Scandinavian Fiction

When a young woman is found brutally murdered in her own apartment with an intricate pattern of lines carved into her face, Copenhagen police detectives Jeppe Korner and Anette Werner are assigned to the case. Soon, they establish a link between the victim, Julie Stender, and her landlady, Esther de Laurenti, who’s a bit too fond of drink and the host of raucous dinner parties with her artist friends. Esther also turns out to be a budding novelist - and when Julie turns up as a murder victim in the unfinished mystery she’s writing, the link between fiction and real life grows.

Neil Gaiman has long been inspired by ancient mythology in creating the fantastical realms of his fiction. Now he turns his attention back to the source, presenting a bravura rendition of the great northern tales. In Norse Mythology, Gaiman fashions primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds; delves into the exploits of the deities, dwarves, and giants; and culminates in Ragnarok, the twilight of the gods and the rebirth of a new time and people.

Scandinavia is the epitome of cool: We fill our homes with Nordic furniture; we envy their humane social welfare system and their healthy outdoor lifestyle; we glut ourselves on their crime fiction. Even their strangely attractive melancholia seems to express a stoic, commonsensical acceptance of life's vicissitudes. But how valid is this outsider's view of Scandinavia, and how accurate is our picture of life in Scandinavia today?

DI Jamie Johansson is trying to find normality in Kurrajakk when she gets the chance to sit in on the Interpol interview linked to her last case. A pattern of mutilation and beheading on the Finnish border has Jamie's full attention, but Interpol seem more interested in the Russian connection. Begrudgingly, they let her follow up, and as usual, Jamie's nose for trouble doesn't steer her wrong.

Growth of the Soil, Hamsun's Nobel Prize winning novel, is a classic of Scandinavian literature. The farmer Isak scarcely acknowledges the values of modern living. Illiterate but capable of carrying out the business of running a farm, he has physical strength and works with his hands. Although initially amazed by Isak's prowess - his wife Inger, who came into contact with modern society when imprisoned for killing her infant due to its birth defect, return to the home much less impressed by the country life.

The Bucket List starts when undercover FBI Agent John Adderley wakes up in a hospital bed in Baltimore with extensive gunshot wounds. He knows he’s lucky to be alive. And just a few beds away is the man who 24 hours ago pointed a gun to his head. Soon, a high-profile cold-case file is sent to Agent Adderley, now living in Sweden (where he’s not lived since he was a boy) in witness protection, hiding until he can testify against the drug cartel he infiltrated back in the States. Adderley is determined to solve the case, even with a price on his head....

Magic and myth inhabit these chapters in figures both familiar and strange. Giant trolls and talking animals are everywhere. The winds take human form. A one-eyed old woman might seem reminiscent of the Norse god Odin. We meet sly aunts, resourceful princesses, and devious robbers. These stories, set in Norway's majestic landscape of towering mountains and dense forests, are filled with humor, mischief, and sometimes surprisingly cruel twists of fate. All are rendered in the deceptively simple narrative style perfected by Asbjørnsen and Moe.

When a boy leaps to his death from a bridge in the northern town of Umeå, Sweden, police discover drugs scattered in the snow near his body. The town has seen a dramatic increase in narcotic use among its youth, but nobody knows where the pills are coming from.

The newspaper refers to the body only as Victim 2117 - the 2117th refugee to die in the Mediterranean Sea. But to three people, the unnamed victim is so much more, and the death sets off a chain of events that throws Department Q, Copenhagen’s cold cases division led by Detective Carl Mørck, into a deeply dangerous - and deeply personal - case. A case that not only reveals dark secrets about the past, but has deadly implications for the future.

Born in 1150 to a noble Swedish family and coming of age at a monastery under the tutelage of a Cistercian monk and a former Knight Templar, young Arn Magnusson is sent to fulfill his destiny beyond the cloister walls. But the world awaiting him is a place at odds with his monastic ways. And when the murder of a king engulfs Western Götaland into a whirlwind of intrigue and ruthless power plays, headstrong and naive Arn is forced to leave the woman he loves behind and take up arms to battle infidels in the Holy Land.

