Mostrando resultados por autor "Michael B. Druxman" en Todas las categorías

Maureen O’Hara was “the queen of technicolor”. With her bright red hair and piercing green eyes, this Irish colleen’s career spanned over 70 years, as she held her own against such leading men as Tyrone Power, Errol Flynn, James Stewart, Charles Laughton, Henry Fonda, and, of course, John Wayne. Her films include such classics as The Hunchback of Notre Dame, How Green Was My Valley, Rio Grande, The Quiet Man, Miracle on 34th Street, and The Parent Trap.

Yvonne De Carlo, Michael B. Druxman’s one-woman play, is set in 1974 when the actress is at an emotional crossroads. As she contemplates divorcing her husband of 18 years, she remembers the events that have brought her to this point in her life, beginning with a fatherless childhood in Vancouver, BC, and a destitute mother intent on making her daughter a ballet star. She further reminisces about the many men who have passed through her life, including romances with the likes of Howard Hughes and Aly Khan.

Christopher Lee: A One-Person Play by Michael B. Druxman (Lee’s one-time publicist), joins the actor in 1976, as he is about to depart his home in England for the United States. It is his hope that, in America, he will be able to abandon the horror genre, and find a greater variety of roles.

On the evening of February 1, 1922, silent film director William Desmond Taylor was shot to death in his Los Angeles home. The murder, coming on the heels of the Fatty Arbuckle scandal, shocked the Hollywood community and the country, resulting in reform groups labeling the film capital a "modern day Babylon," and demanding that movies be censored or, in some communities, even banned.

In Michael B. Druxman's outrageous comedy, Hail on the Chief!, cantankerous gentleman rancher Oliver Pettridge hates his neighbor, a former cowboy movie star. He's hated him for years over a property line dispute. As the play begins, the neighbor has just been elected President of the United States.

Merv Griffin had a way with stars. They loved him, and he’d given that “big break” to countless young hopefuls who became major celebrities, including Sonny and Cher, Dick Cavett, Richard Pryor, and Tony Orlando and Dawn. Merv was one of America’s best-loved TV personalities. Millions of fans were hooked on his sincerity, intelligence, and showmanship. Merv worked hard to get to the top. Here is the true public, private, and on-stage life of the man who won the hearts of America.

Michael B. Druxman’s one-person play, Ronald Reagan: Movie Star, joins the actor in 1949, when he has just lost a major film role to Errol Flynn. Indeed, not much in his life seems to be going well at this time. Divorced from actress Jane Wyman, his recent romance with Patricia Neal has also taken a wrong turn after she discovered Gary Cooper.

Before Oprah, before Ellen, there was Dinah Shore. She was the queen of the afternoon talk show. For over five decades, Dinah induced a state of joy into people wherever she appeared, a love affair between her and her audience. In the fickle world of popular music, Dinah had a longer run at the top than any other girl singer, and on television, she had no equal in the musical field. Arguably, she was "the first lady of television". Dinah's life, however, was not always easy.

Peter Lorre, Michael B. Druxman’s one-person stage play, finds the famous actor in poor health near the end of his life. He contemplates his third divorce and ponders how he will provide for his young daughter, while remembering the greener years that he spent with the likes of Humphrey Bogart, John Huston, and Sydney Greenstreet. One simple set.

Clara Blow is a one-woman play in two acts about the life and times of Clara Bow. The "It" Girl was the movies' first American sex goddess. The star of Wings, the first film to win the Best Picture Oscar, Clara Bow's unhappy life, in many ways, paralleled that of her successor, Marilyn Monroe. A longtime victim of insomnia, Ms. Bow lies awake on the morning of her estranged husband's funeral and painfully remembers the mentally ill mother who once tried to kill her; her career as the ultimate "flapper" her many nervous breakdowns; and affairs with the likes of Gary Cooper, Gilbert Roland, director Victor Fleming, and, as is said, the USC football team.

Dick Powell made a career of reinventing himself. Born in Arkansas, the young tenor played horn and banjo, and sang with various dance bands and orchestras in Pittsburgh and elsewhere before he was brought to Hollywood, where he sang opposite Ruby Keeler and others in such classic Busby Berkeley musicals as 42nd Street, Footlight Parade, Gold Diggers of 1935, and the Al Jolson film, Wonder Bar.

