Showing results by narrator "Elle-Màijà Tailfeathers" in All Categories

Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home.

Carter is a young mother, recently separated. She is curious, angry, and on a quest to find out what the heritage she only learned of in her teens truly means. Allie, Carter's mother, is trying to make up for the lost years with her first born, and to protect Carter from the hurt she herself suffered from her own mother. Lucie wants the granddaughter she's never met to help her join her ancestors in the Afterlife. And Geneviève is determined to conquer her demons before the fire inside burns her up, wih the thelp of the sister she lost but has never been without.

These wholly original and shiver-inducing tales introduce listeners to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

Carter is a young mother, recently separated. She is curious, angry, and on a quest to find out what the heritage she only learned of in her teens truly means. Allie is trying to make up for the lost years with her first born, and to protect Carter from the hurt she herself suffered from her own mother. Lucie wants the granddaughter she's never met to help her join her ancestors in the Afterlife. Geneviève is determined to conquer her demons before the fire inside burns her up, with the help of the sister she lost but has never been without.

Dammed: The Politics of Loss and Survival in Anishinaabe Territory explores Canada’s hydroelectric boom in the Lake of the Woods area. It complicates narratives of increasing affluence in postwar Canada, revealing that the inverse was true for Indigenous communities along the Winnipeg River.

Reimagining James Fenimore Cooper’s nineteenth-century text The Last of the Mohicans from the contemporary perspective of an urban Nisga’a person whose relationship to land and traditional knowledge was severed by colonial violence, Jordan Abel explores what it means to be Indigenous without access to familial territory and complicates popular understandings about Indigenous storytelling.