The only person who might have the answers to a baffling murder case is the victim's seven-year-old daughter, found hiding in the room where her mother died. And she's not talking. Newly-promoted, out of his depth, detective Huldar turns to Freyja for her expertise with traumatized young people. Freyja, who distrusts the police in general and Huldar in particular, isn't best pleased. But she's determined to keep little Margret safe. It may prove tricky. The killer is leaving them strange clues: warnings in text messages, sums scribbled on bits of paper, numbers on the radio.

Police discover the lifeless body of a young woman on an abandoned yacht. The next day, a man is found hanging in his apartment. When Detectives Joona Linna and Saga Bauer uncover a surprising connection between the two deaths, they realize they are up against a brutal killer and a ruthless business tycoon who preys on his victims’ worst nightmares to achieve his sinister ends.

Asle is an aging painter and widower who lives alone on the west coast of Norway. His only friends are his neighbor, Åsleik, a traditional fisherman-farmer, and Beyer, a gallerist who lives in the city. There, in Bjørgvin, lives another Asle, also a painter but lonely and consumed by alcohol. Asle and Asle are doppelgängers—two versions of the same person, two versions of the same life. Written in melodious and hypnotic "slow prose," A New Name is the final installment of Jon Fosse's Septology.

Everyone's favorite octogenarian is back, and together with his pals in the Old-But-Not-Dead Club, he is more determined than ever to wreak havoc and turn a twinkly eye on the brighter side of life. After a year spent mourning the death of his beloved friend Eefje, Hendrik may be older and a little more wobbly, but his youthful appetite for mischief hasn't diminished. When fears arise that the home is set for demolition, it's up to Hendrik and the Old-But-Not-Dead Club to intervene.

Una wants nothing more than to teach, but she has been unable to secure steady employment in Reykjavík. Her savings are depleted, her love life is nonexistent, and she cannot face another winter staring at the four walls of her shabby apartment. Celebrating Christmas and ringing in 1986 in the remote fishing hamlet of Skálar seems like a small price to pay for a chance to earn some teaching credentials and get her life back on track.

Left to her own devices, Detective Sergeant Charlie West struggles with the responsibility of a full-blown murder investigation when a man is pushed off a cliff. Not ready to have her apron strings severed so soon, West finds Munro who reluctantly agrees to shed light on the Ayrshire detectives' most challenging case yet. Once the police have discovered the identity of the dead man, and established his demise was the result of foul play, the race is on to hunt down the murderer.

Former cop Emma Tapper and her lawyer boss Angela Köhler are defending shipping boss Anita Spendel, charged with murdering her billionaire husband. Anita insists Martin Spendel is still alive, but his car is soaked in his blood. Emma must clear Anita’s name by finding the missing man—dead or alive… Meanwhile, on a luxury yacht off the coast of Ibiza, Bianca Aguilera is relaxing in the sun when a drone delivers an unexpected parcel. The contents: chilling evidence that someone close to her is dead. Horror quickly turns to realisation.

Born to a violently dysfunctional home in working-class Denmark, Lisbeth Zornig Andersen and her three older brothers were bounced between foster care and state-run institutions, then back again to their chemically dependent mother and sadistic stepfather. For Lisbeth, it was a childhood without perimeters. It was blighted by poverty, sexual abuse, neglect, betrayal, and further victimization by the broken Danish social services system that forced Lisbeth to live where and how it saw fit.

On the eve of their thirtieth birthday, twins Jasmine and Nicolas Moretti celebrate late into the night. But when Nicolas wakes several hazy hours later, Jasmine is dead—and he is covered in her blood. Panicking, he takes the murder weapon and runs into the cold Stockholm night. For the police, it’s an open-and-shut case. Nicolas is guilty. And given that he remembers so little of what happened that night, even he isn’t convinced of his innocence.

A child is born in a tin can. A switchboard operator finds himself in hell. Three corpulent women float somewhere beyond time. Welcome to the weird world of Karin Tidbeck, the visionary Swedish author of literary sci-fi, speculative fiction, and mind-bending fantasy who has captivated fans around the world. Originally published by the tiny press Cheeky Frawg - the passion project of Ann and Jeff VanderMeer - Jagannath has been celebrated by listeners and critics alike, with rave reviews from major outlets and support from lauded peers like China Mieville and even Ursula K. Le Guin herself.