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Francis Marion Crawford, an only child, was born on 2nd August 1854 at Bagni di Lucca, Italy. He was a nephew to Julia Ward Howe, the American poet and writer of ‘The Battle Hymn of the Republic’. In the late 1890s, Crawford began work on his historical works which would later include ‘Corleone’, in 1897, the first major treatment of the Mafia in literature. Crawford is also exceedingly popular and anthologized as a short story writer of bizarre and creepy tales.

A gentleman decides to take a sea voyage to calm his nerves. But he encounters an eerie creature on board that has anything but that effect.

Francis Marion Crawford (1854-1909) was an American writer, born in Italy and educated in the USA. He also studied at the universities of Cambridge and Heidelberg. He was a prolific writer in many fields, but it was his novels that were most popular, commanding a large following. His stories of the macabre and supernatural are very highly regarded. Roy Macready reads five of them from Uncanny Tales.

On the death of a cruel man, the terms of a secret are demanded from him to no avail. When the facts are finally revealed his true evil has changed everything.

A wonderful collection of 50 of the best classic ghost stories ever written. 'The Missing Model' by Lettice Galbraith, 'Pomegranate Seed' by Edith Wharton, 'The Screaming Skull' by F. Marion Crawford, 'The Ghost in the Cupboard Room' by Wilkie Collins, 'The Shadow on the Blind' by Louisa Baldwin, 'A Ghost's Revenge' by Lettice Galbraith, 'The Lost Ghost' by Mary Wilkins-Freeman, 'On the Northern Ice' by Elia W. Peattie, 'The Cold Embrace' by Mary E. Braddon, 'The Dust Cloud' by E. F. Benson, and many more.

A selection of 17 classic stories of horror and the supernatural by some of the greatest writers in the genre. This compilation includes a mix of well-known classics by authors such as Charles Dickens and M. R. James, alongside several unjustly overlooked gems by less familiar names who were hugely popular and prolific in their day.

This collection comprises another 40 stories by and inspired by the originators of weird fiction. From White's seminal body-shocker, Lukundoo, through to Howard's dastardly Pigeons from Hell, and Benson's nightmarish The Room in The Tower. Time immemorial; worlds unimaginable.

Khaled is a genie who has fallen in love with the beautiful Zehowah, the only child of the powerful Sultan of Nejed. Zehowah is courted by suitors from far and wide. When she seems inclined to accept the proposal of a handsome Indian prince, Khaled, with his special powers, recognizes the prince's deceitful nature and whisks him into the desert to kill and bury him. In consequence, Khaled is punished by losing his rank as a genie and is given the body of a human, though without a soul, which he can obtain only if he wins the love of the proud and headstrong princess Zehowah.

This collection of tales transports the listener to a time when staircases creaked in old manor houses, and a candle could be blown out by a gust of wind—or by a passing ghost. Penned by some of the greatest Victorian novelists and masters of the ghost story genre, each comes to life in this vivid rendition.

Four classic tales of the undead, read by Bill Wallis, Anthony Head, John Telfer and Cornelius Garrett.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. A new century dawns, one in which America would become pre-eminent as its industrial might and military power rose above all others. In literature too its authors tackled new forms and new ideas, they shied away from little, immersing themselves and their readers in the promise of a new Century.

The four stories in this compilation, not by James, are meant to serve as prime illustrations of the best work of a few of his contemporaries and immediate antecedents.

Francis Marion Crawford (1854-1909) was an American writer famed for his classic weird and fantastic stories. One of his most famous tales is 'The Screaming Skull' - a terrifying ghost story based on a true horror legend of a hideous murder which is avenged from beyond the grave.

A spine-chilling collection of creepy, unsettling and unnerving stories. 'If You See Her Face' by B. M. Croker. 'The Ghost at the Blue Dragon' by William J. Wintle. 'The Shadows' by Henry S. Whitehead. 'The Grey Cat' by Barry Pain. 'The Yellow Globe' by Alexander W. Drake. 'The Devil of the Marsh' by H. B. Marriott-Watson. 'The Spectre Spiders' by William J. Wintle. 'The Curious Vehicle' by Alexander W. Drake. 'Number Ninety' by B. M. Croker. 'The Black Cat' by William J. Wintle. 'The Permanent Stiletto' by W. C. Morrow. 'Passing of a God' by Henry S. Whitehead. 'The Chamber of Doom' by William J. Wintle. 'The White Cat' by Hugh Walpole. 'The Loosened Cord' by Alexander W. Drake. 'Mrs. Brassington-Claypott's Children's Party' by F. Anstey. 'The Inmate of the Dungeon' by W. C. Morrow. 'The Red Rosary' by William J. Wintle. 'Caveat Emptor' by F. Anstey. 'The Former Passengers' by B. M. Croker...and over 20 more unsettling tales.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The story takes place aboard a transatlantic ocean liner. A passenger named Brisbane is puzzled when the steward behaves oddly while taking his luggage to his stateroom, number 105. In the middle of the first night, Brisbane is further perplexed when his roommate suddenly leaps down from the upper berth and runs out of the cabin. In the morning, Brisbane learns that his roommate has gone overboard - and was the fourth consecutive occupant of the same upper berth to do so.

Being an English author in a new and different culture seems to work its magic when these two are placed together in the same spot with a rich vocabulary; ideas seem more fully formed and characters have another edge to their existence. For the outsider looking in, more can be revealed and shared with ourselves.

Rats and mice, and beetles and creaky doors, and loose slates, and broken panes, and stiff drawer handles, that stay out when you pull them and then fall down in the middle of the night...Rats is bogeys, I tell you, and bogeys is rats, and don't you get to think anything else! Ghosts, vampires, werewolves and even rats, all make an appearance in this collection of frighteningly good classic stories from Bram Stoker, Charles Dickens, Rudyard Kipling and more!

Francis Marion Crawford (1854-1909) was an American writer, born in Italy and educated in the United States. He also studied at the universities of Cambridge and Heidelberg. He was a prolific writer in many fields, but it was his novels that were most popular, commanding a large following. His stories of the macabre and supernatural are very highly regarded.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.