Mostrando resultados por autor "Andrea Camilleri" en Todas las categorías

Interest in Andrea Camilleri's taciturn but epicurean inspector is at an all-time high. And with three of the last five novels in the series, including the award-winning The Potter's Field, hitting the New York Times bestseller list, this latest installment is certain to up the ante and win over a multitude of new fans. In Treasure Hunt, Inspector Montalbano is hailed as a hero after news cameras film him scaling abuilding, gun in hand, to capture a pair of unlikely snipers. Shortly thereafter the inspector begins to receive cryptic messages in verse from someone challenging him to a treasure hunt. Intrigued, he accepts, treating the messages as amusing riddles - until they take a dangerous turn.

In Montalbano's First Case and Other Stories, Andrea Camilleri has selected 21 short stories, written with his trademark wit and humor, that follow Italy's famous detective through highlight cases of his career. From the title story, featuring a young Deputy Montalbano newly assigned to Vigàta, to "Montalbano Says No", in which the inspector makes a late-night call to Camilleri himself to refuse an outlandish case, this volume is an essential addition to any fan's collection and a wonderful way to introduce listeners to the internationally best-selling series.

Inspector Montalbano and his colleagues are stumped when two bombs explode outside empty warehouses - one of which is connected to a big-time drug dealer. Meanwhile the alluring Liliana Lombardo is trying to seduce the inspector over red wine and arancini. Between pesky reporters, amorous trysts, and cocaine kingpins, Montalbano feels as if he's being manipulated on all fronts.

A rash of burglaries has Inspector Salvo Montalbano stumped. The criminals are so brazen that their leader, the anonymous Mr. Z, startssending the Sicilian inspector menacing letters. Among those burgled is the young and beautiful Angelica Cosulich, who reminds the inspector of the love-interest in Ludovico Ariosto's chivalric romance, Orlando Furioso. Besotted by Angelica's charms, Montalbano imagines himself back in the medieval world of jousts and battles.

In una zona malfamata di Montelusa, la mànnara, due munnizzari trovano in un'auto il cadavere di un uomo con gli abiti discinti. E non è un uomo qualunque, ma un prominente uomo politico locale: l'ingegner Lupariello. Camilleri mette in campo per la prima volta il commissario Salvo Montalbano, poliziotto dalle straordinarie doti umane e investigative, che faranno del suo personaggio il più grande successo letterario italiano degli ultimi vent'anni.

While swimming along the Sicilian shore, Inspector Montalbano discovers a corpse. His pursuit of the cause of death intersects with the inquiry into a hit-and-run accident that claimed the life of a young boy who may have been victimized by human traffickers. The buying and selling of immigrant children, for slave labor, sex, and as a source of illegal organ transplants, is part of the evil underside of the opening of Europe's borders.

Il commissario ha appena il tempo di convocare i suoi uomini e il cavallo è sparito, rimane solo il segno del corpo sulla sabbia. Quello stesso giorno una donna "forestiera", Rachele Estermann, denuncia al commissariato di Vigata il furto del suo cavallo mentre nelle scuderie di Saverio Lo Duca, uno degli uomini più ricchi della Sicilia, un altro purosangue è svanito nel nulla. Lo scenario della vicenda è il mondo delle corse clandestine, passatempo preferito di una certa aristocrazia terriera che scommette forte.

The day gets off to a bad start for Montalbano: while trying to break up a fight on Marinella beach, he hits the wrong man and is stopped by the Carabinieri. When he finally gets to the office, the inspector learns about a strange abduction: a woman was abducted, drugged, and then released unharmed a few hours later. A few days later, the same thing happens again, but this time the woman abducted is the niece of Enzo, the owner of Montalbano's favorite trattoria. The only link between the two events is that both women are 30 years old and work in a bank.

A wave of refugees has arrived on the Sicilian coast, and Inspector Montalbano and his team have been stationed at port, alongside countless volunteers, to receive and assist the newcomers. Meanwhile, Livia has promised their presence at a friend's wedding, and the inspector, agreeing to get a new suit tailored, meets the charming master seamstress Elena Biasini. But while on duty at the dock one late night, tragedy strikes, and Elena is found gruesomely murdered. Between managing the growing crowds at port, Montalbano works to weave together the loose threads of the unsolved crimes.

