Ireland Crime Fiction

When Dr. Emma Sweeney stumbles across the victim of a hit-and-run outside Galway University early one morning, she calls her boyfriend, Detective Cormac Reilly, bringing him first to the scene of a murder that would otherwise never have been assigned to him. The dead girl is carrying an ID that will put this crime at the center of a scandal—her card identifies her as Carline Darcy, heir apparent to Darcy Therapeutics, Ireland's most successful pharmaceutical company. Darcy Therapeutics has a finger in every pie....

Tara never imagined her introduction to Ireland like this - carrying her mam's ashes to honor her final request: "Tell Johnny I'm sorry.... Take me home." She's never met her mam's estranged brother, Johnny Meehan, who owns an architectural salvage business in Galway. Although Tara is immediately charmed by the medieval city, the locals seem wary of strangers, and a gypsy warns her that death is all around. When Tara arrives at her uncle's stone cottage, the prophesy seems true. A dead man lies sprawled over the threshold in a pool of blood.

Emma O'Donovan is 18, beautiful, and fearless. It's the beginning of summer in a quiet Irish town and, tonight, she and her friends have dressed to impress. Everyone is at the party, and all eyes are on Emma. The next morning, Emma's parents discover her collapsed on the doorstop of their home, unconscious. She is disheveled, bleeding, and disoriented, looking as if she had been dumped there. To her distress, Emma can't remember what happened the night before.

Former New Yorker and interior designer Tara Meehan is eagerly anticipating the grand opening of her architectural salvage shop Renewals in her newly adopted home of Galway. She's in the midst of preparations when heiress Veronica O'Farrell bursts in to announce she's ready for some renewal of her own. To celebrate one year of sobriety, she's invited seven people she wronged in her drinking days to historic Ballynahinch Castle Hotel in neighboring Connemara to make amends in style. But perhaps one among them is not so eager to pardon her past misdeeds.

After calling Ireland home for six months, Boston expat Maura Donovan still has a lot to learn about Irish ways - and Sullivan's Pub is her classroom. Maura didn't only inherit a business, she inherited a tight-knit community. And when a tragedy strikes, it's the talk of the pub. A local farmer, out for a stroll on the beach with his young son, has mysteriously disappeared. Did he drown? Kill himself? The child can say only that he saw a boat.

Summer is ending in County Cork, Ireland, and with it the tourist season. Expat Maura Donovan is determined to keep Sullivan's Pub in the black as the days grow shorter - but how? When she hears that the place was once a hot spot for Irish musicians who'd come play in the back room, she wonders if bringing back live music might be Sullivan's salvation.

George Arrow, a good-looking, independently wealthym and single man of 36, has just been diagnosed with a weak heart. A heart so weak, his doctor tells him, he must go to extraordinary lengths to avoid putting the slightest strain upon it. On his doctor's advice, George packs up his life in Dublin and boards a train to the Bay of Galway where he intends to live quietly in a hotel and await the inevitable end. On the train, he meets John Burden, and as they chat, George realizes that his new acquaintance is an odious man.

The riotous, raucous, and deeply resonant debut novel from “one of the best story writers in the English language today” (Financial Times), Wild Houses follows two outsiders caught in the crosshairs of a small-town revenge kidnapping gone awry.

Irish Milkshake Murder: In advance of their St. Patrick's Day wedding, Tara and Danny are off to the Aran Islands. The weekend kicks off with the ferry trip, as the passengers enjoy boozy milkshakes on board. Murder Most Irish: As St. Patrick's Day is drawing near, the folks at Hyler's Luncheonette are getting into the holiday spirit with a festive new green milkshake. Mrs. Claus and the Luckless Leprechaun: To celebrate Spring in Santaland, April Claus's friend, Claire, whips up some minty milkshakes for her bustling ice cream shop, Santaland Scoop.

One year ago, Lucy’s sister, Nicki, left to meet friends at a pub in Dublin and never came home. The third Irish woman to vanish inexplicably in as many years, the agony of not knowing what happened that night has turned Lucy’s life into a waking nightmare. So, she’s going to take matters into her own hands. Angela works as a paper-pusher in the Missing Persons Unit, but wants nothing more than to be a fully fledged member of An Garda Síochána, the Irish police force. With the investigation into the missing women stalled, she begins pulling on a thread that could break the case wide open.

