Mostrando resultados por autor "V.S. Naipaul" en Todas las categorías

In this incandescent novel, V.S. Naipaul takes us deeply into the life of one man, an Indian who, uprooted by the bloody tides of Third World history, has come to live in an isolated town at the bend of a great river in a newly independent African nation. Naipaul gives us the most convincing and disturbing vision yet of what happens in a place caught between the dangerously alluring modern world and its own tenacious past and traditions.

Arising out of Naipaul’s lifelong obsession and passion for a country that is at once his and totally alien, India: A Million Mutinies Now relates the stories of many of the people he met traveling there more than 50 years ago. He explores how they have been steered by the innumerable frictions present in Indian society - the contradictions and compromises of religious faith, the whim and chaos of random political forces.

In this slyly funny and lavishly inventive novel, Nobel Prize winner V. S. Naipaul traces the unlikely career of Ganesh Ramsumair, a failed schoolteacher and impecunious village masseur who in time becomes a revered mystic, a thriving entrepreneur, and the most beloved politician in Trinidad. Witty, tender, filled with the sights, sounds, and smells of Trinidad's dusty Indian villages, The Mystic Masseur is Naipaul at his most expansive and evocative.

With all the narrative power and intellectual authority that have distinguished his earlier books, V.S. Naipaul explores the life, the culture, the ferment inside the nations of Islam–in a book that combines the fascinations of great travel literature with the insights of a uniquely sharp, original and idiosyncratic political mind.

A classic of modern travel writing, An Area of Darkness is Nobel Laureate V. S. Naipaul’s profound reckoning with his ancestral homeland and an extraordinarily perceptive chronicle of his first encounter with India. Traveling from the bureaucratic morass of Bombay to the ethereal beauty of Kashmir, from a sacred ice cave in the Himalayas to an abandoned temple near Madras, Naipaul encounters a dizzying cross-section of humanity: browbeaten government workers and imperious servants, a suavely self-serving holy man, and a deluded American religious seeker.

Former government minister Ralph Singh is the perpetual outsider: displaced, disillusioned, and now living in exile, Ralph reflects on his earlier life and the searing effects of colonialism. Ralph's constant estrangement sees him ever attempting to fit into various communities, only to find home in more transient spaces. Born on the tropical island of Isabella, he is one of West India's many "Mimic Men".

In 1975, at the height of Indira Gandhi’s “Emergency”, V. S. Naipaul returned to India, the country his ancestors had left 100 years earlier. Out of that journey he produced this concise masterpiece: a vibrant, defiantly unsentimental portrait of a society traumatized by centuries of foreign conquest and immured in a mythic vision of its past.

The story of a writer's singular journey - from one place to another, from the British colony of Trinidad to the ancient countryside of England, and from one state of mind to another - is perhaps Naipaul's most autobiographical work. Yet it is also woven through with remarkable invention to make it a rich and complex novel.

"A stranger could drive through Miguel Street and just say 'Slum!' because he could see no more." But to its residents, this derelict corner of Trinidad's capital is a complete world, where everybody is quite different from everybody else. In this tender, funny early novel, V. S. Naipaul renders their lives (and the legends their neighbors construct around them) with Dickensian verve and Chekhovian compassion.

On a road trip through Africa, two English people - Bobby, a civil servant with a guilty appetite for African boys; and Linda, a supercilious "compound wife" - are driving back to their enclave after a stay in the capital. But in between lies the landscape of an unnamed country whose squalor and ethnic bloodletting suggest Idi Amin's Uganda. And the farther Naipaul's protagonists travel into it, the more they find themselves crossing the line that separates privileged outsiders from horrified victims.

A House for Mr. Biswas, by Nobel and Booker Prize-winning author V. S. Naipaul, is a powerful novel about one man's struggle for identity and belonging. Born into poverty, then trapped in the shackles of charity and gratitude, Mr. Biswas longs for a house he can call his own. He loathes his wife and her wealthy family, upon whom he is dependent. Finding himself a mere accessory on their estate, his constant rebellion is motivated by the one thing that can symbolize his independence.

Fourteen years after the publication of his landmark travel narrative Among the Believers, V.S. Naipaul returned to the four non-Arab Islamic countries he reported on so vividly at the time of Ayatollah Khomeini’s triumph in Iran. Beyond Belief is the result of his five-month journey in 1995 through lands where descendants of Muslim converts live at odds with indigenous traditions.

On an unnamed Caribbean Island, political tensions provoked by race and poverty are high. Jimmy Ahmed, a young mixed-race man, has been hailed as a revolutionary leader of the people. Roche, imprisoned for activities against South Africa's apartheid regime, and Jane, a feckless English rich girl wanting to feel a part of something bigger, get sucked into the turmoil and world of Ahmed. But does anyone achieve anything by causing unrest? Do any of them really want freedom in a new society or just the old society with themselves at the helm of power?

Spanning continents and centuries and defying literary categories, A Way in the World tells intersecting stories whose protagonists include the disgraced and half-demented Sir Walter Raleigh, who seeks El Dorado in the New World; the 19th-century insurgent Francisco Miranda, who becomes entangled in his own fantasies and borrowed ideas; and the doomed Blair, a present-day Caribbean revolutionary stranded in East Africa.

In a probing narrative that is part meditation and part remembrance, Nobel Laureate V. S. Naipaul shares how his process of creative and intellectual assimilation across various cultures has shaped both his writing and his life. Naipaul discusses the writers to whom he was exposed early on and his first encounters with literary culture.

The son of a Brahmin ascetic and his lower-caste wife, Willie Chandran grows up sensing the hollowness at the core of his father's self-denial and vowing to live more authentically. That search takes him to the immigrant and literary bohemias of 1950s London, to a facile and unsatisfying career as a writer, and at last to a decaying Portuguese colony in East Africa, where he finds a happiness he will then be compelled to betray.

Nobel Prize-winner V. S. Naipaul, one of the world's most acclaimed authors, effortlessly tackles provocative ideas that lesser novelists shy away from and always leaves his audience with something to think about.

La historia del viaje vital de un escritor hacia la comprensión, por el Premio Nobel de Literatura V.S. Naipaul. Un camino en el mundo es la historia del viaje vital de un escritor hacia la comprensión, tanto de los sencillos materiales de la herencia -la lengua, el carácter, la historia familiar- como de las largas y entretejidas hebras de un pasado histórico profundamente complejo: «Cosas apenas recordadas, cosas que solo se liberan mediante el acto de escribir.».

V. S. Naipaul's legendary command of broad comedy and acute social observation is on abundant display in these classic works of fiction - two novels and a collection of stories - that capture the rhythms of life in the Caribbean and England with impressive subtlety and humor.

Un joven hindú, nacido en Trinidad, llega a la antigua metrópoli y al enfrentarse a ese nuevo mundo descubre la necesidad y el placer de aprender de nuevo. El proceso de construcción de una mirada. Llegar presupone una preparación, unas expectativas; produce angustia y deseos. Llegar supone afrontar una separación previa, un desgarramiento, un tránsito, establecer vínculos nuevos. Ocasiona incomodidad y desconcierto, pero también enriquecimientos inesperados, hallazgos múltiples. Llegar, en fin, es transitar por un limbo que no está en el origen ni en el término del trayecto.