Showing results by author "Ali Smith" in All Categories

Fusing Keatsian mists and mellow fruitfulness with the vitality, the immediacy, and the color hit of Pop Art, Autumn is a witty excavation of the present by the past. The novel is a stripped-branches take on popular culture and a meditation, in a world growing ever more bordered and exclusive, on what richness and worth are, what harvest means.

On the heels of Autumn and Winter comes Spring, the continuation of Ali Smith's celebrated Seasonal Quartet, a series of stand-alone novels, separate but interconnected (as the seasons are), wide-ranging in timescale and light-footed through histories.

Franz Kafka is widely regarded as one of the greatest and most enigmatic geniuses of European literature. He’s been hailed a profit and a diagnostician, and a century after his death, his unique perspective on the anxieties, injustices, and rapidly shifting belief systems of the modern world continues to speak to our contemporary moment.

With an eye for rendering the timely in a timeless way and enchanting audiences with lyrical prose and grace, Ali Smith's ambitious Seasonal Quartet—a series of four stand-alone novels, separate but interconnected—artfully guided us through #MeToo, Brexit, the refugee crisis, a global pandemic, and more. Now, Smith's highly anticipated Companion Piece looks to the future and builds upon this "time-sensitive project". This new novel stands apart from the Quartet, which remains discrete unto itself.

Borrowing from painting’s fresco technique to make an original literary double-take, it's a fast-moving, genre-bending conversation between forms, times, truths, and fictions. There’s a Renaissance artist of the 1460s. There’s the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real--and all life’s givens get given a second chance.

In Winter, life force matches up to the toughest of the seasons. In this second novel in her acclaimed Seasonal cycle, the follow-up to Ali Smith's sensational Autumn, Smith's shape-shifting quartet of novels casts a merry eye over a bleak post-truth era with a story rooted in history, memory, and warmth, its taproot deep in the evergreens: art, love, laughter. It's the season that teaches us survival.

How to Be Both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving, genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance.

For centuries past, and all across the world, there are words for a certain kind of woman. Words that raise our hackles, fire up our blood. Words that tell a story. In this blazing cauldron of a book, the boldest writers of our day take up these words and take up their pen, celebrating fifty years of Virago.

Here is the exciting culmination of Ali Smith's celebrated Seasonal Quartet, a series of stand-alone novels, separate but interconnected (as the seasons are), wide-ranging in timescale and light-footed through histories.

In this inspiring book, founders of The Holistic Life Foundation Ali Smith, Atman Smith, and Andres Gonzalez describe how they have spent the past twenty years teaching yoga, meditation, and breathwork to thousands of at-risk kids in Baltimore schools helping them to develop deep reserves of patience, empathy, resolve, and—when needed—the righteous anger that fuels deep structural change. Their work has received wide national attention due to their remarkable results.

At a dinner party in the posh London suburb of Greenwich, Miles Garth suddenly leaves the table midway through the meal, locks himself in an upstairs room, and refuses to leave. Neighbors and friends slowly gathers around the house, and the story of Miles is one told from the points of view of four of them: a woman in her 40s called Anna, a man in his 60s called Mark, a woman in her 80s called May, and a 10-year-old child called Brooke. The thing is... none of these people knows Miles anything more than glancingly.

Barefoot, thirtysomething Amber shows up at the door of a Norfolk cottage that the Smarts are renting for the summer. Amber doesn't know them, but she talks her way in, telling lies, and stays for dinner. Eve, an author, thinks Amber is a student her husband is sleeping with. Michael, an English professor, knows only that her car broke down. Daughter Astrid, age 12, thinks she's her mother's friend. Son Magnus, 17, thinks she's an angel.

Girl meets boy. It's a story as old as time. But what happens when an old story meets a brand new set of circumstances? Ali Smith's remix of Ovid's most joyful metamorphosis is a story about the kind of fluidity that can't be bottled and sold. It is about girls and boys, girls and girls, love and transformation, a story of puns and doubles, reversals and revelations. Funny and fresh, poetic and political, here is a tale of change for the modern world.

In 2012, Ali Smith delivered the Weidenfeld lectures on European comparative literature at St. Anne’s College, Oxford. Those lectures, presented here, took the shape of discursive stories that refused to be tied down to either fiction or the essay form. Thus, Artful is narrated by a character who is haunted - literally - by a former lover, the writer of a series of lectures about art and literature. A hypnotic dialogue unfolds between storytelling and a meditation on art that encompasses love, grief, memory, and revitalization.

As an only child reeling from the demolition of her parents’ toxic marriage, the New York City underground music scene offers a young Ali a different family of misfits and talented outsiders to belong to. She becomes the bass player for edgy band Speedball Baby, a decision that will take her around the world—from onstage at the legendary CBGBs to the red-light district of Amsterdam. She’s often the only girl in a broken-down tour van, being strip-searched at the Croatian border, chased by lunatics, and navigating the seedy underbelly of a male-dominated music scene.

Franz Kafka is widely regarded as one of the greatest and most enigmatic geniuses of European literature. What happens when his idiosyncratic imagination meets some of the greatest literary minds writing in English across the globe today? From a future society who ask their AI servants to construct a giant tower to reach God; to a flat hunt that descends into a comically absurd bureaucratic nightmare; to a population experiencing a wave of unbearable, contagious panic attacks, these ten specially commissioned stories are by turns mind-bending, funny, unsettling and haunting.

Following her astonishing quartet of Seasonal novels, Ali Smith again lights a way for us through the nightmarish now, in a vital celebration of companionship in all its forms.

Grab a snack, get comfy while Ali discusses the uncomfy realities of being fat in a fatphobic society. From being a plus size influencer on the internet to the reality of living with ADHD and uncovering truths of life behind the camera. Plus an uncomfortable amount of side tangents, OMG moments and harsh truths. Hosted by Ali Smith

The crow crossed the sky, slow-beating her wings. Beat, beat, beat. It was night, not yet morning, and her feathers were so black that she coasted the air invisible above the city wall. Thus begins Ali Smith's retelling of Sophocles' tragedy, about a young Theban princess who decides to bury her dishonoured brother Polynices, against King Creon's express orders, with heart-breaking consequences.

Following her dazzling five-novel portrait of our age, the ‘Seasonal’ sequence, Ali Smith returns with the first of two novels which belong together but can be read independently. Gliff – a Scots or Northern word for a glimpse, a shock, a glance - will not only tell its own story but also contain within it a hidden story, to be revealed only in a second novel, Glyph – from the Greek, meaning a mark, carving or symbol -- to be published a year later.