighton mansion leaves its elderly occupant dying. And millions of pounds' worth of valuables have been taken. But, as Detective Superintendent Roy Grace, heading the enquiry, rapidly learns, there is one priceless item of sentimental value that the old woman's powerful family cherish above all else. And they are fully prepared to take the law into their own hands, and will do anything, absolutely anything, to get it back.

Roy Grace, creation of the CWA Diamond Dagger award-winning author Peter James, faces his most complex case yet in Dead If You Don't. Shortly after Kipp Brown and his teenage son, Mungo, arrive at the Amex stadium for their team's biggest-ever football game, Mungo disappears. A short while later Kipp receives a text with a ransom demand and a warning not to go to the police if he and his wife want to see their son alive again.

You are Dead is the 11th thrilling crime novel in Peter James' Roy Grace series, narrated by Daniel Weyman. They were marked for death. The last words Jamie Ball hears from his fiancée, Logan Somerville, are in a terrified mobile phone call. She has just driven into the underground car park beneath the block of flats where they live in Brighton. Then she screams and the phone goes dead.

Harry and Freya, an ordinary couple, dreamed for years of finding something priceless buried amongst the tat in a car boot sale. It was a dream they knew in their hearts would never come true—until the day it did. They buy the drab portrait for a few pounds, for its beautiful frame, planning to cut the painting out. Then studying it back at home there seems to be another picture beneath, of a stunning landscape. Could it be a long-lost masterpiece from 1770? If genuine, it could be worth millions.

President Lyndon B. Johnson, by Executive Order No. 11130 dated November 29, 1963, created this Commission to investigate the assassination on November 22, 1963, of John Fitzgerald Kennedy, the 35th President of the United States. The President directed the Commission to evaluate all the facts and circumstances surrounding the assassination and the subsequent killing of the alleged assassin and to report its findings and conclusions to him.