Mostrando resultados por autor "Émile Zola" en Todas las categorías

In Rome, Abbe Pierre Froment, fresh from his transformative experiences in Lourdes, pens a provocative book advocating for a new enlightened papacy. His journey to the heart of the Vatican is fraught with tension as he seeks to defend his work against impending condemnation. Immersed in the opulent world of aristocratic and ecclesiastical society during his three-month stay, Pierre grapples with the Eternal City’s storied past and uncertain future, all while filtered through Zolas piercing skepticism and modernist lens. His tale is woven with intricate details and an undercurrent of dark ...

Join us on a poignant journey through Lourdes, a compelling narrative that unfolds over a five-day national pilgrimage to the revered holy shrine of Lourdes, where the hope for miraculous cures looms large. At the heart of this tale is Pierre, a priest grappling with a crisis of faith, as he accompanies his childhood sweetheart, a woman paralyzed yet unwavering in her belief. Their contrasting hopes and struggles are set against a backdrop of organized chaos, rich with a tapestry of characters and sub-plots that range from the tragic to the whimsical. Through Pierres profound mental and ...

Le second empire vu sous l'angle des Rougon, archétypes de la bourgeoisie ambitieuse et parvenue.

"Je veux vous expliquer comment une famille, un petit groupe d'êtres, se comporte dans une société, en s'épanouissant pour donner naissance à dix, à vingt individus, qui paraissent, au premier coup d'oeil, profondément dissemblables, mais que l'analyse montre intimement liés les uns aux autres. L'hérédité a ses lois, comme la pesanteur." Emile Zola.

Des batignolles à Auteuil, un mécanicien de locomotive erre, le couteau à la main, hanté par une idée fixe : tuer une femme... Dans le train qui mène au Havre, un couple poignarde sauvagement un notable du régime impérial, avant de le jeter sur la voie. À la Croix-de-Maufras, lieu dit reculé, un garde-barrière empoisonne son épouse, dans l'espoir de mettre enfin la main sur son magot.

After her lover abandons her and their two children, Gervaise marries a tin worker, Coupeau, who helps her rebuild her life. She starts her own business, and the two have a daughter, Anna (the protagonist of Zola's later novel Nana). But their happiness is short-lived as a freak accident leaves Coupeau seriously injured, beginning the family's fall into alcohol, desperation, and violence.

La spéculation, telle qu'elle se pratique de nos jours, naît sous le Second Empire. Aristide Rougon, dit Saccard, le promoteur immobilier de "La Curée", réapparait ici en conquérant de la finance.Le "jeu" capitaliste enflamme les passions des grandes fortunes comme des classes laborieuses. Zola démonte le mécanisme des opérations boursières et scrute les personnages typiques du milieu de l'argent.

Dans ce roman, on découvre une société dominée par le plaisir et l'argent, le milieu du théâtre parisien au 19ème siècle et de la prostitution, celui de l'aristocratie et de la grande bourgeoisie.À travers le personnage de Nana, jolie fille du ruisseau, prostituée et comédienne sans talent devenue célèbre courtisane, Zola décrit la déchéance d'une femme, et celle de la bonne société qui lui apporte ses amants, mais aussi la fin du Second Empire, qui se rue avec insouciance vers la guerre et la débâcle.

Zola’s La Terre (The Earth) proved highly controversial on publication in 1887 and still retains the power to shock. It follows the fortunes of the Fouan family in the years leading up to the Franco-Prussian War. Old Fouan, the patriarch, draws up a legal contract to divide his farmland between his three children in exchange for an allowance that will support him and his wife through a comfortable retirement.

Octave Mouret, précurseur inspiré, bouleverse sa corporation comme Haussmann bouleverse la ville. Il parie tout sur les femmes, sur leurs envies et sur leur incapacité à surmonter les tentations.
Une lui résiste : Denise, incarnation de la vertu et de la générosité. Elle devient une obsession pour cet ogre.

