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This audiobook, read by Audie award-winning narrators, includes unabridged recordings of all Fyodor Dostoyevky's greatest works: 15 novels and novellas, 18 short stories, a short study of Dostoyevsky by Virginia Woolf, and two books of non-fiction - his Letters and European travel journal.

The book probes the possible roles of four brothers in the unresolved murder of their father, Fyodor Karamazov. At the same time, it carefully explores the personalities and inclinations of the brothers themselves. Their psyches together represent the full spectrum of human nature, the continuum of faith and doubt. Ultimately, this novel seeks to understand the real meaning of faith and existence and includes much beneficial philosophical and spiritual discussion that moves the reader towards faith.

Fyodor Dostoevsky's Crime and Punishment is universally regarded as one of literature's finest achievements, as the great Russian novelist explores the inner workings of a troubled intellectual. Raskolnikov, a nihilistic young man in the midst of a spiritual crisis, makes the fateful decision to murder a cruel pawnbroker, justifying his actions by relying on science and reason, and creating his own morality system. Dehumanized yet sympathetic, exhausted yet hopeful, Raskolnikov represents the best and worst elements of modern intellectualism. The aftermath of his crime and Petrovich's murder investigation result in an utterly compelling, truly unforgettable cat-and-mouse game. This stunning dramatization of Dostoevsky's magnum opus brings the slums of St. Petersburg and the demons of Raskolnikov's tortured mind vividly to life.

Completed six years after Dostoyevsky's own term as a convict, The House of the Dead is a semi-autobiographical account of life in a Siberian prison camp, and the physical and mental effects it has on those who are sentenced to inhabit it. Alexandr Petrovitch Goryanchikov, a gentleman of the noble class, has been condemned to 10 years of hard labor for murdering his wife.

A new revised and abridged translation of Dostoevsky's 1872 novel, The Possessed (also known in English as Devils or Demons). Perhaps the most complicated and for non-Russians the most confusing of Dostoevsky’s major novels, as much as the novel reflected its times, it still is relevant today exploring the danger of idealism and liberalism turning increasingly to violence when it lacks spiritual direction. Dostoevsky’s questions and novel are as relevant today as they were almost 150 years ago. This translated edition of The Possessed has been revised and abridged by Thomas Beyer so ...

With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Crime and Punishment, Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.

The Brothers Karamazov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons—the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture.

David Fishelson has transformed Dostoyevsky’s The Idiot into a spellbinding drama that illuminates the titanic novel. In The Idiot, meet the kindly, childlike Prince Myshkin, as he returns to the decadent social whirl of 1860s St. Petersburg. The two most beautiful, sought-after women in the town compete for his affections, in a duel that grows increasingly dangerous.

A predecessor to such monumental works such as Crime and Punishment and The Brothers Karamazov, Notes From Underground represents a turning point in Dostoyevsky's writing towards the more political side.

In this work, we follow the unnamed narrator of the story, who, disillusioned by the oppression and corruption of the society in which he lives, withdraws from that society into the underground.

From renowned translators Richard Pevear and Lindsay Volokhonsky comes a new translation - certain to become the definitive version - of the first great prison memoir, a fictionalized account of Fyodor Dostoevsky's life-changing penal servitude in Siberia.

In this intense detective thriller instilled with philosophical, religious, and social commentary, Dostoevsky studies the psychological impact upon a desperate and impoverished student when he murders a despicable pawnbroker, transgressing moral law to ultimately "benefit humanity".

Exiled to four years in Siberia, but hailed by the end of his life as a saint, prophet, and genius, Fyodor Dostoevsky holds an exalted place among the best of the great Russian authors. One of Dostoevsky’s five major novels, Devils follows the travails of a small provincial town beset by a band of modish radicals - and in so doing presents a devastating depiction of life and politics in late 19th-century Imperial Russia.

In his twenties, Fydor Dostoevsky, son of a Moscow doctor, graduate of a military academy, and rising star of Russian literature, found himself standing in front of a firing squad, accused of subversive activities against the Russian Tsar. Then the drums rolled, signaling that instead he was to be exiled to the living death of Siberia. Siberia was so cold the mercury froze in the thermometer. In prison, Dostoevsky was surrounded by murderers, thieves, parricides, and brigands who drank heavily, quarreled incessantly, and fought with horrible brutality.

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In Notes from Underground by Fyodor Dostoyevsky, we are not talking about revolutionary personalities, a secret struggle for some ideas Fyodor Dostoyevsky tells the story of a man who is "too conscious." The man, whose name we never learn is so aware of his own thoughts and feelings as to cause him to be indecisive and overly self-critical. Add in his belief that societal expectations are shaping his actions. Notes From Underground is one of Fyodor Dostoyevsky's most well renowned novels. It is thought to be one of the first existentialist Russian works.

“Memorias del Subsuelo” es una novela corta organizada en dos partes. La primera, que consta de once capítulos breves y es llamada "La Ratonera", es básicamente un monólogo interior en el que se nos presenta al protagonista, un miserable funcionario frustrado, como un antihéroe contradictorio, enfermizo y excitable, que dirige su charla a un público inexistente. La segunda parte, que nace a propósito de la "caída de nieve húmeda", consiste en el relato de una memoria del narrador, donde cuenta algo ocurrido en su juventud, relacionado con la despedida a Zvérkov.

“White Nights” tells the story of a lonely man who wanders the streets of St. Petersburg over the course of four nights, searching for an escape from his isolation.

Often considered one of the first ever psychological thrillers, Crime and Punishment is a gripping tale of a poverty-stricken young man in Saint Petersburg, Russia, who hatches a plan to kill someone for money. Once the deed is done, he finds himself racked with guilt, confusion and disgust for his act. In this new recording, Will Poulter gives new life to the troubled protagonist, Rodion Raskolnikov, in a performance that will have you questioning where we draw the line between right and wrong.

Fyodor Dostoyevsky is a titanic figure among the world's great authors, and The Brothers Karamazov is often hailed as his finest novel. A masterpiece on many levels, it transcends the boundaries of a gripping murder mystery to become a moving account of the battle between love and hate, faith and despair, compassion and cruelty, good and evil.

After his great portrayal of a guilty man in Crime and Punishment, Dostoevsky set out in The Idiot to portray a man of pure innocence. The 26-year-old Prince Myshkin, following a stay of several years in a Swiss sanatorium, returns to Russia to collect an inheritance and “be among people”. Even before he reaches home, he meets the dark Rogozhin, a rich merchant’s son whose obsession with the beautiful Nastasya Filippovna eventually draws all three of them into a tragic denouement. In Petersburg, the prince finds himself a stranger in a society obsessed with money, power, and manipulation.