Family Life

Aside from a delay, there will be no problems. The flight will be smooth, it will land safely. Everyone who gets on the plane will get off. But almost all of them will be forever changed. Because on this ordinary, short, domestic flight, something extraordinary happens. People learn how and when they are going to die. For some, their death is far in the future—age 103!—and they laugh. But for six passengers, their predicted deaths are not far away at all.

Liame Noone was many things to many people. To the public, he was an exacting, self-made hotel magnate fleeing his past. To his three ex-wives, he was a loving albeit distant family man who kept his finances flush and his families carefully separated. To Nora, he was a father who often loved her from afar—notably, a cliffside cottage perched on the California coast where he fell to his death.

The three Blue sisters are exceptional—and exceptionally different. Avery, the eldest and a recovering heroin addict turned strait-laced lawyer, lives with her wife in London; Bonnie, a former boxer, works as a bouncer in Los Angeles following a devastating defeat; and Lucky, the youngest, models in Paris while trying to outrun her hard-partying ways. They also had a fourth sister, Nicky, whose unexpected death left the family reeling. A year later, as they each navigate grief, addiction and ambition, they find they must return to New York to stop the sale of the apartment they were raised in.

Brooke wants. She isn’t in need, but there are things she wants. A sense of purpose, for instance. She wants to make a difference in the world, to impress her mother along the way, to spend time with friends and secure her independence. Her job assisting an octogenarian billionaire in his quest to give away a vast fortune could help her achieve many of these goals. It may inspire new desires as well: proximity to wealth turns out to be nothing less than transformative. What is money, really, but a kind of belief?

Jane has high hopes her life is about to turn around. After years of living precariously, she, her painter husband, Lenny, and their two kids have landed a stint as house sitters in a friend’s luxurious home high in the hills above Los Angeles, a gig that coincides magically with Jane’s sabbatical. If she can just finish her latest novel, Nusu Nusu, the centuries-spanning epic Lenny refers to as her “mulatto War and Peace,” she’ll have tenure and some semblance of stability and success within her grasp. But things don’t work out quite as hoped.

Cat McCarthy has spent years extricating herself from the family business—an increasingly run-down theater camp—and all the drama contained within it. At thirty-seven, she’s putting the final touches on a new life as she renovates her dream cottage and awaits her first child. Does it worry her that the McCarthy legacy is in the hands of her disastrously irresponsible sister, Ginger? Sure. But the camp’s not Cat’s problem anymore.

My twin brother is the person I’m closest to. But now he frightens me. We both have the same white-blond hair and clear blue eyes. All our lives people have stared at us. So we had to be there for each other. Bryce tried to protect me from our dad. But when he died, I thought I was finally safe. After the funeral, Bryce takes me aside: “Since Dad’s passing . . . well, it’s been going on for a few years now. I’ve been keeping a huge secret from you.”

Tucked away in an old building at the end of a narrow alley in Kyoto, the Kokoro Clinic for the Soul can only be found by people who are struggling in their lives and genuinely need help. The mysterious clinic offers a unique treatment to those who find their way there: it prescribes cats as medication. Patients are often puzzled by this unconventional prescription, but when they “take” their cat for the recommended duration, they witness profound transformations in their lives, guided by the playful, empathetic, occasionally challenging yet endearing cats.

Despite their strained relationship, when Gia Rossi’s sister, Margot, begs her to come home to Wakefield, Iowa, to help with their ailing mother, Gia knows she has no choice. After her rebellious and at-times-tumultuous teen years, Gia left town with little reason to look back. But she knows Margot’s borne the brunt of their mother’s care and now it’s Gia’s turn to help, even if it means opening old wounds.

Hun bor i huset ved siden af. Hun kender dine hemmeligheder... ”I må være vores nye naboer!” udbryder mrs. Lowell og vinker fra den anden side af rækværket. Jeg holder min datters hånd i et fast greb og smiler tilbage. Men så snart mrs. Lowell ser min mand, får hun et mærkeligt udtryk i ansigtet. I det øjeblik lover jeg mig selv noget. Vi har endelig et hjem. Min fortid er langt, langt bag os. Og jeg vil gøre alt for, at det forbliver sådan...Jeg plejede at gøre rent i andre menneskers hjem – nu kan jeg slet ikke fatte, at dette hjem faktisk er mit.

In A Kid from Marlboro Road, past and present intermingle as family stories are told and retold. The narrative careens between the prior generation’s colorful sojourns in the Bronx and Hell’s Kitchen and the softer world of Gibson, the town on Long Island where they live now. There are scenes in the Rockaways, at Belmont racetrack, and in Montauk. Edward Burns’s buoyant first novel is a bildungsroman, yet out of one boy’s story a collective warmth emerges, a certain kind of American tale, raucous and joyous.

While fishing in an Irish salmon stream one rainy morning, Father Declan de Loughry ponders the recent deathbed confession of his parishioner Kevin Dennehy. It seems Dennehy and his wife, Enda, had been quietly living a lie for fifty years. Yet the gravity of their deception doesn’t become clear to the good father until Enda shares the full tale of her suffering, finally confiding “the all of it.”

