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At twenty-nine, Valancy Stirling is an “old maid” trapped within the tedium and troubles of family life. She escapes by building the imaginary world of the Blue Castle. When she is diagnosed with a serious heart ailment, Valancy realizes she has never been happy. She doesn’t want to waste what time she has left. She seizes the moment. This catalyst for change leads her on towards relationships and entanglements far beyond what she could have predicted, including with a mysterious man known as Barney Snaith.

For the Term of His Natural Life can be described as a “ripping yarn.” While it relies on slightly unrealistic coincidences, the story follows the (mis)fortunes of Rufus Dawes, a young man transported for a murder he did not commit. The story also explores the harsh environment and the often inhumane treatment meted out to the convicts in the early penal settlements, some of whom were transported for minor crimes. The appalling conditions experienced by the convicts are graphically described. But the story also involves a heartfelt rescue and its long-term consequences.

Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person.

In The Power-House, Leithen’s quiet life is disrupted when he is pitted against the murderous forces of an international network of anarchists, and its chilling leader. Then, adopting the nom de guerre of “John Macnab,” Leithen and two friends risk their reputations when they take to poaching in the Highlands of Scotland in an effort to recover their zest for life. Finally, in The Dancing Floor, Sir Edward befriends a young man haunted by an annually recurring dream, and a young woman stubbornly determined to atone for the sins of her disreputable family, even at the risk of her own life.

First published in 1847, Jane Eyre was the last and most popular of the novels composed by the Brontë sisters. The narrative bristles with energy and passionate conviction, and is one of the first novels written from the perspective of a child.

The plot follows the usual trajectory of a young girl falling in love and the relationship becoming compromised by unforeseen circumstances. In this case, Austen’s heroine is a naïve country girl, Catherine Morland, who has an addiction to reading the Gothic horror novels which were so popular in the Regency period. When she is invited to stay at the family seat of her love interest and discovers it to be a vast and ancient castle, her romantic imagination runs riot. What secrets lie hidden in this vast pile over which the widowed head of the house exercises an iron control?

This collection contains nine early stories featuring the Continental Op, an un-named middle-aged detective working for the San Francisco branch of the fictional Continental Detective Agency. The stories are narrated in the first person. The “hardboiled detective” voice was later used by author Dashiell Hammett in The Maltese Falcon (Sam Spade) and the Thin Man series of stories.

When it was first published in 1847, Wuthering Heights was considered highly controversial for its blunt portrayal of domestic abuse, alcoholism, and the dismissal of Christian values by some of its characters. Today, this gothic novel is considered one of the greatest in English literature.

Two Stand-Alone Stories: CROSS MY HEART and SEALED WITH A KISS.

Although he was well known as an authority on spiritual traditions, Paul Carus was unusual in that he refused to align himself with any particular form of organized religion. In any case, his universalist view of God would probably have put him outside the allowable boundaries of Christian belief. Carus was particularly active in raising awareness of Eastern spiritual traditions in the West.

Lady Susan Vernon, middle-aged and recently widowed, has retained her looks and appealing vivacity. She makes use of her bereavement and her loss of wealth by imposing herself on the hospitality of relatives, and by amusing herself in flirtation with the various men who fall under her spell. Lady Susan has a daughter, Frederica, who is bashful and innocent—in stark contrast to her unfeeling and manipulative mother. Her mother is anxious to marry Frederica off to a spouse of appropriate wealth and social standing, and also, perhaps, to capture a new mate for herself.

At the time of a passing comet in the sky, while the world is at a turning point and the industrialization of Victorian England is affecting lives. Willie Leadford is a young man facing personal crises of life. A breakdown in his employment, social beliefs, and relationship initially turns him towards a trail of vengeance against those he holds responsible. And then “The Change” occurs.

Timid Renata Molloy is in mortal peril after overhearing details of a breathtaking conspiracy. But her courageous and near-identical cousin Jane Smith—homeless and just two-and-elevenpence away from the workhouse—is willing to take her place if it means a roof over her head and plenty to eat. So Jane, with the help of Captain Henry March of Scotland Yard, whose hand in marriage she once refused, finds herself incognito at stately Luttrell Marches, enmeshed in a mystery of secret formulae, political plots, and a maze of secret doors and secret passages …

Robert Browning was fascinated by people—not only people of his own day, but also people who had lived in the remote past. Five of his famous dramatic monologues are spoken by characters from the ancient Classical world: a Greek goddess (Artemis), a Roman senator (in “Imperante Augusto Natus Est—”), an Arab physician (Karshish), a Greek poet (Cleon), and the last surviving eyewitness of Jesus Christ (in “A Death in the Desert”). They probe many different questions, especially regarding the transition from paganism to Christianity.

The Escaped Cock is Lawrence’s take on resurrection, the life-force, and sexuality. The man who has been crucified wakes up in the garden wounded and weakened. Disillusioned with his old companions and inspired by the zest for life of the escaped cock of the title, he decides to live anew. Journeying to the sea, he stumbles on a temple of Isis, where its priestess, who mistakes him for the lost Egyptian god Osiris, introduces him to the pleasures of the flesh.

Pope Blatantly IV wishes to return to the papal autocracy of the Middle Ages. He devises a threefold plan: 1) to enforce universal Catholic geographical supremacy, 2) to criminalize sin, and 3) to ban “grease” in favor of doctrinal “dryness.” The Pope’s outlandish initiatives include annexing Antarctica using a team of bodybuilders and gluing borders, and monetizing salvation through Indulgences 2.0 and Pre-Death Canonizations. In opposition to the Pope’s extravagant claims, the “Grease Underground,” is formed.

First published in 1813, Pride and Prejudice is the most polished of Jane Austen’s novels, with a humorous and upbeat mood. It was written at a time when the author’s narrative powers were fully developed and the story flows with an ease that conceals the skill of its construction. The plot line follows the sequence of a love relationship apprehended, misunderstood, and finally realized, which has since become a standard format of the romcom genre. However, Austen complicates the action by involving not one but four romantic relationships in the plot.

The original title of this text was Recollections of the Development of my Mind and Character. This memoir was intended for Darwin’s family and was written between May and August 1876.

Where do we go after we die? In this story the protagonist, Oscar Whatmore, dies and finds himself transported to a rundown spiritual realm, eventually appearing before a vast court presided over by a diminutive and disagreeable Jesus clad in legal robes. Although judged worthy of admission to Heaven, Oscar finds himself in a boring and dilapidated domain, which is blighted by outdated technology. He subsequently bribes an official to gain access to Hell, which he discovers to be surprisingly pleasant and staffed by a friendly Devil who explains that the ancient punishments are obsolete.

When four siblings journey to the seashore for a holiday, one of them unwittingly summons the sister of a mermaid who is captured by a circus, and the children set out to save the imprisoned being. After a daring midnight rescue, the children’s reward is an incredible journey beneath the waves and into the hidden kingdom of the mermaids. But they soon find themselves in a race against time as they struggle to prevent a war and save their new underwater companions!