Against the backdrop of political and legal corruption in Second Empire France, La Bête Humaine (1890) contrasts the technological advancements of the Machine Age with the primitive and timeless human impulse to possess through killing and to kill through possession. The lives of two railwaymen on the Paris-to-Le-Havre line are fatally entwined by their love for the same woman in this shocking account of brutal violence, greed, revenge, and repression.

Nana Coupeau is a beautiful woman, able to attract men of enormous wealth with the crook of her finger. Part-time prostitute, part-time actress, she makes her debut in a mediocre operetta The Blonde Venus at the bustling Paris World’s Fair of 1867. She can’t sing, act, or dance, yet she is stunning. Nana soon rockets through elite Parisian society, and, blinded by desire, men crawl to her feet, yielding to her every demand. Affections are manipulated, hearts are broken; fortunes are gutted and inheritances squandered.

Against a backdrop of modernisation, extravagant luxury, political intrigue and sexual immorality, Saccard treats close relationships as money-making opportunities and loved ones as mere commodities. As one character puts it: ‘You see, everything is fine, as long as you make money from it.’

Although it is little known in this country, The Belly of Paris is considered one of Émile Zola’s best novels. Set in the newly built food markets of Paris, it is a story of wealth and poverty set against a sumptuous banquet of food and commerce. Having just escaped from prison after being wrongfully accused, young Florent arrives at Paris’ food market, Les Halles, half starved, surrounded by all he can’t have, and indignant at his world, which he now knows to be unjust. He finds that the city’s working classes have been displaced to make way for bigger streets and bourgeois living quarters, so he settles in with his brother’s family.

Aristide Rougon, known as Saccard, is a failed property speculator determined to make his way once more in Paris. Unscrupulous, seductive, and with unbounded ambition, he schemes and manipulates his way to power. Financial undertakings in the Middle East lead to the establishment of a powerful new bank and speculation on the stock market; Saccard meanwhile conducts his love life as energetically as he does his business, and his empire is seemingly unstoppable.

Étienne Lantier, mécanicien au chômage, erre sur les routes du nord de la France. Au hasard d'une rencontre, frigorifié et mort de faim, il finit par trouver un emploi dans la mine du Voreux. Il découvre alors les conditions inhumaines du travail et la misère de la vie de mineur. Mais, les conditions économiques étant au plus bas, la Compagnie propriétaire du Voreux essaie de baisser encore leurs maigres salaires.

Country girl Denise Baudu arrives in Paris hoping for a position in her uncle's clothing shop. However, her uncle's shop, along with other small shops in the area, is doing poorly. This is due to the large store across the street - The Ladies' Paradise - which is swallowing up the small specialty stores by offering 'one-stop shopping' at discounted prices. 19th Century Paris is experiencing the dawn of the department store. Despite her loyalty to her uncle, Denise is drawn to the progressive Ladies' Paradise and it's owner, the driven but charismatic Monsieur Mouret.

Perhaps the most autobiographical of Zola's Rougon-Macquart cycle of novels, The Masterpiece is a hard, bleak, and raw portrait of unrecognized artistic genius. Claude Lantier, brother to Nana and son of Gervaise, is a struggling painter who dreams of conquering the Paris art scene with his revolutionary "open air" style of painting. Discouraged and mocked, Claude retreats to the countryside with a young woman from Clermont, with whom he has fallen in love, before returning to Paris, where he continues to experience rejection at every turn.

Once upon a time, a teenaged Kate Winslet (The Reader, Titanic, Revolutionary Road) received a gift that would leave a lasting impression: a copy of Emile Zola’s classic Thérèse Raquin. Six Academy Award nominations and one Best Actress award later, she steps behind the microphone to perform this haunting classic of passion and disaster.

Zola’s The Ladies’ Paradise (Au Bonheur des Dames, 1883) plays out in a colossal and opulent Parisian department store of the same name. Its owner, Octave Mouret, builds his innovative, upmarket women’s fashion empire at the expense of the city’s smaller, traditional shops.