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Poems by Emily Dickinson is a compilation of the poetry of Emily Dickinson in three different series, each composed of the following subjects: Life, Love, Nature, Time, and Eternity.

The notoriously reclusive New England poet broke all the rules of Victorian-era poetry to create a new, uniquely American style. Despite the fact that the majority of the poems recited here were never published in her lifetime, Dickinson remains one of the most influential voices in American literature.

Emily Dickinson (1830-1886) was a reclusive poet whose only friendships were carried out in correspondence. Despite writing almost 1800 poems in her life, very few were published until after her death. Here, the poems are presented in chronological order in their original form, unaltered by editorial revision, in one volume. It offers a wide-angle view of Dickinson's poetic development, from the clunky rhyme schemes of her youth, through valentines she wrote in the early 1850s, to the gloomy, hell-obsessed writings of her last years.

Forget what you've been taught about Emily Dickinson, discard the myth that has been passed down through the years, and step into Emily's real life. Although this is a work of fiction, it is told in the first-person as if it were an autobiography and contains a mix of both known facts and informed speculation. The story begins on Emily's death bed as she looks back on her life. You will not find here that fictional phantom-in-white slipping around corners and hiding behind screens, avoiding the world. The Emily Dickinson you'll meet in these pages is the woman revealed in her letters and in...

For Wallace Stevens, "Poetry is the scholar's art." Susan Howe—taking the poet-scholar-critics Charles Olson, H.D., and William Carlos Williams (among others) as her guides—embodies that art in her 1985 My Emily Dickinson (winner of the Before Columbus Foundation Book Award). Howe shows ways in which earlier scholarship had shortened Dickinson's intellectual reach by ignoring the use to which she put her wide reading.

Through her transcendent imagery, distinct punctuation, experimental slant rhyme, and wordplay, Emily Dickinson set herself apart from every other poet of her time. These essential works - thematically divided into poems on life, nature, love, and time and eternity - reveal a keen, humorous observer whose art, like the artist herself, defied tradition.

"150 Most Famous Poems: Emily Dickinson, Robert Frost, William Shakespeare, Edgar Allan Poe, Walt Whitman and Many More" is a timeless anthology that brings together some of the most celebrated and influential poems in the English language.

On August 3, 1845, young Emily Dickinson declared, "All things are ready" - and with this resolute statement, her life as a poet began. Despite spending her days almost entirely "at home" (the occupation listed on her death certificate), Dickinson's interior world was extraordinary. She loved passionately, was ambivalent toward publication, embraced seclusion, and created 1,789 poems that she tucked into a dresser drawer. In These Fevered Days, Martha Ackmann unravels the mysteries of Dickinson's life through 10 decisive episodes that distill her evolution as a poet.

Part of a new collection of literary voices from Gibbs Smith, written by, and for, extraordinary women - to encourage, challenge, and inspire. One of American’s most distinctive poets, Emily Dickinson scorned the conventions of her day in her approach to writing, religion, and society. Hope Is the Thing with Feathers is a collection of her vast archive of poetry to inspire the writers, creatives, and feminists of today.

Eccentric and reclusive, Emily Dickinson wrote poetry that reflects the richness of her interior world and the peculiar beauty of her inner vision. During her lifetime, her poetry was considered too unusual to be publishable, but after her death in 1885, Dickinson achieved posthumous recognition as one of the great poetic voices of the 19th century. This collection, read by Alexandra O'Karma, includes commentary and some of Dickinson's letters as well as 75 of her over 900 poems, including such favorites as "Because I Could Not Stop for Death," "'Hope' Is the Thing with Feathers," "There Is No Frigate like a Book," and "There's a Certain Slant of Light."

Emily Dickinson today has gained her deserved place alongside Walt Whitman as one of the two greatest American poets of the 19th century. Beginning always with particulars of personal experience, her poems encompass life and death, love and longing, joyfulness and sorrow. With sparse, precise language, she conveyed a penetrating vision of the natural world and an acute understanding of the most profound human truths.

Amherst, 1857. The Dickinson family braves one of the worst winters in New England’s history. Trains are snowbound and boats are frozen in the harbor. Emily Dickinson and her maid, Willa Noble, have never witnessed anything like it. As Amherst families attempt to keep their homes warm, fears of fire abound. These worries prove not to be unfounded as a blaze breaks out just down the street from the Dickinson in Kelley Square, the Irish community in Amherst, and a young couple is killed, leaving behind their young child.

A collection of the finest work of one of America's best-loved poets. Despite Dickinson's prolific writing, fewer than a dozen of her poems were published during her lifetime. Critics now consider Dickinson to be a major American poet. Read by Julie Harris.

Emily Dickinson (1830-1886) was a reclusive poet whose only friendships were carried out by letter. She wrote nearly 1,800 poems in her life, but very few were published until after her death. In this volume, the poems are presented in chronological order in their original form, unaltered by editorial revision. It offers a wide-angle view of Dickinson's poetic development, from the clunky rhyme schemes of her youth, through valentines she wrote in the early 1850s, to the gloomy writings of her last years.

Emily Dickinson and Charles Darwin were born at a time when the science of studying the natural world was known as natural philosophy, a pastime for poets, priests, and schoolgirls. The world began to change in the 1830s, while Darwin was exploring the Pacific aboard the Beagle and Dickinson was a student in Amherst, Massachusetts. Poetry and science started to grow apart, and modern thinkers challenged the old orthodoxies, offering thrilling new perspectives that suddenly felt radical—and too dangerous for women.

The life of poet Emily Dickinson provides a window that opens to a world of obsession, creativity, and erotic yearning for the Beloved. Jungian analyst Marion Woodman interlaces biographical insights, archetypal commentary, and Dickinson's poetry to introduce us to the Socratic concept of the "daemon"—a guide and transformative spirit from the other side of consciousness. This fascinating study in feminine psychology discusses the Father Complex, God projection, compulsive relationships, and much more.

Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years—or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century.

In 1882, Emily Dickinson's brother Austin began a passionate love affair with Mabel Todd, a young Amherst faculty wife, setting in motion a series of events that would forever change the lives of the Dickinson family. The feud that erupted as a result has continued for over a century. Lyndall Gordon, an award-winning biographer, tells the riveting story of the Dickinsons and reveals Emily to be a very different woman from the pale, lovelorn recluse that exists in the popular imagination.

*100 Selected Poems* by Emily Dickinson offers listeners a carefully curated glimpse into the profound and enigmatic world of one of America’s most celebrated poets. This collection brings together poems that explore themes central to Dickinson’s life and work, such as nature, solitude, love, death, and immortality. Her writing style—marked by unique punctuation, innovative rhythms, and striking imagery—invites listeners into her introspective observations and keen philosophical insights.

Although she spent her life withdrawn from the people of Amherst, Massachusetts, every man, woman, and English professor in this small university town claims ownership of poet Emily Dickinson. They give tours in her house, lay flowers on her grave, and now, as the hundredth anniversary of her death approaches, they organize festivals in her name. Dickinson scholar Owen Kraznik has just been railroaded into organizing the event when Amherst starts to burn.

In this brilliantly original book, Camille Paglia identifies some of the major patterns that have endured in western culture from ancient Egypt and Greece to the present. According to Paglia, one source of continuity is paganism, which, undefeated by Judeo-Christianity, continues to flourish in art, eroticism, astrology, and pop culture. Others, she says, are androgyny, sadism, and the aggressive western eye, which has created our art and cinema.