1927. Violet Mackenzie-Grant is embarking on her dream of studying at the Edinburgh School of Gardening for Women. She doesn’t yet know that it’s a journey that will take her to Kathmandu and beyond, deep into captivating landscapes and cultures that are worlds away from everything and everyone she’s left behind in Scotland.

Just like the whole town of Starr’s Fall, thinks Laurie Ellis – as she and her beloved dog Max head to collect the store keys. Maybe she has seen better days, too, but she’s certainly ready for a new start—and to leave her past behind. Still Laurie wonders whether she made a terrible mistake in coming to lovable but shabby Starr’s Fall. Will she even find customers for her pet store and bakery, never mind a community to welcome and accept her?

A girl and her mother have been on the run for sixteen years, from the monster they left in their kitchen with a knife in his throat and the police who want to make them pay for his death. Home is now a van with four flat tires in a junkyard by the edge of the Brisbane River. The girl has no name, because names are dangerous when you're on the run. But she has a dream.

Determined to be a better mother than her own, Hannah has devoted her life to her daughters. She ignores her increasing exhaustion and isolation as a widowed mom—until a disastrous mistake lands the girls in foster care. Julie is single and lonely and dreams of being a mother. After infertility issues lead her to foster parenting, she falls head over heels for Hannah’s daughters. The more she bonds with these sweet, precocious girls, the more she worries about their previous home life and becomes intent on finding a way to keep them.

Charming and heroic, there’s nothing about Gabriel Woodruff that Avery Burke doesn’t love. His warm brown eyes, his generosity, that small scar above his lip. The newspaper photo of him carrying her from a burning home only adds to the romance of it all. A fairytale beginning and a picture-perfect marriage practically guarantees Avery and Gabriel a ride into the sunset. But every relationship has flaws, and what they ignored while they were busy being flawless eventually surfaces. The unraveling begins with the smallest tug on the tiniest string.

Claire Eiffel, the beautiful, brilliant eldest daughter of the illustrious architect Gustave Eiffel, is doted upon with an education envied by many sons of the upper classes, and entirely out of the reach of most daughters. Claire’s idyllic childhood ends abruptly when, at fourteen, her mother passes away. It’s soon made clear that Gustave expects Claire to fill her mother’s place as caregiver to the younger children and as manager of their home.

Thirty-eight-year-old Posey Jarvis is the self-appointed “empress” of rural Spark in Cooke County, Tennessee. She spends her days following every word about her idol and look-alike Jackie Kennedy, avoiding her stalwart husband Vern, and struggling to control her newly defiant daughter Callie Jane—all while sneaking nips of gin. When Posey unexpectedly inherits a derelict mansion from her quirky old aunt Milbrey, she finagles her way into hosting her high school’s twentieth reunion there.

I thought moving to this quiet cul-de-sac was the fresh start my husband and I needed, escaping the noise of our cramped flat in Hounslow. I left India and all that was familiar for a new life with him in England. But my husband works all hours, leaving me alone in a house that doesn’t feel like a home. Our neighbours notice the bruises on my arms. They draw the obvious conclusions. They seem kind, but they’re hiding something. I just can’t shake the feeling that someone is always watching me . . . waiting. My husband’s working late. Again. That’s when I see it.

As if my mum breaking her hip and being rushed to hospital isn’t shocking enough for one day, now in her post-operative delirium, she’s just told me I’m not her daughter. That she has never been able to have children. The nurse reassures me that people are often confused after a trauma. But I know this woman so well and I can tell there’s a grain of truth in what she says. Which begs the questions: Who am I? Where did I come from? When I dig into the truth, I suddenly stir up a hornet’s nest of secrets, lies – and possibly a crime so unfathomable – that stretches back decades.

The streets of New York in 1920 are most certainly not paved with gold, as Minnie Soffer learns when she arrives at Ellis Island. Her father, who left Ukraine when Minnie was a toddler, feels like a stranger. She sleeps on a mattress on the kitchen floor. She understands nothing at school. They came to America for this? As her family adjusts to this new life, Minnie and her brother work hard to learn English and make friends. When her father, Ike, opens his own soda shop, stability and citizenship seem within reach.

She’s a small-town schoolteacher, he’s a hotshot creative director. Together, it’s hate at first sight. Sophie Taylor has a secret and Joe Walsh is the last person she'd tell. He’s devilishly handsome, incredibly hot – and far too sure of himself. But Sophie needs his help. Because she's not just hiding something small. She is Este Cox, the mysterious romance author the entire world is desperate to unmask. When a trip to the countryside means sharing a cottage with only one bed, it’s a short step to sharing a whole lot more besides… Can Sophie trust Joe with the truth – and be herself?

Berlin 1961: When Uli Neumann proposes to Lise Bauer, she has every reason to accept. He offers her love, respect, and a life beyond the strict bounds of the East German society in which she was raised—which she longs to leave more than anything. But only two short days after their engagement, Lise and Uli are torn violently apart when barbed wire is rolled across Berlin, splitting the city into two hostile halves: capitalist West Berlin, an island of western influence isolated far beyond the iron curtain.

April, her brother-in-law Oliver, and their families are reuniting in Cape Cod on an exquisite stretch of beach called Dawnland. After eleven summers of building traditions—kayaking, whale watching, bonfires, and ocean swims—this year comes with new threats both on and off the coastline.