Mostrando resultados por autor "D.H. Lawrence" en Todas las categorías

Constance Chatterley seeks to escape from the confines of a loveless marriage and the upper class surroundings that suffocate her. When she meets the gamekeeper of Chatterley mansion, Oliver Mellors, she is mesmerised and infatuated by his no-nonsense demeanour and passionate touch. The two soon forge a profound bond as a result of their sexual compatibility and sociopolitical views.

Set in the rural midlands of England, The Rainbow revolves around three generations of Brangwens, a family deeply involved with the land and noted for their strength and vigour. When Tom Brangwen marries a Polish widow, Lydia Lensky, and adopts her daughter Anna as his own, he is unprepared for the conflict and passion that erupts between them. Their stories continue in Women in Love.

With her soft brown hair, lithe figure and big, wondering eyes, Constance Chatterley is possessed of a certain vitality. Yet she is deeply unhappy; married to an invalid, she is almost as inwardly paralysed as her husband Clifford is paralysed below the waist. It is not until she finds refuge in the arms of Mellors the game-keeper that she feels regenerated. Together they move from an outer world of chaos towards an inner world of fulfillment.

Lady Constance Chatterley is stuck in a loveless marriage until she crosses paths with Oliver Mellors, the estate’s gamekeeper. Embarking on a passionate affair with Mellors awakens desires in Lady Chatterley that she had never been able to explore within the confines of straight-laced society. As her journey of sexual self-discovery deepens, Lady Chatterley must navigate the clash of mind and body, industrialization and nature, and firmly established class distinctions.

The British Classics Collection: Volume One is a century-spanning collection of 24 classic works of fiction and poetry by British authors, read by a cast of incredible narrators including Stephen Fry, Joanne Froggatt, Jason Isaacs, Adjoa Andoh, and many more. Included here are stories by some of the greatest writers of all time, including Charles Dickens; Emily Brontë; Jane Austen; Thomas Hardy; George Eliot; D.H. Lawrence; and Mary Shelley, amongst a host of others.

Selected Shorts is an award-winning series of classic and contemporary short fiction read by acclaimed actors. The readings are recorded live at Peter Norton Symphony Space in New York City. The Selected Shorts radio series is a co-production of Symphony Space and WNYC, New York Public Radio, and is heard on public radio stations nationwide.

Crowned ‘the greatest imaginative novelist of our generation’ by EM Forster, DH Lawrence has an undisputed place in England's canon of great authors. In this wide-ranging collection, dramatisations and readings of some of his major works are brought together, exploring themes such as romantic love and sexual desire, individual freedom, class division, war, the beauty of nature and the ugliness of industrialisation.

Lady Chatterley's Lover is D. H. Lawrence's last novel. First published privately in 1928, Lady Chatterley's Lover was banned from wider publication in the UK until 1960 and was the subject of censorship and book banning in the United States and elsewhere. Its erotic subject material, colorful language, and discussion of interclass relations were deemed obscene.

In The Rainbow, D. H. Lawrence challenged the customary limitations of language and convention to carry into the structures of his prose the fascination with boundaries and space that characterize the entire novel. A visionary novel, considered to be one of Lawrence's finest, it explores the complex sexual and psychological relationships between men and women in an increasingly industrialized world.

The Escaped Cock is Lawrence’s take on resurrection, the life-force, and sexuality. The man who has been crucified wakes up in the garden wounded and weakened. Disillusioned with his old companions and inspired by the zest for life of the escaped cock of the title, he decides to live anew. Journeying to the sea, he stumbles on a temple of Isis, where its priestess, who mistakes him for the lost Egyptian god Osiris, introduces him to the pleasures of the flesh.

When Constance Reid's new husband, Sir Clifford Chatterley, returns from war paralyzed and in a wheelchair, she sees her future wither. As their marriage grows loveless, she mourns the desires fated to go unfulfilled. But a stirring fascination with Oliver Mellors, the estate's coarse, taciturn gamekeeper, blooms into feelings she feared had died. Soon the lovers find themselves entangled in scandal, and their taboo affair becomes as pernicious as it is passionate.

In this course, objectively delivered by Professor Lawrence H. Schiffman, listeners will engage in a discussion on how that collection came into being and how it was passed down and interpreted throughout the ages. You will sample approaches both traditional and modern, making use of the works of a broad sampling of scholars - ancient, medieval, and modern - to understand the message of the Hebrew Scriptures and the stories they told

Sons and Lovers is widely considered by critics and readers alike as D.H. Lawrence’s masterpiece and a classic interpretation of the Oedipal complex. Surely one of the greatest autobiographical novels ever written, it tells the story of Paul Morel, a sensitive artist with a far stronger attachment to his mother than his working-class, alcoholic father. Searching for love and human connection, Paul is torn between two very different women, but neither of them measures up to his mother.

Lou Witt - the future Lady Carrington if she behaved herself - was 24 and, in her mother’s words, "beyond management". When Lou’s family bought the splendid stallion named St. Mawr and moved to Arizona, Lou learned quite a lot about horses, men, and herself.

Written in 1913, D H Lawrence's first major novel, Sons and Lovers, was the one of the earliest in the English language to explore a close-knit mining community from the inside. Lawrence's semi-autobiographical novel, set in the Nottinghamshire coal fields, is renowned for its accurate portrayal of working-class life and for its use of local dialect. It traces emotional conflicts through the protagonist, Paul Morel, and his suffocating relationships with his over possessive mother, and the women he falls in love with.

Two women isolated on a lonely Cornish farm face an evil greater than all others: A fox has begun carrying off hens and roosters, and nothing they do seems to stop him. And then one day, a mysterious young man appears at the door. Now the women have to fend off not one, but two foxes.

This collection is a compilation of novels and short stories by some of the greatest masters of fiction literature. The collection includes works spanning over 150 years from the beginning of the 19th century to the second half of the 20th century. The works vary in genre, including humorous, lyrical, psychological, romantic, detective, fantastic, adventurous, and mystical prose. It features classics of American, British, Irish, French, German, and Russian literature.

Lawrence explores love, sex, passion, and marriage through the eyes of two sisters, Gudrun and Ursula Brangwen. Intelligent, incisive, and observant, the two very different sisters pursue thrilling, torrid affairs with their lovers, Rupert and Gerald, while searching for more mature emotional relationships. Against a haunting World War I backdrop of coal mines, factories, and a beleaguered working class, Gudrun and Ursula's temperamental differences spark an ongoing debate regarding their society and their inner lives.

Lawrence wrote The Plumed Serpent between 1923 to 1924, a time when he was in ill health, living in Mexico, and becoming dependent on his wife Frieda. The plot revolves around a movement to replace the Christian God with the old pre-conquest gods, such as Quetzalcoatl, the plumed serpent of the title.

The story of Lady Chatterley and her love for her husband's gamekeeper outraged the sensibilities of Edwardian England. Lawrence had already been dismissed as a purveyor of the obscene for the attitudes to sex that he had shown in The Rainbow, which had been fiercely suppressed on its publication in 1915. Chatterley, written in several versions around 1928 in Italy in the final part of Lawrence's life, was a deliberate choice on the author's part to address sex head on.