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As Hillaire Belloc explains it, one fine day while walking about the town in northern France where he was born, he suddenly decided to take a pilgrimage to Rome. Not just any pilgrimage, mind you. He not only decided to walk the whole way, but he decided to make a beeline for the Holy City, doing everything possible to avoid leaving the straight path.

Just as Proust derives an entire world of feeling, people and events from the taste of a madeleine, James G. Frazer brings us into a worldwide survey of religion, folklore, culture, symbolism and ritual using the Priest of Nemi as his starting point. Starting from the image of the lonely, doomed high priest, prowling his precinct night and day, sword in hand, hardly daring to sleep as he awaited the assault of the man who would kill him and take his place, Frazer roams the world of ancient and modern religious and ceremonial practice in search of the underlying universals of human thought.

Unlike most editions of Poor Richard, this one includes essentially all of the text, not just the aphorisms and sayings. This gives you, Courteous Listener, a much better appreciation of how Franklin wrote and thought. In particular, you will find that the full body of the Poor Richard almanacs contains a great deal of religious and spiritual thought in which Franklin laid out and propounded his understanding of Christianity as it stood in his day.

Originally published in German as Wandlungen und Symbole der Libido, this is the book that set Carl Jung on his independent path as a psychoanalytic theorist and explorer of the mysterious world of the unconscious mind of the individual and the mythological mind of humanity. He bases his work on an exploration of Miss Frank Miller's Quelques Faits d'Imagination Creatrice, demonstrating complex connections between Miller's self-portrait of her own dreams and fantasies and the world of myth, symbol, and religion.

The Kalevala is the signature work of traditional Finnish culture. In story after story, it explores the human and divine world as understood by the traditional runic singers of the north. It sings of how the universe came to be, how the natural world works, how divine and supernatural worlds relate to the world of humankind, how human beings relate to each other, how good and evil and life and death function in the world.

Frederick Jackson Turner was the dean of American historians in his time. He originated, and he and his students popularized, the Frontier Hypothesis of American history: that the primary driving force in the development of American society and politics was the encounter with the frontier, conceived of as a vast area of essentially free land, a seemingly limitless resource available to all comers.

When Lord Byron published Childe Harold's Pilgrimage, he woke up one moring to find himself famous. Not long after that, when the word of his separation from Lady Byron got out, he woke up one morning to find himself infamous. Ever since then, his name has been linked inextricably with great lyric poetry and great sexual scandal. Women found him irresistible; he found them irresistible, and the resulting fireworks flared through the skies of the English upper classes of the Regency with tremendous color and enormous noise.

Thomas Carlyle's The French Revolution is a landmark of literary history. Conceived not as a dry recounting of facts, but as a personal, vivid, direct and dramatic encounter with the turbulent times of revolutionary France, it is in fact an extended dramatic monologue in which we meet not only the striking personalities and events of the time, but the equally striking personality and mind of Thomas Carlyle himself.

Carl Jung's Collected Papers on Analytical Psychology gathers in one volume some of his most important and influential shorter writings, and also some pieces that, from our perspective almost a century later, seem quaint or even idiosyncractic. The volume provides wonderful insight into his mind and thought as he reached a position of prominence in the world of psychoanalysis.

In this audiobook, William L. Riordan, one of the "muckracker" journalists, records Plunkitt's take on politics in Plunkitt's own words - as delivered from the bootblack stand at the New York County Courthouse, Plunkitt's only office. His take on life, politics, and morality is as delightfully frank as it is astonishingly cynical. Enjoy!

Thomas Carlyle's The French Revolution is a landmark of literary history. Conceived not as a dry recounting of facts, but as a personal, vivid, direct and dramatic encounter with the turbulent times of revolutionary France, it is in fact an extended dramatic monologue in which we meet not only the striking personalities and events of the time, but the equally striking personality and mind of Thomas Carlyle himself.

Although the theories presented in this book, a 1915 edition of the lectures Jung presented at Fordham University, are now thoroughly outdated, this book is still a fascinating glimpse of Jung's mind at a crucial time in his life. Just three years previously, he had struck out on his own, publishing his Wandlungen und Symbole der Libido, known in English as Psychology of the Unconscious.

Thomas Carlyle's The French Revolution is a landmark of literary history. Conceived not as a dry recounting of facts, but as a personal, vivid, direct, and dramatic encounter with the turbulent times of revolutionary France, it is in fact an extended dramatic monologue in which we meet not only the striking personalities and events of the time, but the equally striking personality and mind of Thomas Carlyle himself.

The fundamental message of A Preface to Politics is that statesmanship cannot succeed if it focuses merely on the forms and mechanics of government and the technical development and administration of policy. Political leadership can be successful only if political leaders attune themselves to the human beings they lead, keeping themselves abreast of their wants and needs and the social and cultural movements among them. No political mechanism can function without intelligent, perceptive, and responsive people to make it work.

Frost weaves together themes of innocence and experience, love and joy and pain, in a sequence of poems that relate to each other while also standing alone as vivid, fresh expressions of intense feeling that speak as freshly today as they did when they were written.

The Rubaiyat of Omar Khayyam as translated into English by Edward Fitzgerald is one of our best-loved books of poetry - and for good reason. Cynical, self-deprecating, witty, mystical, in love with wine and beauty while aware of life and death, Omar's poems put many thoughts we have all had into words we can all enjoy.

Robert Frost's second book of poetry. Sometimes puckishly humorous, sometimes elegiac, sometimes terrifying, these poems show the young artist using his new-found voice to explore a world - a village in New Hampshire - that meant everything to him. This volume includes some of his best-known and best-loved works, such as "The Road Not Taken", "Out! Out!", "Birches", and "The Hill-wife". It also includes one of his poem-dramas, "Snow".

English society in the 1860s was on the brink of enormous change, and some of the biggest changes coming to birth in that time were tremendous changes in the status of women - changes affecting politics, economics, law, government, business, education, psychology, religion, and sexuality, and the list goes on. The changes John Stuart Mill foresaw in 1861 as he wrote The Subjection of Women were just beginning to surface in his own time and have not yet run their full course in ours.

When Lytton Strachey published Emininent Victorians, he took the general perception of the Victorian age among English-speaking readers and turned it upside-down. Four of the most eminent and idealized heroic figures of the Victorian age came under his witty and unsparing gaze and emerged, astonishingly enough, as human beings.

Sara Teasdale - the winner of one of the earliest Pulitzer Prizes for poetry, winner of the Poetry Society of America prize, and other honors - believed passionately in the power and beauty of love. Yet in her own life, love was not enough; she died by her own hand after a long illness. The man she may have loved more than any other, the poet Vachel Lindsay, had killed himself two years earlier. Teasdale's poetry ranges from utter joy to deep loneliness.