Audrey Hepburn was not your usual movie star. She was the highest paid actress of her day, yet she never took a formal acting lesson. A child of war, and the daughter of a Fascist sympathizer, she spent her last years helping children of other wars. An Academy Award-winner for her first major film role (Roman Holiday), Hepburn continued her storybook career with such classic movies as Sabrina, Funny Face, The Nun's Story, Breakfast at Tiffany's, Charade, My Fair Lady and Wait until Dark. Her two marriages ended in divorce.

When you think of Jason Robards, you also think of Eugene O’Neill and the tragic, hard-drinking characters he created in The Iceman Cometh, Long Day’s Journey Into Night, Hughie and The Moon for the Misbegotten. Robards, the son of a failed actor, Jason Robards Sr., discovered O’Neill’s plays when he was in the Navy during WW2. After the war, without his father’s encouragement, he pursued his own acting career, but it was 11 years and two failed marriages before he finally achieved success.

Ida Lupino was a trail-blazer. Not only was she one of the most vibrant Hollywood actresses of the 1940s and 1950s, but she was also only the second woman to become a member of the Director's Guild. Michael B. Druxman's one-woman play, Ida: The Last Lupino, joins Ida in 1983 when she is living alone in her decaying Brentwood home as a virtual hermit, lamenting the break-up of her marriage with Howard Duff. Ida: The Last Lupino is a vivid, often witty, portrait of a woman who conquered a man's world.

During their prime in the 1940s and early 1950s, Abbott and Costello were the most popular comedy duo in show business. They first became a team in burlesque, graduated to radio with Kate Smith, then Broadway with comedian Bobby Clark and Carmen Miranda; and, ultimately, to the movies, making their debut supporting Allan Jones and Nancy Kelly in One Night in the Tropics (1940).

Once Upon a Time in Hollywood is a revisionist history of Hollywood's Golden Era and the tabloid press that covered it. Harry Pennypacker was a prolific and revered newspaper columnist; a colleague of Louella Parsons, Walter Winchell, and the other great columnists of the day.

Unfortunately, nobody has ever heard of him because the papers never ran his articles. They were too hot. Too dangerous. Too likely to tarnish the delicate image of silver screen icons. The newspaper syndicate couldn't fire him because he had an ironclad contract, so Pennypacker wrote his stories...and the editors buried them. Until now.

Orson Welles is a one-person play in two acts about the life and times of Orson Welles. Some say that Orson Welles was a genius, but he always denied that. He did give us Citizen Kane, considered by most critics to be the best film ever made, but after that, his career took one long downward plunge. The play finds Welles trying to find the financing for one of his film projects. It's a difficult task, since most of the Hollywood community considers him to be a "screwball".

He was “Ben-Hur", “Moses” in The Ten Commandments, and he did battle with the Planet of the Apes. During his long career, Charlton Heston projected an unequaled image of strength and authority, tempered with compassion and wisdom. Charlton Heston, Michael B. Druxman’s one-person stage play, finds the Oscar-winning actor in his final years, shortly after it has been discovered that he suffers from Alzheimer’s Disease. Struggling to hold onto his memories, he thinks back on his life; its many successes, as well as its disappointments. One actor; one set.

Although he had a long career as an actor and director, Paul Henreid is certainly best remembered for two films he made in the early 1940s: Now, Voyager with Bette Davis, and Casablanca with Humphrey Bogart and Ingrid Bergman. Michael B. Druxman’s Paul Henreid is set in 1968 and finds the actor in Nice, France, about to costar in a film with Katharine Hepburn. He has just learned that his friend, the movie’s original director, has quit the production and must decide whether he will do the same.

Michael B. Druxman followed his dreams to Hollywood, and although he may not have "reached the stars", his persistence made it possible for the vast majority of those dreams to come true. His new book My Forty-Five Years in Hollywood and How I Escaped Alive, a memoir, is the story of that remarkable adventure.