When Inspector Montalbano falls under the charms of beautiful gallery owner Marian, his longtime relationship with Livia comes under threat. Meanwhile, he is also troubled by a strange dream as three crimes demand his attention: the robbery and assault of a wealthy merchant's young wife, stolen works of art, and a search for arms traffickers that leads him deep into the countryside, where the investigation takes a tragic turn.

Set once again in Sicily, The Patience of the Spider pits Inspector Montalbano against his greatest foe yet: the weight of his own years. Still recovering from the gunshot wound he suffered in Rounding the Mark, he must overcome self-imposed seclusion and waxing self-doubt to penetrate a web of hatred and secrets in pursuit of the strangest culprit he’s ever hunted.

Montalbano investigates a robbery at a supermarket, a standard case that takes a spin when manager Guido Borsellino is later found hanging in his office. Was it a suicide? Inspector Montalbano and the coroner have their doubts, and further investigation leads to the director of a powerful local company. Meanwhile, a girl is found brutally murdered in Giovanni Strangio's apartment - Giovanni has a flawless alibi, and it's no coincidence that Michel Strangio, president of the province, is his father.

With their dark sophistication and dry humor, Andrea Camilleri’s classic crime novels continue to win more and more fans in America. The latest installment of the popular mystery series finds the moody Inspector Montalbano further beset by the existential questions that have been plaguing him of late. But he doesn’t have much time to wax philosophical before the gruesome murder of a man—shot at point-blank range in the face with his pants down—commands his attention.

One night, Inspector Montalbano dreams of a stormy sea, which he knows represents unease and loss of control. The next day, a boat is found in the port of Vigàta and within it, the body of a disfigured corpse. The waterfront has also drawn in an 85-foot luxury boat passengered by 50 carefree souls and a somewhat shadowy crew. They will have to stay in Vigàta until the investigation is over: the man, it seems, was poisoned. However, right now, it is the yacht’s owner and sailors Montalbano is focused on.

Montalbano's latest case begins with a mysterious tête à tête with a Mafioso, some inexplicably abandoned loot from a supermarket heist, and some dying words that lead him to an illegal arms cache in a mountain cave. There the inspector finds two young lovers, dead for 50 years and still embracing, watched over by a life-sized terra-cotta dog. Montalbano's passion to solve this old crime takes him on a journey through Sicily's past and into a family's dark heart.

Montalbano receives an early-morning phone call, but this time it’s not Catarella announcing a murder, but a man called Riccardino, who’s dialed a wrong number and asks him when he’ll be arriving at the meeting. Montalbano, in irritation, says: “In 10 minutes." Shortly after, he gets another call, this one announcing the customary murder. A man has been shot and killed outside a bar in front of his three friends. It turns out to be the same man who called him.

Vigàta is bustling as the new filming location for a Swedish television series set in 1950. In the production frenzy, the director asks the locals to track down movies and vintage photos to faithfully recreate the air of Vigàta in that time. Engineer Ernesto Sabatello, while rummaging in the attic of his house, finds some films shot by his father from 1958 to 1963 - always on the same day, March 27; and always the same shot, the outside wall of a country house. Montalbano hears the story and, intrigued by the mystery of it, begins to investigate its meaning.

Early one morning, Silvio Lupanello, a big shot in the village of Vigata, is found dead in his car with his pants around his knees. The car happens to be parked in a rough part of town frequented by prostitutes and drug dealers, and as the news of his death spreads, the rumors begin. Enter Inspector Salvo Montalbano, Vigata's most respected detective, who has his doubts about the way Silvio died.

Mimi Augello is visiting his lover when the woman’s husband unexpectedly returns to the apartment; he climbs out the window and into the downstairs apartment, but one danger leads to another. In the dark he sees a body lying on the bed. Shortly after, another body is found, and the victim is Carmelo Catalanotti, a director of bourgeois dramas with a harsh reputation for the acting method he developed for his actors. Are the two deaths connected? Inspector Montalbano finds all of Catalanotti’s dossiers and plays and the notes on the characters....

A Vigàta è tornato l'inverno. E il commissario Montalbano non è più un ragazzino. Lo si avverte perché i segni lasciati da tutte le inchieste passate riaffiorano qua e là, con i colori della nostalgia, a ogni passo di quest'ultimo caso. Un caso anomalo in cui il cadavere non spunta all'inizio, e Montalbano non ne è proprio il titolare, ma vi si intrufola. Troppe coincidenze lo spingono. Scava nella scomparsa di un finanziere truffatore, che si è portato via i soldi di mezzo paese e dintorni, e poi del suo aiutante.