Showing results by author "Susan Isaacs" in All Categories

The day after her lavish wedding anniversary bash, Rosie Meyers gets a big surprise: Her nouveau riche husband, Richie, is leaving her for a sultry, sophisticated, size-six MBA. So, when he's found murdered in their exquisitely appointed kitchen, no one is surprised to find Rosie's prints all over the weapon. The suburban English teacher is the prime suspect - the police's only suspect. And she knows she'll spend the rest of her life in the prison library unless she can unmask the real killer. Going into Manhattan on the lam, Rosie learns more about Richie than she ever wanted to know.

But her life has changed. She now has her doctorate in history. Her workaday hours are spent at St. Elizabeth’s College, mostly squandered in history department shriek-fests. She is also a widow. Her husband Bob died one half-day after triumphantly finishing the New York City Marathon in four hours and twelve minutes. And although 20 years have passed without seeing him, she still cannot get her former lover, Nelson Sharpe of the Nassau County Police Department, out of her system.

Just a few years ago, Corie Geller was busting terrorists as an agent for the FBI. But at 35, she traded in her badge for the stability of marriage and motherhood. On Wednesdays, she has lunch with her fellow Shorehaven freelancers at a so-so French restaurant, where she senses that something's off. Pete Delaney, a milquetoast package designer, always shows up early, sits in the same spot (often with a different phone in hand), and keeps one eye on the Jeep he parks in the lot across the street. Corie intuitively feels that Pete is hiding something....

Susan B. Anthony Rabinowitz Gersten assumed her marriage was great—and why not? Jonah Gersten, M.D., a Park Avenue plastic surgeon, clearly adored her. He was handsome, successful, and a doting dad to their four-year-old triplets. So when Jonah is found dead in the Upper East Side apartment of a second-rate "escort," Susie is overwhelmed with questions.

When Corie Geller asked her parents to move from their apartment into the suburban McMansion she shares with her husband and teenage daughter, she assumed they'd fit right in with the placid life she’d opted for when she left the Joint Anti-terrorism Task Force of the FBI. But then her retired NYPD detective father gets a call from good-natured and slightly nerdy film professor April Brown—one of the victims of a case he was never able to solve. When April was a five-year-old, she’d emerged unscathed from the arson that killed her parents. Now, two decades later, April is asking for help.

New York City is not only The New Yorker magazine's place of origin and its sensibility's lifeblood, it is the heart of American literary culture. Wonderful Town, an anthology of superb short fiction by many of the magazine's most accomplished contributors, celebrates the 75-year marriage between a preeminent publication and its preeminent context with this collection of 44 of its best stories from (so to speak) home.

The Washington Post said, "Nobody does smart, gutsy, funny, sexy women better than Susan Isaacs". Add to that praise the adjective "strong", and you've got Susan's latest protagonist, Marianne Kent. Her life may not seem thrilling - living with her widowed mother, majoring in economics, working in an elegant dress store after classes to put away money for graduate school - but she's determined to make a better life for herself and her mom.

In this cuttingly poignant memoir, Susan Isaacs chronicles her rocky relationship with the Almighty - from early childhood to midlife crisis - and all the churches where she and God tried to make a home: Pentecostals, Slackers for Jesus, and the über-intellectuals who turned everything, including the weekly church announcements, into a three-point sermon. Casting herself as the neglected spouse, Susan faces her inner nag and the ridiculous expectations she put on God.

Magic hour. That perfect time, that fleeting hour of enchanted light near dusk and dawn that is perfect for moviemaking, perfect for making love. Perfect for murder. And into the magic hour steps Stephen Brady, wise guy, tough guy, local farm boy turned homicide cop, and a good man with a very bad life. But just as his luck is about to change, the rich, gifted, and urbane filmmaker Sy Spencer is murdered, and Brady discovers that his prime suspect is a woman he and the victim shared.

Gloria Garrison nee Goldberg isn't getting any younger. At 79, it's time for her to plan for the future of Glory, Inc., the Santa Fe-based beauty makeover business that Gloria has grown from zilch into an 11-million-a-year bonanza. But now Gloria has alienated her former business partner and chosen successor. Who will take over Glory? Gloria's never been big on family and wrote them all out of her will, but suddenly she must contemplate her three grandkids as possible candidates.

Some 20 years after Compromising Positions, Judith Singer again gets involved in murder and mayhem. But her life has changed. She now has her doctorate in history. Her workaday hours are spent at St. Elizabeth's College, mostly squandered in history department shriek-fests. She is also a widow. Her husband Bob died one half-day after triumphantly finishing the New York City Marathon in four hours and 12 minutes. And although 20 years have passed without seeing him, she still cannot get her former lover, Nelson Sharpe of the Nassau County Police Department, out of her system.

In this thoroughly witty, incisive look at the role of women on screen and page, Susan Isaacs argues that assertive, ethical women characters are losing ground to wounded, shallow sisters who are driven by what she calls the articles of wimpette philosophy. Although female roles today include lawyers like Ally McBeal and CEOs like Ronnie of Veronica's Closet, they are wimpettes nonetheless.

What makes Buffy the Vampire Slayer a "brave dame" but Ally McBeal a "wimpette"? In this witty, incisive look at the role of women on screen and page, Susan Isaacs argues that assertive, ethical women characters are losing ground to wounded, shallow sisters who are driven by what she calls, "the articles of wimpette philosophy."