Showing results by narrator "Greta" in All Categories

Persuasion, Jane Austen's last novel, is a tale of love and marriage told with irony and insight. Anne Elliot and Captain Wentworth have met and seperated years before. Their reunion, after the passage or irrecoverable years of their youth, forces a recognition of the false values that drove them apart.

Someone is committing random murders across Chicago—and making sure detectives Billy Harney (Aaron Paul) and Patti Harney (Krysten Ritter) are first on the crime scene. What connects the victims, and why is the killer leaving clues behind with each body? Billy and Patti are scrambling to stop the next killing when their father, Chief of Detectives Dan Harney (Beau Bridges), is kidnapped. But in their race to track him down, they uncover pieces of his past that simply can’t be true. Could their own flesh and blood be covering up a dark secret?

Seven BBC Radio 4 full-cast dramatisations of P. D. James' acclaimed mysteries, plus P. D. James in Her Own Words. This collection includes: Cover Her Face, A Taste for Death, Devices and Desires, A Certain Justice, The Private Patient, An Unsuitable Job for a Woman and The Skull Beneath the Skin.

At one of Manhattan's most elite ballet schools, wafer-thin ballerinas pull their hair into sleek buns and lace their pointe shoes high, waiting for their chances to shine. But beneath the pretty, polished surface, these girls are hiding some terrible secrets and telling some twisted lies.

Sixteen-year-old Jae Hwa Lee is a Korean-American girl with a black belt, a deadly proclivity with steel-tipped arrows, and a chip on her shoulder the size of Korea itself. When her widowed dad uproots her to Seoul from her home in L.A., Jae thinks her biggest challenges will be fitting in to a new school and dealing with her dismissive Korean grandfather. Then she discovers that a Korean demi-god, Haemosu, has been stealing the soul of the oldest daughter of each generation in her family for centuries. And she's next.

In South Korea in the 1980s, young Eunju and her mother are homeless on the street. After being captured by the police, they’re sent to live within the walls of a state-sanctioned reformatory center that claims to rehabilitate the nation’s citizens but hides a darker, more violent reality.

On the outside, Yumi Chung suffers from #shygirlproblems, a perm-gone-wrong, and kids calling her "Yu-MEAT" because she smells like her family's Korean barbecue restaurant. On the inside, Yumi is ready for her Netflix stand-up special. Her notebook is filled with mortifying memories that she's reworked into comedy gold. All she needs is a stage and courage.

In January 2017, Donald Trump signed an executive order stopping entry to the United States from seven predominantly Muslim countries and dramatically cutting the number of refugees allowed to resettle in the United States each year. The American people spoke up, with protests, marches, donations, and lawsuits that quickly overturned the order. But the refugee caps remained. In The Displaced, Pulitzer Prize-winning writer Viet Thanh Nguyen, himself a refugee, brings together a host of prominent refugee writers to explore and illuminate the refugee experience.

At home, Maggie is the odd one out. Her parents are preoccupied with the new baby they're expecting, and her younger brothers are twins and always in their own world. Maggie thinks a new puppy is the answer, but when she goes to select one on her birthday, she breaks out in hives and rashes. She's severely allergic to anything with fur! Can Maggie outsmart her allergies and find the perfect pet? Megan Wagner Lloyd draws on her own childhood to tell a heartfelt story of family, friendship, and finding a place to belong.

This book contains foul language and fouler descriptions of life as a zombie. It will offend most anyone, so proceed with caution or not at all. And be forewarned: This is not a zombie book. This is a different sort of tale. It is a story about the unfortunate, about those who did not get away. It is a human story at its rotten heart. It is the reason we can't stop obsessing about these creatures, in whom we see all too much of ourselves.

A two-part radio dramatisation of Vasily Grossman's dark, honest account of the Battle of Stalingrad; a prequel to Life and Fate - plus Stalingrad: Destiny of a Novel. With this astonishing prequel published in its first ever English translation by Richard and Elizabeth Chandler, we are transported back to the very beginning of Vasily Grossman’s panoramic tale, as the ‘harsh whirlwind’ of war approaches the city of Stalingrad.

Jenny didn’t get to be an award-winning, classically trained cellist without choosing practice over fun. That is, until the night she meets Jaewoo. Mysterious, handsome, and just a little bit tormented, Jaewoo is exactly the kind of distraction Jenny would normally avoid. And yet, she finds herself pulled into spending an unforgettable evening wandering Los Angeles with him on the night before his flight home to South Korea.

Kim Hani has retired from a life of devouring souls. She is, simply put, too full. Once known as the infamous Scarlet Fox, she now spends her days working in a coffee shop and annoying a particularly irritating, if unfairly handsome, trickster god as often as she can. That god is Seokga the Fallen. Exiled from the heavenly kingdom of Okhwang, he now begrudgingly resides in the mortal realm, working toward his redemption and suffering through his interactions with the particularly infuriating, if sneakily charming, gumiho barista at his favorite café.

In August 2018, a 15-year-old Swedish girl, Greta Thunberg, decided not to go to school one day in order to protest the climate crisis. Her actions sparked a global movement, inspiring millions of students to go on strike for our planet, forcing governments to listen, and earning her a Nobel Peace Prize nomination. No One Is Too Small to Make A Difference brings you Greta in her own words, for the first time.

Margot Lee's mother is ignoring her calls. Margot can’t understand why, until she makes a surprise trip home to Koreatown, LA, and finds that her mother has suspiciously died. Determined to discover the truth, Margot unravels her single mother’s past as a Korean War orphan and an undocumented immigrant, only to realize how little she truly knew about her mother, Mina.

Benedict Cumberbatch, Greta Scacchi and Simon Russell Beale star in Michael Frayn's award-winning play about the controversial 1941 meeting between physicists Bohr and Heisenberg. Copenhagen, Autumn 1941. The two presiding geniuses of quantum physics, Niels Bohr and Werner Heisenberg meet for the first time since the breakout of war.

When Hara Wilson lands in Seoul to find her birth mother, she doesn’t plan on falling in love with the first man she lays eyes on, but Choi Yujun is irresistible. If his broad shoulders and dimples weren’t enough, Choi Yujun is the most genuine, decent, gorgeous guy to exist. Too bad he’s also her stepbrother.

Spanning more than 150 years, and set in multiple locations in colonial and postcolonial Asia and the United States, Inheritors paints a kaleidoscopic portrait of its characters as they grapple with the legacies of loss, imperialism, and war. Written from myriad perspectives and in a wide range of styles, each of these interconnected stories is designed to speak to the others, contesting assumptions and illuminating the complicated ways we experience, interpret, and pass on our personal and shared histories.

In “The Center for Immortality Research,” a low-level employee runs herself ragged planning a fancy gala for donors, only to be blamed for a crime she witnessed during the event, under the noses of the mysterious celebrity benefactors hoping to live forever. But she can’t be fired—no one can. In “One More Kiss, Dear,” a tender, one-sided love blooms in the AI-elevator of an apartment complex; as in, the elevator develops a profound affection for one of the residents.

As a Korean adoptee, Hara Wilson doesn’t need anyone telling her she looks different from her white parents. She knows. Every time Hara looks in the mirror, she’s reminded that she doesn’t look like anyone else in her family - not her loving mother, Ellen; not her jerk of a father, Pat; and certainly not like Pat’s new wife and new “real” son.