Newlyweds Sam Statler and Annie Potter are head over heels, and excited to say good-bye to New York city and start a life together in Sam's sleepy hometown upstate. Or, it turns out, a life where Annie spends most of her time alone while Sam, her therapist husband, works long hours in his downstairs office, tending to the egos of his (mostly female) clientele. Little does Sam know that through a vent in his ceiling, every word of his sessions can be heard from the room upstairs.

Family is everything to Siobhán: her five siblings; her dear departed mother for whom the family business, Naomi’s Bistro, is named; and now her fiancé, Macdara Flannery. So precious is her engagement that Siobhán wants to keep it just between the two of them for a little longer. But Macdara is her family, which is why when his cousin Jane frantically calls for his help, Siobhán rushes with him from Kilbane to the rural village where Jane and her mother have recently moved. In a cottage, Ellen Delaney lies on her bed in a fancy red dress, no longer breathing.

In Dimpna Wilde’s veterinary practice, an imminent meteor shower has elevated the usual gossip to include talk of shooting stars and the watch parties that are planned all over Dingle. But there are also matters nearer at hand to discuss—including the ragtag caravan of young people selling wares by the roadside, and the shocking death of Chris Henderson, an elderly local, in a hit-and-run. Just hours before his death, Henderson had stormed into the Garda Station, complaining loudly about the caravan’s occupants causing noise and disruption.

Rebecca and Brian Unsworth appear to have it all. A nice house in the suburbs of Washington, DC. Two well-behaved, healthy teenage children. Important government jobs - Rebecca working in counterterrorism for the FBI, Brian serving as a coder for the NSA. Seeking to revive their strained relationship, they decide for their 20th wedding anniversary to take their two kids, Kira and Tony, on a European getaway. They have a blast…until one night in Barcelona when Kira doesn’t come home from a dance club. She’s gone. Abducted.

Elle faces her most difficult case yet when a stolen medieval document leads them to discover a 450-year-old curse... A curse she needs to break at all costs. When a medieval document is stolen from a London import-export broker of witchcraft antiquities, the witch detective connects it to the murder and magical mayhem that has plagued two Scottish families for centuries. But the stakes are raised even higher when Elle learns that the purloined parchment is to be the ransom for two kidnapped witches. But where is it? And where are they? When Elle decides to recruit her enemy, Niall, a ...

Leo Stone is a ruthless killer or the victim of a miscarriage of justice. A year ago, he was convicted of the murder of two women and sentenced to life in prison. But now he's free, and according to him, he's innocent. DS Maeve Kerrigan and DI Josh Derwent are determined to put Stone back behind bars where he belongs, but the more Maeve finds out, the less convinced she is of his guilt. Then another woman disappears in similar circumstances. Is there a copycat killer, or have they been wrong about Stone from the start?

Feeling her stardom fading, struggling soap-actress Adele Rafferty is ready to give up on her dreams when she gets a last-minute offer to play the lead in upcoming horror film Final Draft. Could this be her big break? Will she have redemption for what happened the last time she was on a film set? Adele doesn’t think twice before signing the dotted line. But when life on set starts to mirror the sinister events portrayed in the script, Adele fears the real horror lies off the page. Isolated and unsure who in the crew she can trust, is there anywhere or any time left to run?

In a small town in Sweden it appears to be an ordinary day. But look more closely, and you'll see a mysterious masked figure approaching a bank. Two hours later, chaos has descended. A bungled attempted robbery has developed into a hostage situation - and the offender is refusing to communicate their demands to the police. Inside the building, fear quickly turns to irritation for the seven strangers trapped inside. But as the minutes tick by, they begin to suspect that the criminal mastermind holding them hostage might be more in need of rescuing than they are.

Elle Chambers is an enchantress, a witch whose powers focus on the manipulation of emotions. Some might even call her an emotion vampire. She makes her living in the natural world as an insurance investigator who solves cases using supernatural means. When an ancient relic of Scotland goes missing and Elle's powerful enchanter boyfriend, Niall, is the prime suspect, Elle travels to the Outer Hebrides with Fergie the werewolf, Rebecca the spell witch, and three goblins to meet a very special client... One who will change her path. Forever. Elle is determined to learn the truth about herself,...

It's been over a year since Megan found herself entangled in a murder—much to everyone's relief, including her girlfriend Jelena and Detective Paul Bourke. So when a body of a young woman quite literally lands in her lap at her favorite Dublin cafe, Megan tries to do the right thing and leave the crime-solving to the police so she can enjoy the St. Patrick's Day weekend. After all, she has no connection to the victim. Or does she?