Showing results by author "Jamaica Kincaid" in All Categories

The Writer in the Garden adds up to a glorious compendium of writing that is amusing, original, and idiosyncratic. Excerpts span not only the beauties of the garden but such far-reaching topics as weeds, the tribulations of gardening in a cold climate, the dangers of rare plant collecting, the delights of weeding, the pitfalls of growing roses, and the place of "tacky" in a garden. The book is impeccably read by a group of professional actors.

"If you go to Antigua as a tourist, this is what you will see. If you come by aeroplane, you will land at the V. C. Bird International Airport. Vere Cornwall (V. C.) Bird is the prime minister of Antigua. You may be the sort of tourist who would wonder why a prime minister would want an airport named after him - why not a school, why not a hospital, why not some great public monument. You are a tourist and you have not yet seen..." So begins Jamaica Kincaid's expansive essay, which shows us what we have not yet seen of the 10-by-12-mile island in the British West Indies.

Powerful, disturbing, and stirring, Jamaica Kincaid's novel is the deeply charged story of a woman's life on the island of Dominica. Xuela Claudette Richardson, the daughter of a Carib mother and a half-Scottish, half-African father, loses her mother to death the moment she is born and must find her way on her own. The Autobiography of My Mother is a story of love, fear, loss, and the forging of character, an account of one woman's inexorable evolution, evoked in startling and magical poetry.

An adored only child, Annie has until recently lived an idyllic life. She is inseparable from her beautiful mother, a powerful presence at the very center of the little girl's existence. Loved and cherished, Annie grows and thrives within her mother's benign shadow. Looking back on her childhood, she reflects, "It was in such a paradise that I lived". When she turns 12, however, Annie's life changes in ways that are often mysterious to her.

Lucy, a teenage girl from the West Indies, comes to North America to work as an au pair for Lewis and Mariah and their four children. Lewis and Mariah are a thrice-blessed couple - handsome, rich, and seemingly happy. Yet almost at once, Lucy begins to notice cracks in their beautiful façade. With mingled anger and compassion, Lucy scrutinizes the assumptions and verities of her employers' world and compares them with the vivid realities of her native place.

New York City is not only The New Yorker magazine's place of origin and its sensibility's lifeblood, it is the heart of American literary culture. Wonderful Town, an anthology of superb short fiction by many of the magazine's most accomplished contributors, celebrates the 75-year marriage between a preeminent publication and its preeminent context with this collection of 44 of its best stories from (so to speak) home.

These stories plunge the listener gently into another way of perceiving both the physical world and its elusive inhabitants. Her narrative is, by turns, naïvely whimsical and biblical in its assurance, and it speaks of what is partially remembered, partly divined. The memories often concern a childhood in the Caribbean - family, manners, and landscape - as distilled and transformed by Kincaid's special style and vision.

Life Is Short - Art Is Shorter is not just the first anthology gathering both mini-essays and short-short stories. Listeners, writers, and teachers will get an anthology; a course’s worth of writing exercises; a rally for compression, concision, and velocity in an increasingly digital post-religious age; and a meditation on the brevity of human existence.

A crew of men are embarking on a voyage up a turbulent river through the rainforests of Guyana. Donne, their wild, domineering leader, is obsessed with hunting for a mysterious woman and exploiting Indigenous people as plantation labour. But their expedition is plagued by tragedies, haunted by drowned ghosts: spectres of the crew themselves, inhabiting a blurred shadowland between life and death. As their journey into the interior—their own hearts of darkness—deepens, it assumes a spiritual dimension, guiding them towards a new destination: the Palace of the Peacock.

Lucy, a teenage girl from the West Indies, comes to North America to work as an au pair for Lewis and Mariah and their four children. At first glance Lewis and Mariah are a blessed couple—handsome, rich and seemingly happy. Almost at once, however, Lucy begins to notice cracks in their beautiful facade. With a mixture of anger and compassion, Lucy scrutinizes the privileged, facile world of her employers while comparing it to the vivid realities of her home in the Caribbean.

Jamaica Kincaid's first obsession, the island of Antigua, comes vibrantly to life under the gaze of Mr. Potter, an illiterate taxi chauffeur who makes his living along the wide, open roads that pass the only towns he has ever seen and the graveyard where he will be buried. The sun shines squarely overhead, the ocean lies on every side, and suppressed passion fills the air. Misery infects the unstudied, slow pace of this island and of Mr. Potter's days. As the narrative unfolds in linked vignettes, his story becomes the story of a vital, crippled community.

In See Now Then, the brilliant and evocative new novel from Jamaica Kincaid (her first in 10 years), a marriage is revealed in all its joys and agonies. This piercing examination of the manifold ways in which the passing of time operates on the human consciousness unfolds gracefully, and Kincaid inhabits each of her characters - a mother, father, and two children living in a small village in New England - as they move, in their own minds, between the present, the past, and the future.

En la apacible isla tropical de Antigua, Annie John vive su infancia en un entorno paradisiaco, al amparo de sus padres y educada en un buen colegio. Pero, como en la mayoría de los paraísos, en algún oscuro rincón acecha la serpiente. A medida que Annie deja atrás la niñez, las inevitables transformaciones físicas y emocionales anuncian una nueva etapa, marcada por la rebeldía, el cuestionamiento de su pequeño universo y, para su disgusto, los cambios en su progenitora, quien sustituye su amor incondicional por una repentina rivalidad femenina.

The author of Annie John, Lucy, and The Autobiography of My Mother delves into her long-awaited new novel about a complicated modern family, featuring Mr. and Mrs. Sweet and their two children, Heracles and Persephone, who live in the Shirley Jackson house in Vermont. Kincaid discusses her novel with her old friend Ian Frazier ( The Cursing Mommy's Book of Days).

Jamaica Kincaid's brother Devon Drew died of AIDS on 19 January 1996, at the age of thirty-three. This incantatory, poetic, and often shockingly frank recounting of her brother's life and death is also the story of her family on the island of Antigua, a constellation centered on her powerful, sometimes threatening mother. My Brother is an unblinking record of a life that ended too early, and it speaks volumes about the difficult truths at the heart of all families.

An adored only child, Annie has until recently lived a peaceful and content life. She is inseparable from her beautiful mother, a powerful and influential presence, who sits at the very centre of the little girl’s existence. Loved and cherished, Annie grows and thrives within her mother’s shadow. When she turns twelve, however, Annie’s life changes, in ways that are often mysterious to her.

The island of Antigua comes vibrantly to life under the gaze of Mr. Potter, an illiterate taxi chauffeur who makes his living along the roads that pass through the only towns he has ever seen and the graveyard where he will be buried. The sun shines squarely overhead, the ocean lies on every side, and suppressed passion fills the air. Ignoring the legacy of his father, a poor fisherman, and his mother, who took her own life, Mr. Potter struggles to live at ease amid his surroundings: to purchase a car, to have girlfriends, and to shake off the encumbrance of his daughters.

A piercing examination of the manifold ways in which the passing of time operates on the human consciousness. Kincaid inhabits each of her characters – a mother, a father, and their two children, living in a small village in New England – as they move, in their own minds, between the present, the past, and the future. Her characters, constrained by the world, despair in their domestic situations. But their minds wander, trying to make linear sense of what is, in fact, non-linear.

Collecting pieces written for the New Yorker and the Paris Review between 1978 and 1982, including the seminal ‘Girl’, these stunning works announced a fully-formed, generational talent and firmly established the themes that Kincaid would continue to return to in her later work: the loss of childhood, the fractious nature of mother–daughter relationships, the intangible beauty of the natural world and the striving for independence in a colonial landscape.