Mostrando resultados por autor "Sarah Dunant" en Todas las categorías

From the acclaimed author of The Birth of Venus and In the Company of the Courtesan comes a vibrant exploration of the Italian Renaissance through the character of Isabella d’Este, the first female art collector and patron of her time. Her famed collection has long since dispersed or been lost, but what remains is her correspondence–thousands of letters preserved in a deconsecrated church and convent in the archive of Mantua.

The year is 1570, and in the convent of Santa Caterina, in the Italian city of Ferrara, noblewomen find space to pursue their lives under God’s protection. But any community, however smoothly run, suffers tremors when it takes in someone by force. And the arrival of Santa Caterina’s new...

Before the Corleones, before the Lannisters, there were the Borgias. One of history’s notorious families comes to life in a captivating novel from the author of The Birth of Venus. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY COSMOPOLITAN (UK) AND THE TIMES (UK) “In the end, what’s a...

Alessandra Cecchi is not quite fifteen when her father, a prosperous cloth merchant, brings a young painter back from northern Europe to decorate the chapel walls in the family’s Florentine palazzo. A child of the Renaissance, with a precocious mind and a talent for drawing, Alessandra is...

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS The New York Times bestselling author of the acclaimed Italian Renaissance novels—The Birth of Venus, In the Company of the Courtesan, and Sacred Hearts—has an exceptional talent for breathing life into history. Now Sarah Dunant turns...

My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman Emperor’s army blew a hole in the wall of God’s eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment. Thus...

Alessandra Cecchi is not quite fifteen when her father, a prosperous cloth merchant, brings a young painter back from northern Europe to decorate the chapel walls in the family’s Florentine palazzo. A child of the Renaissance, with a precocious mind and a talent for drawing, Alessandra is...

My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman Emperor’s army blew a hole in the wall of God’s eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment. Thus...

Alessandra is not quite fifteen when her prosperous father brings a young painter back from Holland to adorn the new family chapel. Fascinated by his ability she is lured into closer involvement. On the streets of Florence she observes a terrible evil stalking the city and a fiery priest, who has set out to rid the city of vice, even art itself.

Rodrigo Borgia picks up his papal skirts and walks out on to the public balcony.Sixty-one years old. How many years does he have in front of him? By his age, four of the five popes he had served were already rotting in their tombs. Sixty-one. Three sons, a ripening daughter and a sublime young mistress, ready to drop more fruit.Borgia blood. Thick with ambition and determination. How long does he need? Give him another ten - no, fifteen - summers and he will have the bull crest emblazoned over half of Italy.

Fredag aften ringer telefonen hos Hannah Wolfe. Det er Frank, der har skaffet hende en ny opgave. Hannah, der er privatdetektiv, er ikke just begejstret. Næste dag skal hun hente en 14-årig pige fra hendes skole og bringe hende hjem til hendes far. Mattie viser sig at være en pige, der ikke blot er kvik og rap i replikken, men også yderst sikker på sig selv. Hannah er ikke sådan at bide skeer med og snart opstår en gensidig respekt, der pludselig bliver brudt, da pigen forsvinder i et flammehav for næsen af Hannah. Hvorfor? Hannah sætter sit liv på spil for at få et svar.

Når et menneske, vi elsker, pludselig forsvinder, er fantasien det eneste, vi har tilbage. En dag pakker Anna sin kuffert uden at fortælle nogen, hvor hun skal hen, eller hvorfor hun rejser – hun siger bare, at hun snart er hjemme igen. Da hun går om bord på et fly, forestiller hun sig, at denne rejse vil give hende mulighed for at tænke over sit liv. En kvinde på vej til de 40, journalist og alenemor. Hun har ingen anelse om, at hun snart vil figurere på listen over forsvundne personer.

Hannah Wolfe er privatdetektiv. Hun er vant til at finde forsvunde personer. Selv de der ikke ønsker at blive fundet, finder hun. Carolyn Hamilton er en talentfuld ung danser, der absolut ikke har nogen grund til at forsvinde. Men da hendes lig, med et otte uger gammelt foster, dukker op i Themsen med kjolens lommer fyldt med sten, bliver det, der startede som en tilsyneladende banal sag, mere indviklet. Især for en privatdetektiv, der forsøger at finde svar på nogle af sine egne spørgsmål om parforhold og moderskab. Ligsynet fastslår: død ved hændeligt uheld.

In the Name of the Family - as Blood and Beauty did before - holds up a mirror to a turbulent moment of history, sweeping aside the myths to bring alive the real Borgia family: complicated, brutal, passionate and glorious. Here is a thrilling exploration of the House of Borgia's doomed years, in the company of a young diplomat named Niccolo Machiavelli.

Elizabeth Skorvecky sidder alene i sit store hus i en forstad til London og oversætter en ekstremt voldspornografisk kriminalroman fra tjekkisk. Hun er nervøs og forvirret, har netop afsluttet et syv år gammelt parforhold, hører mystiske lyde inde og ude og fornemmer, at nogen kommer og går i huset og flytter rundt på hendes ting. Gradvist smelter voldsthrillerens fantasiverden sammen med hendes egen virkelighed. Da voldsmanden vitterligt en nat dukker op, er hun parat.

The year is 1527. While the Papal city of Rome burns, two of her most interesting and wily citizens slip away. Though almost as damaged as their beloved city, Fiammetta Bianchini and Bucino Teodoldi, a fabulous courtesan and her dwarf companion, are already planning their future. They head for the shimmering beauty of Venice, a honey pot of wealth and trade where they start to rebuild their business. As a partnership they are invincible. Venice, however, is a city that holds its own temptations.

Alessandra is not quite fifteen when her prosperous merchant father brings a young painter back with him from Holland to adorn the walls of the new family chapel. She is fascinated by his talents and envious of his abilities and opportunities to paint to the glory of God. Soon her love of art and her lively independence are luring her into closer involvement with all sorts of taboo areas of life.

1527. While the Papal city of Rome burns, brutally sacked by an invading army including Protestant heretics, two of her most interesting and wily citizens slip away, their stomachs churning on the jewels they have swallowed as the enemy breaks down their doors.

Året er 1527 og vi befinder os i renæssancens Italien. Her møder vi kurtisanen Fiametta og hendes trofaste ven og følgesvend dværgen Bucino. På flugt fra Rom og de indtrængende soldaters hærgen, sætter Fiametta og Bucino kursen mod Venedig. Med sig har de kun de diamanter, de kunne nå at sluge. De når til tops i den farverige by med rigdom, kunst og skønhed og møder alverdens spændende personligheder - alle med skjulte motiver.

Året er 1492, og Alessandra er knap 15 år, da hendes far, en velstående klædehandler, tager en maler med hjem fra Nordeuropa. Maleren skal udsmykke væggene i kapellet i familiens florentinske palazzo. Som barn af renæssancen, fremmelig og med talent for at tegne, beruses Alessandra af malerens evner. Hun bliver via maleren trukket ind i sin fødeby Firenze, hvor den nye tankefrihed lever side om side med de gamle, kødelige laster. Hun opdager, at ondskaben hærger i byens gader og er vidne til, hvordan den fundamentalistiske munk Savonarola kommer til magten.