Horror Essay

His fiction is known to be some of the most terrifying in the genre of supernatural horror, but Thomas Ligotti's first nonfiction book may be even scarier. Drawing on philosophy, literature, neuroscience, and other fields of study, Ligotti takes the penetrating lens of his imagination and turns it on his audience, causing them to grapple with the brutal reality that they are living a meaningless nightmare, and anyone who feels otherwise is simply acting out an optimistic fallacy.

Horror movies hold a complicated space in the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. It Came from the Closet features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.

Edgar Allan Poe was a writer, poet, editor and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre, and is widely regarded as a central figure of Romanticism in the United States and of American literature. Poe was one of the country's earliest practitioners of the short story and considered to be the inventor of the detective fiction genre, as well as a significant contributor to the emerging genre of science fiction.

"Government, like Circe, turns men into swine," David Mamet writes in his latest political tour de force. Prepare to be challenged, enlightened, and entertained by The Disenlightenment as Mamet dissects the modern world with enthusiasm, wisdom, and lots of references to movies about the mafia. Once a stalwart of liberal thought, Mamet now turns his penetrating gaze on the cultural milieu that nurtured his artistic growth, revealing how America's elites have twisted our institutions into tools of manipulation.

This is complete collection of American author of horror, fantasy, and science fiction. His works were deeply pessimistic and cynical, challenging the values of the Enlightenment, Romanticism, and Christian humanism. Stephen King has called Lovecraft "the twentieth Century's greatest practitioner of the classic horror tale.

A Penguin Classic. First published in 1938, this volume of stories collected with the encouragement of his longtime editor Pascal Covici serves as a wonderful introduction to the work of Nobel Prize winner John Steinbeck. Set in the beautiful Salinas Valley of California, where simple people farm the land and struggle to find a place for themselves in the world, these stories reflect Steinbeck’s characteristic interests: The tensions between town and country, laborers and owners, past and present.

A journey of appraisal. Critiques of dark and speculative fiction spanning a decade. Over one hundred essays that will take you into the dark maw of modern horror in both literature and contemporary cinema.

The unifying factor of this collection is that, without exception, every author included here was in some way or another involved with or interested in the occult. In some cases, they were members of an occult organization, such as the Hermetic Order of the Golden Dawn, the Theosophical Society, or similar such groups. Others simply had a strong personal interest in the subject matter or practiced some form of the esoteric sciences in private.

A sharply personal and expansive essay collection dedicated to the strange and absurd beauty of horror films, exploring the complications of gender, the insidiousness of class ascension, and the latent violence hidden in our own uncanny reflections.

Supernatural Horror in Literature is a essay by American writer H. P. Lovecraft, surveying the development and achievements of horror fiction as the field stood in the 1920s and 30s. The essay was researched and written between November 1925 and May 1927, first published in August 1927, and then revised and expanded during 1933–1934. Lovecraft's essay ranges widely, but he first examines the beginnings of weird fiction in the early gothic novel.

El género pictórico vanitas o vanidades era un recurso simbólico usado durante el Barroco europeo para considerar como vano o contingente todo logro humano que no tuviese a la divinidad cristiana como fin último. De esta manera, se desestabilizaron rasgos venerados por la sociedad occidental como la belleza, la riqueza, el reconocimiento, el poder o la sabiduría.

Many creatures lurk in the dark, weaving on top of one another, roiling together like waves on the night sea. The darkness forms in layers to encompass the land, fill the corners, and obscure angles. Untold mysteries lie just beyond reach told in many tongues, many inflections, many rhythms. The stories are many. Innumerable. Legion.

Scott Telek’s movie writing has become a worldwide phenomenon on a microscopic scale. Those who have experienced his particular blend of snark, sarcasm, puerile humor and serious, intelligent criticism find it difficult to go back to conventional movie reviews that center themselves around assessments of celebrity star power and attempts to guess at modern views on culture war issues. Here we have 40 film reviews of horror movies whose titles begin with the letters J, K L or M. On the fun side, there is Kingdom of the Spiders, which is just a good time for all involved, and the go-for-...

This recording is of the 11 essays and stories contained in Volume Five and includes two examples of Poe’s activity as a literary critic. Poe’s dry wit is laced through many of these tales and will bring a wry smile to your lips even as you shiver at the consequences of “betting the devil your head”.

#31Days features 65 essays and reviews covering everything from Don Coscarelli's Phantasm series to the anthology horror show Masters of Horror. This nonfiction collection follows the spirit of Sketching Details, Robert's long-running entertainment media criticism website. Horror deserves the same level of respect and analysis as any other genre.

Monster 2 continues the series with essays on ghostbreakers and their traditions, why the Horror genre must be scary and why to write it. There is a lengthy section on the Strange Northerns of Algernon Blackwood including a solid piece on Ithaqua the Wind-Walker and its beginnings with Blackwood. This is followed by pieces on Jim Kjelgaard and the other fantastical writers who came out of Milwaukee like Robert Bloch. We get robots in Weird Tales, as well as the early Science Ficton of John Wyndham. Articles on Francis Flagg, S. P Meek and Eando Binder. In the Sword & Sorcery section there ...