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The Belly of Paris  Por  arte de portada

The Belly of Paris

De: Émile Zola, Ernest Alfred Vizetelly - translator
Narrado por: Frederick Davidson
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Resumen del Editor

Although it is little known in this country, The Belly of Paris is considered one of Émile Zola’s best novels. Set in the newly built food markets of Paris, it is a story of wealth and poverty set against a sumptuous banquet of food and commerce.

Having just escaped from prison after being wrongfully accused, young Florent arrives at Paris’ food market, Les Halles, half starved, surrounded by all he can’t have, and indignant at his world, which he now knows to be unjust. He finds that the city’s working classes have been displaced to make way for bigger streets and bourgeois living quarters, so he settles in with his brother’s family. Gradually, he takes up with the local socialists, who are more at home in bars than on the revolutionary streets. Slowly, the ever-widening gap between the rich and the poor drags the city to the breaking point.

©1996 Translation by Sun & Moon Press (P)2012 Blackstone Audio, Inc.

Reseñas de la Crítica

"[The novel’s] descriptions of cuisine…are notable for their length, detail, and humor." ( Washington Post)
"One of Zola’s own favorites, The Belly of Paris is a brilliant exposition of one man’s fragmentation and an often painful indictment of those who live innocent of infamy or praise." ( Publishers Weekly)

Lo que los oyentes dicen sobre The Belly of Paris

Calificaciones medias de los clientes
Total
  • 4 out of 5 stars
  • 5 estrellas
    23
  • 4 estrellas
    27
  • 3 estrellas
    10
  • 2 estrellas
    1
  • 1 estrella
    5
Ejecución
  • 4 out of 5 stars
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    22
  • 4 estrellas
    22
  • 3 estrellas
    10
  • 2 estrellas
    2
  • 1 estrella
    4
Historia
  • 4 out of 5 stars
  • 5 estrellas
    17
  • 4 estrellas
    25
  • 3 estrellas
    10
  • 2 estrellas
    3
  • 1 estrella
    4

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  • Total
    5 out of 5 stars
  • Ejecución
    3 out of 5 stars
  • Historia
    5 out of 5 stars

Not keen on Davidson’s voice

I’m not keen on Frederick Davidson’s voice. His performance on the women in the market are not that distinguishable, their raspiness made my voice hurt. His performance of Florent was breathy made my lungs feel constrained, and my throat tightened. His acting was superb, but the accompanying voices didn’t give the movement its instrument.

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esto le resultó útil a 1 persona