Mostrando resultados por autor "Fyodor Dostoevsky" en Todas las categorías

The Brothers Karamazov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons—the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture.

In this intense detective thriller instilled with philosophical, religious, and social commentary, Dostoevsky studies the psychological impact upon a desperate and impoverished student when he murders a despicable pawnbroker, transgressing moral law to ultimately "benefit humanity".

The book probes the possible roles of four brothers in the unresolved murder of their father, Fyodor Karamazov. At the same time, it carefully explores the personalities and inclinations of the brothers themselves. Their psyches together represent the full spectrum of human nature, the continuum of faith and doubt. Ultimately, this novel seeks to understand the real meaning of faith and existence and includes much beneficial philosophical and spiritual discussion that moves the reader towards faith.

With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Crime and Punishment, Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.

Fyodor Dostoyevsky is a titanic figure among the world's great authors, and The Brothers Karamazov is often hailed as his finest novel. A masterpiece on many levels, it transcends the boundaries of a gripping murder mystery to become a moving account of the battle between love and hate, faith and despair, compassion and cruelty, good and evil.

From renowned translators Richard Pevear and Lindsay Volokhonsky comes a new translation - certain to become the definitive version - of the first great prison memoir, a fictionalized account of Fyodor Dostoevsky's life-changing penal servitude in Siberia.

Prince Myshkin, is thrust into the heart of a society more concerned with wealth, power, and sexual conquest than the ideals of Christianity. Myshkin soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections. Extortion, scandal, and murder follow, testing the wreckage left by human misery to find "man in man."

Prince Myshkin has just returned to Russia after several years in a Swiss sanitarium and soon finds himself in a complicated love triangle. Myshkin's honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him. This new abridgement was completed exclusively for Mission Books by Russian Studies scholar Thomas Beyer to keep the important religious themes of the novel intact.

Russian literature exudes an atmosphere of mysticism, which is said to be a natural result of the simplicity of her people. Often, instead of being "about" anything, Russian stories sometimes seem to be the "thing" in itself. Be this as it may, it is an undeniable fact that with hardly any portent of future greatness to come, Russian literature suddenly sprang fully developed into existence in the 19th century.

A new revised and abridged translation of Dostoevsky's 1872 novel, The Possessed (also known in English as Devils or Demons). Perhaps the most complicated and for non-Russians the most confusing of Dostoevsky’s major novels, as much as the novel reflected its times, it still is relevant today exploring the danger of idealism and liberalism turning increasingly to violence when it lacks spiritual direction. Dostoevsky’s questions and novel are as relevant today as they were almost 150 years ago. This translated edition of The Possessed has been revised and abridged by Thomas Beyer so ...

A Gentle Spirit, from 1876, was released in Dostoyevsky's one-man periodical, A Writer's Diary, which was always eagerly anticipated in his contemporary Russia. The short novel is a despairing man's monologue on the night after his young wife's suicide, and through his incoherent speech by her deathbed the background of the tragedy slowly unfolds. The narrator is a retired officer who now earns his living as a pawnbroker.

“White Nights” tells the story of a lonely man who wanders the streets of St. Petersburg over the course of four nights, searching for an escape from his isolation.

In The Idiot, Prince Myshkin possesses a childlike innocence and trusting nature that leave him vulnerable to abuse by those around him. Returning to St. Petersburg to collect an inheritance, Myshkin realizes he is a stranger in a society obsessed with wealth, manipulation and power.

A brilliant collection of short stories by some of Russia's best writers.

Young Prince Mishkin is that rare thing - a "completely beautiful human being". He is honest, humble, generous, and selfless, but unfortunately these traits mean he is often mistaken for an idiot. Upon his return to St. Petersburg, after being away at a Swiss sanatorium for the treatment of epilepsy, Prince Mishkin is taken under the wing of the wife of General Yepanchin, who arranges for him to live with the family of her money-obsessed friend Ganya.

A predecessor to such monumental works such as Crime and Punishment and The Brothers Karamazov, Notes From Underground represents a turning point in Dostoyevsky's writing towards the more political side.

In this work, we follow the unnamed narrator of the story, who, disillusioned by the oppression and corruption of the society in which he lives, withdraws from that society into the underground.

The Brothers Karamazov is the final novel by the Russian author Fyodor Dostoevsky and is generally considered the culmination of his life's work. Published in November 1880, Dostoevsky spent nearly two years writing the novel set in 19th-century Russia. Fydor Karamazov, a mean and disreputable landowner, has three sons, Dmitry, a profligate army officer; Ivan, a writer with revolutionary ideas; and Alexey, a religious novice.

Fyodor Dostoevsky's Crime and Punishment is universally regarded as one of literature's finest achievements, as the great Russian novelist explores the inner workings of a troubled intellectual. Raskolnikov, a nihilistic young man in the midst of a spiritual crisis, makes the fateful decision to murder a cruel pawnbroker, justifying his actions by relying on science and reason, and creating his own morality system. Dehumanized yet sympathetic, exhausted yet hopeful, Raskolnikov represents the best and worst elements of modern intellectualism. The aftermath of his crime and Petrovich's murder investigation result in an utterly compelling, truly unforgettable cat-and-mouse game. This stunning dramatization of Dostoevsky's magnum opus brings the slums of St. Petersburg and the demons of Raskolnikov's tortured mind vividly to life.

Dostoevsky's last and greatest novel, The Brothers Karamazov (1880) is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons—the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha—are all at some level involved. Bound up with this intense family drama is Dostoevsky's exploration of many deeply felt ideas about the existence of God, the question of human freedom, the collective nature of guilt, the disastrous consequences of rationalism.

Existentialism: Philosophical and Literary Works is a compelling anthology that delves into the realm of existentialist thought, exploring the profound philosophical and literary works that have shaped this influential movement. From the psychological depths of Fyodor Dostoevsky's Notes from Underground to the existential dilemmas of Søren Kierkegaard's Fear and Trembling, and the introspective reflections of. Friedrich Nietzsche's Ecce Homo, this collection encompasses a wide range of existentialist voices.